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beebs

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Everything posted by beebs

  1. So it looks like May 1978 was the last Daytime Serial Newsletter, and that's a shame, because I'm not entirely enamoured with (I'm guessing) SOD's writeups. They're more detailed, technically, but somehow a touch more shallow, and because they jump between storylines, it's harder to follow what happens. I'm finding myself with a number of questions as to character motivations that I didn't get with DSN. Anyway, a lot happened in June 1978, so I'll just go into that one. So Donna so screws up her young life that she threatens to jump off a ledge. Marlena and Don talk her down, but while he
  2. I may be wrong, but that's Stephanie Braxton in that clip. I'm PRETTY sure that would be AMC, if my timelines are correct for what show she was on at the time.
  3. EPISODE 186 Written by A. Washington-Beeby Story Consultant: C. Nathaniel Richardson & Nick Monarco Kim stands in her living room, held in Andrew's arms tightly, her tears over Roman subsiding through her son's comfort. ANDREW: It's okay, Mom. It's okay. As Andrew cradles his mother, Kim reaches around, holding her son. She feels the soothing comfort of someone to lean on. KIM: (laughs) I know. I...Andrew, I missed you so much. ANDREW: Shhh...I'm here now. KIM: I know. Just...with mom, and Kayla, and Roman. I just...I feel so
  4. Unless Ann Marcus did a 180 on this, it seems he isn't! Donna blew the whole scam by telling the lawyer who was representing Lorraine in the custody suit all about the scam because she stupidly thought he was in on it. Her actual father is apparently some GI who Lorraine slept with before moving in with Don. She was already pregnant when she lived with Don.
  5. I just logged back in and realized how long that post was. I should never post at 3am with insomnia. I am SO sorry, Y'all.
  6. Made to May 1978 now in the Daytime Serial Newsletters. Ann Marcus seems to have settled into the job as headwriter now a year in, and is starting to find her groove. It's still not anything like it had been in Bell or Pat Falken Smith, but her show is finding its footing. I think if I'm to look at Ann Marcus' run through cynical modern eyes, it's easier to find fault in it than it is in the context of where daytime soaps were in 1978. I'll agree with @Paul Raven that Julie being raped by Larry Atwood was unnecessary, but I think part of me looks at it that way because SO MAN
  7. If I'm to believe Ellen Holly, he may have been such a tyrant to work for that nobody wanted to hire him anymore.
  8. Thanks for the links @victoria foxton, and yeah, I'm less than engaged in Ann Marcus' stories so far, tbh. I watched the March 1979 episode earlier, which is early in Elizabeth Harrower's run. It already seems to be shifting back into a more intense style of the Bell era. Stephanie frying her fingertips off to stop the folks at Anderson from finding out she's actually Brooke is still shocking viewing 40 years later. As silly as the whole "Brooke comes back with a new name and face" story was (another Ann Marcus plotty story twist), I really do wish her identity had come out more naturally, and
  9. I love it. And you're absolutely right. Play it so slowly we hardly notice it happening until it's right in our faces. It can so easily be done, especially since the real story is Maggie's insecurity, and longing for the simplicity of her previous country life. Eventually, that could've even led to Maggie resenting Mickey having come into her life, driving him back toward Linda, for example. Ann Marcus seems allergic to this kind of story so far, as everything I listed above, plus Brooke spying on Bob, getting caught, and trying to run out of town and crashing her car and "dying", all wit
  10. LOL thank you @AbcNbc247, I'm gonna keep reading the Daytime Serial Newsletters and maybe post a little more about what happens as I go along. Do we know when the last DSN was published? I really like the detail they put into their summaries. It honestly feels as though Ann Marcus put all the stories on fast-forward and simplified everyone's emotions in order to get a handle on the show. I can appreciate how, as a new writer coming into a show you're somewhat unfamiliar with, this particular show would be daunting and rather dense from a characterization point of view. But, having said th
  11. Thanks for that, it's reassuring to know that the newsletters are giving me a relatively clear picture of what's going on. It's true, Doug and Julie's wedding seemed to really seal their fate in terms of story prominence. Suddenly both characters are sidelined and mostly are talk-to's after their wedding, up until the custody fight for baby Dougie in Summer '77. I have to say, it's another story I'm kinda going WTF about, largely because, wouldn't this be an optimal time to reveal that Dougie is actually Doug's son, allowing Doug and Julie to perhaps fight for custody? Instead the secret
