DRW50

@Maxim Thanks for the clip. There's that Janet in Natalie... Such a huge waste of Nancy Addison. I don't know if you have watched the two 1973 GL episodes with her that recently appeared, but she's playing a very similar type of character. Nancy could play anything. Even...this. Dull David. I don't know if those photos are on here anymore but the best thing about him was his workout shots in Episodes Magazine.

One of the finest actors we'll ever have. He could play anything. You never felt like he was phoning it in. Thank goodness for New Hollywood - without it we probably never would have had him. You'd never have anyone like him today. Night Moves is a devastating film, with Hackman playing a deeply depressed man, but never doing so in a showy way. Just watching him in bed, talking about his struggles, could be agonizing, because it felt so personal. Every moment of that performance stays with you. We all knew he was in his last years, but I don't think anyone imagined this. I just hope the passing was quick and painless.

Apologies - I meant I read there's no real physical affection between them.

I never understood what the urgency was in breaking her up with Rick and pairing them with other people. I know there have been claims of some issues between actors in that group, but I don't remember ever hearing of any between Krista and Michael. Was Long just trying to make sure her creations had more of a following, given that Rick and Mindy were both popular with viewers? It doesn't even seem like Kurt was on all that long. When I read synopses, it goes from their marriage to Mindy burning down the house to him dying in Venezuela in what seems like less than two years.

Any time I see those moments on DAYS it comes across as dolls being thrown together (not helped by his obsession with men I find about as sexually appealing as Snuffy Smith [and I am not talking about Greg Rikaart]), but you're right, it is still more than GH. I haven't seen BtG yet - I've heard they have nothing for the gay characters but I am not judging them on that, considering where this country is headed. Lois does deserve a new man. I just find most of the new male characters in that age range to be such dullards. It seemed like whatever she tried doing in primetime dimmed her spark. I guess that's why Frank brought her on, from friendship, as it doesn't seem to be down to writing her based on who Brook Lyn used to be. I'm half-surprised they didn't have them actually have sex around the time of Carly lying that they were hooking up in Tracy's room or wherever the alibi was.

Rena does project as younger than Setton, even when she isn't trying to be young. She also dresses younger. If they did pair Lois with anyone it would just be filler, but if Rena is willing to stay around, I wish they'd try. Maybe they could bring Justus back from the dead and pair them up.

Thanks. I thought it was somewhere after her relationship with Jax. I may be thinking of some later moment with them. That makes sense as a story idea for Sonny and Gio. The show has such a confused relationship with the mob, because you will still have a few characters who protest the mob for brief story purposes, but never in a manner that feels like a point being made - Jagger hated Sonny but he was meant to be a prick, Sasha doesn't want to be tied to the mob but she is fine with Jason. Yet the mob is still inescapable because it's just blended much more into the canvas than in the days where characters like Edward or Alexis were putting them on blast. So I don't think you could have a story today like Sonny grooming Stone and the different reactions those around him had...but I think there are scraps which can be found if the show tries, even as they will never actually be against Sonny. I do remember when Dante was meant to be more sexual. Given Sam's sexier pairings in the '00s it's too bad they never did more with a more erotic element between them. I guess it's just not a part of GH anymore. Or any soap, frankly, not only in the US, but internationally. As we're in an era where gen Z is asking to bring back the Hays Code, I don't see that improving.

I don't want Gio to be another Jason or to be all about the mob life, but when his grandfather is the mobster of all mobsters in GH-ville and his grandmother is a lifelong friend of mobsters, I think it's an inevitable part of his story to explore. He will also be dating a girl whose mother and grandmother are close friends with mobsters. I think it would be some good conflict for Dante as he would finally have to face a choice he mostly avoids, beyond some moments of doubt - he could forgive Sonny for almost killing him, but knowing his son could be killed at any time (even if he swore off mob life) may be another story. Of course all will be fine soon enough, because it's Sonny, everyone loves Sonny in the end, but it's one of the only beats I can see being played with giving Dante an adult son. I don't think Dante and Brook Lyn will be too desexualized by this reveal - I think Sonny and Carly were [!@#$%^&*] in limos when Morgan and Michael were older than Gio is now (although my memory of their grotty relationship isn't the best) - but I do think that Setton being so Pureflix adds a more somber atmosphere that the story didn't need.

I only really knew Michelle through Buffy. Dawn was often a very annoying character, but there was no denying Michelle's talent and star power. I'm sorry to hear of her struggles and her passing.

