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beebs

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Everything posted by beebs

  1. The fact I've got myself a new place (close enough to work that I can walk there), AND a date (my first in two years) is reason to get myself something decent from Wine Rack tonight, ngl.

  2. EPISODE 182 Written by A. Washington-Beeby Story Consultant: C. Nathaniel Richardson & Nick Monarco Marlena emerges from her bedroom at her penthouse, freshly changed into her street clothes, as the doorbell rings. She calls out to the person ringing the bell, as she heads for the door. MARLENA: Coming! Marlena walks over and opens the door to find Abe there. She quickly motions him inside. MARLENA: Abe! Thank you, I know it's short notice. Abe steps inside and gives Marlena a quick hug. ABE: It's alri
  3. EPISODE 181 Written by A. Washington-Beeby Story Consultant: C. Nathaniel Richardson & Nick Monarco Gabi stands in Nick's room at the Kiriakis mansion, holding the pictures he's had hidden in his desk drawer of Gabi, Sami, and Kate trying to drown him in her hand. She's relieved to have finally found them, holding the pictures up to her chest, smiling for the first time in ages. GABI: Oh my God, yes. As she celebrates her mission being completed to retrieve the photos, lurking on the other side of the door is Nick, who is spying on her throu
  4. I will also add that many of these new shows (with the exceptions of Generations and Loving, whose timeslots were killers) were hour-long from the outset. That's a major time investment in virtual strangers to make every day, especially at the tail end of a soap lineup. I think a big part of B&B's and Capitol's relative ratings success is down to being a short half hour blip between familiar shows for viewers. I could easily sit down and sample a taste of a new half hour show daily while I wait for my old beloved hour-long show to start. But I'm way less likely to keep the TV t
  5. EPISODE 180 Written by A. Washington-Beeby Story Consultant: C. Nathaniel Richardson & Nick Monarco Jordan opens the door to Rafe's loft, finding Roman standing on the other side. She is immediately tense, particularly after Nicole's TV special, and begins to trip over her words as she goes to greet Roman. JORDAN: Ah...uh...R-- Roman looks confused by Jordan being at the door. He tries to look past her to ensure he has the right address. ROMAN: Ah...Hi...uh...is Rafe there? JORDAN: Ah, no. No, he...he just stepped out for a second. Umm.
  6. I don't really care, but your spirited defenses of someone you presumably don't know and whom largely elicits contempt from almost every corner of the soap fandom makes me wonder what stakes you have in it. You gave your opinion, folks disagree with it. Move on. No need for the series of petulant, nasty responses because folks had the audacity to say something you dislike. You know, you're right, Vee. *sigh* already given this one too much of my energy. Moving on.
  7. EPISODE 179 Written by A. Washington-Beeby Story Consultant: C. Nathaniel Richardson & Nick Monarco Sheryl paces her apartment living room, livid after Nick's attempted betrayal. Jerome gets up from the sofa, trying to cool her off to no avail. SHERYL: I can't believe it. I can't believe we were barking up the wrong tree the entire time. Sheryl turns to face Jerome, pointing a finger up to Jerome's face as she curses Nick's name. SHERYL: I'm gonna kill him, Jerome. I swear to God... JEROME: You sure whoever dropped that stage lig
  8. Yeah, it's definitely evolved over time. CBS was more conservative, slow-moving, family-centred, but there's that Bell vs. P&G divide that largely split the lineup down the middle in terms of subject matter. ABC has always moved faster, been more liberal, lighter, with grittier subject matter, definitely defined by Agnes Nixon's style. GH managed to keep pace, despite rarely sharing writers or producers with the Nixon shows. NBC was a mish-mash, since their 60s and 70s soaps were successful thanks to both Bell and Nixon's styles, and sort of defined by more daring adult dr
  9. Awesome! I saw your post about this in the Classic Y&R FB group and (haphazardly) uploaded a few episodes, but I can't seem to access the page anymore. I'll try again via the link here. Hopefully it works!
  10. You gotta love how, even back then, the mainstream press could so easily, so concisely, so quickly, get so much information completely WRONG.
  11. Reading through DAYS early history (thanks to the brilliant @JAS0N47 , of course), and in my reading of the monthly summaries, I'm increasingly finding Dr. Greg Peters to be a sanctimonious ass and it's getting on my nerves. Having never seen him on the show in any episodes that have popped up online, I'm curious to know what others' opinions of his character were, watching day-to-day. They also glaze over a (to me, understandable) overprotectiveness Susan Martin had over her daughter, Anne, but only refer to it in reference to the litany of complaints Greg had about Susan. Was this reall
