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SON Community Back Online

B&B to air classic episodes

  • Member

Now that CBS is going to air actual classic episodes it's time for a thread.

 

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I guess May 4 is not a Stephanie Forrester week, but a best weddings week:

 

https://www.viacomcbspressexpress.com/cbs-entertainment/releases/view?id=55077

Then, as THE BOLD AND THE BEAUTIFUL comes down the aisle, storylines will include:

On Monday, May 4, Taylor Hayes (Hunter Tylo) desperately attempts to escape from Prince Omar (Kabir Bedi) to let Ridge (Thorsten Kaye) know that she’s alive, while Ridge and Brooke (Lang) have their epic first wedding in front of friends… and foes on the beautiful beach in Point Dume, Calif. The episode originally aired Sept. 30, 1994.

 

On Tuesday, May 5, Steffy (Wood) and Liam (Clifton) are wed in front of the iconic Opera House on the glorious Sydney, Australia harbor. While the ceremony progresses in front of family and friends, Wyatt (Darin Brooks) eases his sorrows over his brother’s marriage to his ex-wife with several drinks. The episode originally aired March 22, 2017.

 

On Wednesday, May 6, Katie (Tom), the only woman to have ever stolen Dollar Bill's (Diamont) heart, walks down the aisle to become Mrs. William Spencer, Jr., with her sisters at her side, at the San Fernando Valley home where she was raised. Legendary CBS star Patrick Duffy (“Dallas”) guest stars as Katie’s father, Stephen Logan. The episode originally aired Nov. 13, 2009.

 

On Thursday, May 7, Eric Forrester (McCook) and Brooke Logan (Lang) say “I Do” as Eric’s ex-wife, Stephanie (Susan Flannery), and Brooke’s true love, Ridge (Kaye), watch without objection. Eric then takes Brooke on a romantic and surprise honeymoon in a magnificent hot-air balloon in Palm Springs, Calif. The episode originally aired Jan. 8, 1991.

 

Wrapping up on Friday, May 8: Having overcome astounding obstacles, Hope (Kim Matula, in a role currently played by Annika Noelle) and Liam (Scott Clifton) joyously say “I Do” in front of family, friends, and the many residents of the beautiful city of Puglia, Italy. Frustrated and brokenhearted, Steffy (Wood) updates Eric (McCook) and Stephanie (Flannery) on the dramatic events transpiring in Puglia. The episode originally aired June 26, 2012.

Edited by BoldRestless

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  • Member

The fashion show reruns are not fun to watch if you have already seen them before. It's pretty standard; random models walking down the runway while the Forrresters/Spectras observe from the sidelines. I would have been more interested in seeing other episodes from the Portofino shoot, especially Macy's reunion with Thorne and Sally. The scene where Sally is listening to Macy singing on the stereo, only to hear the real Macy singing behind her is chilling.

3 minutes ago, GLATWT88 said:

That's a no for me. It was enough that they replaced a 20+ year character/actor Ridge with a new actor that didn't quite fit IMO and should have just written off...and it's not a stretch for people to have new faces nowadays...it's LA afterall (and Hunter Tylo hasn't shied away from a little nip tuck herself either) but if Kristian were to come on to BB, I'd rather she play someone new. I'm not a fan of vets getting replaced espeically long running ones that have been on since the beginning or very early on.

 

I never understood why some are so eager to recast roles which have played by 1 actor for 20 or 30 years. It's not like HT is unavailable.

 

With that said, I wouldn't mind KA coming to B&B as a new character, of course Bradley would get bored and forget about her after 6 months.

  • Member
7 minutes ago, Alan said:

With that said, I wouldn't mind KA coming to B&B as a new character, of course Bradley would get bored and forget about her after 6 months.

That's probably very accurate, unless he could fit her character into a new love triangle he's completely obsessed with. 

  • Member
2 hours ago, YRfan23 said:

Well...
 

 

Recasting Taylor would be a terrible decision - the character has been "altered" so much in recent years that the only thing still working is Hunter Tylo's dynamic with longtime cast members like KKL. 

  • Member

Jennifer Finnigan was definitely talented, but something’s off-putting about her rewatching these confrontation scenes between Bridget and Brooke. 

  • Member
12 hours ago, Faulkner said:

Jennifer Finnigan was definitely talented, but something’s off-putting about her rewatching these confrontation scenes between Bridget and Brooke. 


really? Can you put your finger on what? I always liked her. 

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  • Member

Does anyone have any of the other episodes around this time when Bridget found out about Deacon and Brooke gave birth to Hope?

 

One thing that is funny about these "epic confrontations" is that Brooke was right, they do forgive each other and act like this never happened. They really ruined Bridget after this when she became her mother's romantic rival for Nick Marone.

  • Member
45 minutes ago, BoldRestless said:

Does anyone have any of the other episodes around this time when Bridget found out about Deacon and Brooke gave birth to Hope?

 

 

This channel has the rest up until the 4th of July when Bridget declares her independence from Deacon. These batch of episodes got JF her first Emmy.

  • Member
8 hours ago, juppiter said:


really? Can you put your finger on what? I always liked her. 

 

I honestly felt that Jennifer Finnigan was the best actor on the show at that time and outclassed all her acting partners in nearly every scene (and yes that includes Flannery whose early work as Stephanie I loved but who became a bit too hammy and OTT as Stephanie moved into becoming more of a violent caricature than a real person)

  • Member
8 hours ago, juppiter said:


really? Can you put your finger on what? I always liked her. 

I liked her a lot too, but there was something that rang false to me, even as she summoned real tears and modulated well from anger to disgust to resignation. Maybe it was just even her voice that bugged me. I remember loving those scenes when they aired and feeling quite underwhelmed now. The bug-eyed, doubled-over reaction to hearing Deacon declare his love to Brooke over the baby monitor felt... strained.

  • Member
1 hour ago, Faulkner said:

I liked her a lot too, but there was something that rang false to me, even as she summoned real tears and modulated well from anger to disgust to resignation. Maybe it was just even her voice that bugged me. I remember loving those scenes when they aired and feeling quite underwhelmed now. The bug-eyed, doubled-over reaction to hearing Deacon declare his love to Brooke over the baby monitor felt... strained.

Maybe it was the skipped episodes and not getting to see the complete fallout and Bridget's reaction to the news.

 

I think you hit something when mentioning her voice.  I loved Jennifer Finnigan.  I even watched that CBS summer show Salvation because of her.  But I think Finnigan has this presence about her that can make it a bit difficult to buying into her being doubled-over hurt in those scenes.  I think the more angrier stuff at Big Bear yesterday was more suited to her.

  • Member
1 hour ago, crc said:

Maybe it was the skipped episodes and not getting to see the complete fallout and Bridget's reaction to the news.

 

I think you hit something when mentioning her voice.  I loved Jennifer Finnigan.  I even watched that CBS summer show Salvation because of her.  But I think Finnigan has this presence about her that can make it a bit difficult to buying into her being doubled-over hurt in those scenes.  I think the more angrier stuff at Big Bear yesterday was more suited to her.

I agree. One of the limitations of this format is that viewers lack the context and the build-up that can often give emotional scenes like that their power. Still, I’m just reminded of the scene shared here from ages ago when Stephanie learned Brooke was pregnant with Eric’s child, which I saw out of context having not been a B&B viewer at the time, yet SF’s very similar, hyperventilating, eye-bulging reaction hit me right in the gut. Felt much more natural to me. 
 

I will say that SF had the benefit of an already tense scene that was escalating while JF had to stop on a dime and express horror all of a sudden. Very tricky.

Edited by Faulkner

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