The whole thing with the mob on GH is so many enable it, including cops like Anna, I don't have a hard time believing characters could be drawn into it. The days of Karen and the strip club are gone, along with Jagger's corpse. I do think Dante might get upset though, and that would be a potentially interesting story. I don't think it would be out of character for a young guy who suddenly gets into big cash to start spiraling. Admittedly I am not sure what characterization Gio has anyway. I think Violet is a guarantee at some point. I don't want them to trash Lois, but I do think the chance is there to let Rena Sofer have a chance to act if they try. Anything with these characters feels scraped together to fill out episodes or because they had to scrap another storyline.

That was entertaining. She's a real mover. Better than I'd ever be. She suited that more than she did playing Diana.

A part of me wonders if Ron might bring up Finn in hopes of easing a Michael Easton return. The Gio reveal seems to just be there for a possible Lulu/Brook Lyn/Dante/Chase quad (or more if she is still meant to be paired with Cody - is that ever going anywhere)? I think @Vee 's idea of Gio going off the rails with Q money and power is interesting. And I guess there could be drama if he gets involved in the mob world. I would mostly be interested if there is any fallout for Lois.

I was hoping you meant the return of Diana Taylor. (surprised Ron never brought her back trying to kill Heather, probably played by Dinah Manhoff)

IIRC, we may actually get a scene with Lien and Amy, unless that's just something I invented because it sounds right. Either way, they should have done more with the character, and with Penny if Rosemary Prinz was still willing to return.

@Vee I'd never thought about it before, but stranger things have happened (and we don't know a lot about what Llanfair looks like pre-71, do we, aside from one episode). Cain does become close to Asa for a time, yes. I don't think Malone ever knew what to do with Cord, although he wasn't alone in that as the character was packed off not long after Malone left. John Loprieno was a more charming performer than the material for him would suggest (still, it was great stuff compared to his ATWT run).

Thanks for the extra details. Young women on soaps in the '60s and '70s were constantly in peril from college professors... I didn't know Ben Andrews was on Return to Peyton Place. I wonder how he was. Sad that he died so young (not the only Next Step Beyond guest star to do so).

When I was skimming through a few episodes to see if they'd written out Scott and Nora at that point, I saw some of this. I was shocked, especially at the picking up sailors mention. I wonder if this may be the first mention of homosexuality, so blatantly, on a soap. Given some of the pre-release press about addressing homosexuality I wonder if they were planning to bring Tony in before the writing changes.

Thanks for catching that @janea4old . I wouldn't have known otherwise. Brutally Honest Oscar Ballot: 'Conclave,' 'Emilia Pérez' Star Lost His Vote https://www.goldderby.com/article/2025/secret-oscar-voter-ballot-the-brutalist-sebastian-stan-demi-moore/ Three other ballots at Gold Derby.

@slick jones Apologies if you already have this, but someone on the comments section for the June 20, 1983 episode of Guiding Light said they played Doug Carlucci, nominee for homecoming king. They said they also appeared in a few other episodes after this. Their handle is Matthew Gallagher.

I didn't really care about that, but not being able to use "Truly" when that was their song stood out. Instead, we got muzak. To be honest, much as I liked the idea, the recreation was always a questionable idea with Beth Chamberlin in the part.

Thanks for getting back into these analyses.

First Twin Peaks Day without David Lynch...but we'll never truly be without him. I watched a little of the pilot and it hits just as hard every time.

So many of Roberta's songs mean so much to me, it's hard to even choose, or put into words. She never got the credit she deserved. This may be my favorite of her songs - the end of Only Heaven Can Wait makes you feel like she is taking you with her. I'm glad she is free of this world.

https://people.com/john-lawlor-dead-the-facts-of-life-actor-was-83-11685684 I always had a soft spot for Lawlor on Facts of Life. A very charming presence even with goofiness surrounding him.

I do appreciate that aspect enough to give them more credit than I can others of the era, like Dallas and Dynasty. I appreciate Knots ending with closure as well, but the choice to end with Angela's toast, and her point of view, taking us through the heart of the show, what it always was underneath all the '80s excess and Rolodex of has-beens, was a perfect choice, and Jane Wyman's delivery (and apparently, she wrote the speech herself) did everything justice. It's not something you got at the time, and it's not something you'd get now (instead you would just have a poorly edited montage to some kind of emo pop cover).