  12. With DAYS, that point came surprisingly late: the past year things have gone so off the rails, particularly with the death-means-nothing vaccine, and the stupidity with Steveno and turning Julie into Miss MAGA. The show has been crazy before, but always seemed to hold a sense of reverence for their history, at least enough so not to completely stomp on it. They moved forward instead of constantly messing with the past. I honestly don't know if there is a moment I could really pinpoint as "the last straw" for me, but there were a number of WTFs in 2019 that finally killed it for me. GH, ho
  13. You also gotta love how, despite having almost 10x as many daily viewers at the time, DAYS "outdoor" sets in 1975 could amount to little more than a poorly-disguised curtain of trees and a baby picnic table, yet the story was far more compelling. A lesson could be learned by the writers of today watching this (but won't be).
  14. In fairness, Ron's quite happy to block anyone whose nose is anything less than a deep brown after interacting with him on Twitter, so I guess folks wanna stay suckholing.
  15. I vaguely remember hearing that too, but I had tuned out by the time Bo died, so...
  16. Exactly. I don't understand how taking more frequent breaks to keep them around the 3 month mark is less cost-effective than getting themselves 8-9 months ahead by doing the same thing.
  17. Realistically, I know that. But creatively/ratings-wise, it would be necessary to turn the ship around at this rate. And yeah, Sheri was the only thing reigning him in, it's plain as day. Quan had good ideas, like I'm fairly certain it was his idea to bring on Eli and Valerie during his last stint, but of course, Dena doesn't know how to execute anything, and I think he's too green to really know how to execute his ideas effectively, either. He would need someone like Sheri or Lorraine Broderick to help him steer the ship. But even if they were to drop the axe on Ron tomorrow, it still wo
  18. Girl, Hitohah outta here.
  19. I'll tell you exactly why, from someone who also recently tuned out after watching pretty much daily for the past 9 years: There is no time taken to build anything. This show is so invested in getting to the next plot point, they skip the fallout from everything that's just happened to rush to the next big plot point. Instead of investing in characters and relationships to flesh out where the stories are now and how it all matters, it's all just bombarding you with flashbacks and expository dialogue to explain the convoluted scheme that lead to the latest unexplained "shocking" reveal. Th
  20. Ron needs to be gone, and they need to scrap the next however many months he's written and reshoot it, expense be damned, otherwise this renewal will be their last.
  21. I do wish there would be more widespread reporting of online viewership, because with Nielsen only reporting traditional TV ratings, it's like driving with one eye covered. We have no real idea what shows young people are watching, because everyone's moved to streaming services, and none of them are reporting their viewership, which I find bizarre. I assume the networks have SOME idea how many viewers are watching online, but apparently that isn't factoring into their business decisions, and thus the stories are catering only the remaining TV viewers, who are apparently largely 65+ and pe
  22. It did. I think losing James Scott, Camilla Banus, Eileen Davidson, and Ali Sweeney all in very short order really caused massive problems for the momentum for TomSell. I feel they had so many plans tied to those five characters, that to lose them one by one, they didn't know what direction to go in from there. Their antipathy toward the men of Salem didn't help. Drake Hogestyn was barely on the entire time, and when he was, he was a crusty husk of his former self. You really could sense a loathing of the character of John during that period. Jennifer was, I think, the only character of t
  23. +1 to this entire post, honestly. I will say that my predictions for the coming decade are relatively bleak. I'm anticipating DAYS won't be on TV five years from now. We'll see how the app series pan out. They very likely are using the app to acclimate viewers to watching episodes via the app in preparation to move online. If they do, they'll need to shrink the cast down significantly, and episode lengths as well. I have a feeling that the wave of annoying conservatism we see on the shows with regard to subject matter will only get worse. Recent exchanges I've had with folks on certa
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