And they shouldn’t be, of course, but the writing for them has been so generic and muddled over the years. Audra is the schemer that one of them should be. None of them should be your run-of-the-mill heroines.
If they keep them, just considering the actresses’ strengths, Chloe is more suited to being an established corporate pillar; Chelsea should just be a plain old psycho but not a wishy-washy one with depression; and Sally more of a rough-and-tumble, ambitious social climber/street fighter from humble means. They are all so milquetoast and forgettable as currently written.