@Maxim Finally catching up with your reviews and I must say your thoughts on Dorian, Marty and the growing love between Bo and Nora are beautifully written, especially the different dimensions of Dorian. The line from Nora about how they can never hurt each other can never be real, but you so much want it to be real, which is the power of the dialogue, chemistry, performance.
And yes, it's very nice to see Andrew sans shirt.
That Marty and Suede scene is such a blast (other than Suede mouthing the words, which I do not like). The emphasis on the sexual tension between them, somehow presented in a positive, fun way, instead of seedy, is difficult to pull off. The sequence is a beautiful yet dirty fantasy - there's the heat, but a safe heat, with everyone cheering them on instead of someone throwing up, or starting a fight, or grabbing Marty's ass.
What I appreciate most in these clips and most of the show at the time is the very honest and very believably presented sexuality. It's not trying too hard - you don't have characters in overly edited scenes to try to show passion or characters in a room full of fire hazard candles. The scene with Jason and Dorian where she keeps asking him to make love to her as he tries to instead emotionally comfort her is incredibly restrained even while in the throes of passion - you can believe these are lovers, you can believe Dorian's fears and Jason's concerns. None of this would get on the air now.
It always amazes me that Frank Valentini was around to first-hand observe these years of OLTL but his work in comparison often feels so sexless and when he was working with Ron, felt so juvenile. I imagine if Ron ever watched any of this, he'd fall asleep.
I did laugh when Dorian reminded Jason that she is a doctor. I can't remember if Elaine Princi had those mentions of Dorian's medical past. Enough producers and writers would go back to this that I wonder if Robin Strasser wanted to mention Dr. Dorian.
I don't love Lindsey's wardrobe. I'm not sure if there was a plan for her clothes, maybe she was meant to dress in a way which seemed non-assuming, but it comes across as having a limited budget. I think the clothes are too young for Anna Holbrook, if that makes any sense. Maybe that is the idea, I don't know.
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DRW50 ·