  12. So, obviously not being old enough to have watched at the time, I've been instead reading the Daytime Serial Newsletter write-ups about the show from this era, and...even just reading the writeups from the beginning through to Ann Marcus' tenure, you can see a definite shift the moment Pat Falken Smith leaves in April 1977 and Ann Marcus takes over. The writing is suddenly far less psychological, the stories are less compelling and emotional, though definitely still rooted in the same characterizations as before. The writing is far more broad, and it becomes much more plot-based. I apprec
  13. EPISODE 185 Written by A. Washington-Beeby Story Consultant: C. Nathaniel Richardson & Nick Monarco Brady stands in Anita's living room, stunned by her announcement that Anita is not, in fact, a kind stranger that plucked him from the river, but his grandmother, Loretta Toscano. He struggles to speak a single word, sputtering as Anita tears up, Tyler holding her shoulders, trying to keep her calm. BRADY: Wh....what did you say? Anita stands shaking before Brady, terrified of what this revelation will do, before repeating herself.
  14. I suspect this guy will turn out to be Allie's actual babydaddy in the end.
  15. EPISODE 184 Written by A. Washington-Beeby Story Consultant: C. Nathaniel Richardson & Nick Monarco Marlena sits with Roman in his SUV in the undergorund parking of her building. She appears concerned about him, as Roman stares out the front windshield, almost acting as though she's not there. Outside the vehicle, Kim, Andrew, and Abe look in on them. After a moment's awkward silence between then, Marlena tries to coax him out of his apparent trance. MARLENA: Roman? Roman continues to look out his window, looking out at Kimberl
  16. No, it's a fair point. I think there's too many cooks in the kitchen right now for anything good to come out. I just wish there was at least some coherent story as the end result. I don't understand how the execs are so allergic to compelling storytelling.
  17. Yup. Mojo was absolutely Vivien. And I feel like Clay Collins was this fusion of David Banning and Chris Kositchek in mannerism. I'm sure I'm missing a couple more moments that stood out to me, but... Yeah. The similarities absolutely did not get past me.
  18. Definitely check out Days of the Week. It's all on YouTube. I'll be honest, whoever wrote that sketch had NBC daytime on all the time, cos there was a lot of little things that stuck out to me as familiar. Thank you! It's probably just my own impossible standards that make me self-critical, but it's reassuring to hear others enjoy my ideas. We have a world of talent in this forum, and it frustrates me so much that none of that talent is ever seen onscreen on any of the big shows. We struggle through our own little projects here and there, thankfully. But it really ann
  19. I mean, obviously I've been working on a DAYS fanfic here for years. I've got so many years of story mapped out still, and honestly, considering I've been working on this for 6 years now, finishing up a lot of my initial stories are starting to pain me because I've changed and grown so much in that time, that I spend more time filling in plot holes and gritting my teeth through a lot of what I'm posting, while dreaming of the stuff that's to come that I never seem to get to. At least it motivates me to continue, I guess! As for my own soap, absolutely. When I was 12 (so around 1998-99), I
  20. EPISODE 183 Written by A. Washington-Beeby Story Consultant: C. Nathaniel Richardson & Nick Monarco It's a cool dark night on the outskirts of Salem. A chilly wind has kicked up, as Tyler Houston steps toward the front door of Anita Hernandez's cabin. He knocks, as he looks out at the dark night around him. Rubbing his hands together to keep them warm in the cold, he tenses his body as he awaits Anita. Opening the front door, Anita is surprised to see Tyler standing there. ANITA: What the--what are you doing here? TYLER: (sigh) It's a long
  21. The fact I've got myself a new place (close enough to work that I can walk there), AND a date (my first in two years) is reason to get myself something decent from Wine Rack tonight, ngl.

  22. EPISODE 182 Written by A. Washington-Beeby Story Consultant: C. Nathaniel Richardson & Nick Monarco Marlena emerges from her bedroom at her penthouse, freshly changed into her street clothes, as the doorbell rings. She calls out to the person ringing the bell, as she heads for the door. MARLENA: Coming! Marlena walks over and opens the door to find Abe there. She quickly motions him inside. MARLENA: Abe! Thank you, I know it's short notice. Abe steps inside and gives Marlena a quick hug. ABE: It's alri
  23. EPISODE 181 Written by A. Washington-Beeby Story Consultant: C. Nathaniel Richardson & Nick Monarco Gabi stands in Nick's room at the Kiriakis mansion, holding the pictures he's had hidden in his desk drawer of Gabi, Sami, and Kate trying to drown him in her hand. She's relieved to have finally found them, holding the pictures up to her chest, smiling for the first time in ages. GABI: Oh my God, yes. As she celebrates her mission being completed to retrieve the photos, lurking on the other side of the door is Nick, who is spying on her throu
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