Jump to content

Racism and racial representation on soaps


Recommended Posts

  • Members

I talked about this privately and publicly a couple years back. I deeply hated the writing and really was infuriated by the deification of the character (and Natalie, who Dena Higley clearly hated, suffered as well in this era), but I always liked REG despite having major issues with Evangeline's development. And the fact is she was frontburner, and that was exceptional. And while things could and did turn around for a white lead like Natalie post-Higley, the fact is it would never happen for a woman who looked like Evangeline (or Layla) today on daytime, and that's crazy and unconscionable.

 

I'll repost some of what I said then:

 

Edited by Vee
Link to comment
Share on other sites

  • Replies 722
  • Created
  • Last Reply

Top Posters In This Topic

  • Members

 

Not sure I agree with you on this one. To be sure, the storyline had its issues, but I was recently rewatching some 1999 ATWT and Ben/Denise/Camille are all very frontburner... more frontburner than I'd remembered, even. I recently watched one where Denise had a flashback to her one night stand with Andy and it was pretty sexy! And, I mean, they did give her a child with the son of Kim and John. Give them some credit.

 

On the flip side, maybe the sad thing is I grew so used to the shaft CBS daytime has given black characters for 20 years now that seeing a CBS soap do the bare minimum was shocking/impressive to me.

Link to comment
Share on other sites

  • Members

ITA. I remember people excoriating the writing (because Higley), but Evangeline’s prominence was unprecedented for a black character of any gender in daytime. If she’d been white, she’d have had a whole family built around her.

Link to comment
Share on other sites

  • Members

 

At the beginning, when Agnes Nixon was writing the show, David Siegel was clearly portrayed as Jewish. He married the Irish-Catholic Eileen Riley with whom he had two children, Tim and Julie, however, and not a lot of emphasis was placed on Tim and Julie being half Jewish until ex-nun Jenny Wolek wanted to leave the church and marry him. Jenny's second cousin Vinnie Wolek disapproved of the idea based on religious grounds, but he was portrayed more as being opposed to Jenny breaking her vows to God rather than her marrying a man outside her faith.

 

Rick Edelstein very effectively wrote for the Jewish Bachman family on How to Survive a Marriage as well.

 

Of course, nobody but me even watched that show, LOL.

Please register in order to view this content

Link to comment
Share on other sites

  • Members

I loved Evangeline, and I remember the awful comments about her on soap boards quite clearly.  I was so excited for her Broadway success, and angry at OLTL for letting her go.  She was a vital character during a terrible period on the show.

 

And reading @Vee’s post, it reminds me just how integral she was for a period there.  She was a lead character, and was fully involved in major stories on the show.  Certainly GH and AMC did not invest so much in black characters during that time, until Angie and Jesse returned to AMC.
 

I remember when she was no longer going to be on the show being so confused why. Stupid on ABC’s part- but this was also the era of the men being the focus on all three of their shows, and the women becoming so dependent on the men.

Link to comment
Share on other sites

  • Members

 

I appreciate the basic idea, but they just absolutely fumbled the execution. I remember the visceral hatred for Denise and how long it took for that to change - and by the time it did, the show had mostly given up on the character. 

Link to comment
Share on other sites

  • Members

It’s sad but I mentioned a while back that Jesse is the only black character whose death has been allowed to reverberate and matter through a soap’s history, due to his friendship with Tad (flashbacks, dream sequences) and Angie’s return on Loving and The City with the Jesse doppelgänger. I still can’t think of another. Of course, he came back alive, which is notable in its own way.

 

Neil on Y&R has already been forgotten (a reflection of his diminished role on the show prior to his passing), and he was played by a beloved award-winning actor whose untimely real-life death made international headlines. 


I fall on Bell spectrum in terms of the Bell/Nixon divide. I’m just more drawn to his aesthetic. But Agnes’s handling of American diversity was just infinitely better. There’s just no comparison, and that’s even taking into account Bell’s great stuff with Neil and Dru in the ‘90s.

Link to comment
Share on other sites

  • Members

The fact that she, the actors, network and show even did the story of Carla passing is incredible.  TV doesn’t often tackle this topic today!  The fact they told it so well that it still comes up in examination of daytime is worthy of praise, but then Agnes consistently followed it up on her other shows by having important black characters.

 

Just imagine how much better stories like that and others would have been over the years if more people of color had been mentored on the writing teams of these soaps!

 

Angie and Jesse were integral to AMC.  And when they came back it was like a missing piece was back in place and made it seem more like it should be.

Link to comment
Share on other sites

  • Members

Anyone remember TJ's being racially profiled at Wyndham's off screen on GH? It could've been a game changing story but as usual ABC and the rest of the TPTB didn't want to commit thoroughly to this story.

Edited by Forever8
Link to comment
Share on other sites

  • Members

I know people thought RC’s JJ/Theo shooting story on DAYS was so great, even though he wrote it from the white cop’s perspective. But ohhhh he had Eli name-check Black Lives Matter. The bar has been lowered. At least it got James Reynolds an Emmy.

Link to comment
Share on other sites

  • Members

That was a beautifully done story.

 

As an aside, seeing David Lee Russek as Sean on the classic episode of Y&R reminded me he played the dirty white cop who raped Toni (Rhonda Ross Kendrick) on AW in the mid-‘90s. I wonder how that story would be received today, as she had mistakenly accused the innocent Nick Hudson of the rape.

Totally. Yet Paul Rauch managed to erase all that rich history in a moment. (As great as AMC handled Angie/Jesse in the ‘80s, the other flagship ABC soaps OLTL and GH did a pitiful job in that decade.) I remember OLTL brought back Ed and Carla’s grandson for a brief run in the 2000s, but that’s as much as their legacy extended. Agnes Nixon’s continued involvement with AMC helped maintain its diversity.

Link to comment
Share on other sites

  • Recently Browsing   0 members

    • No registered users viewing this page.



×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy