Jump to content

Y&R: RIP Kristoff St John


Recommended Posts

  • Replies 738
  • Created
  • Last Reply

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Please register in order to view this content

        Blasphemy!  (Haha, I get it.  But, you should try watching AMC! 80s-90s was so good.)
    • I thought about saying how I resented the fact that those two newbies were tripping up the Puppetmaster of all Puppetmasters, when the best others could do was a stalemate (or less...). But, well...*sigh*
    • I read years ago that both Zaslow and Lenore both complained that it came off as a seduction because of CBS censors, so Lenore asked if she could say, "you raped me" to leave no doubt with the audience, and that Zaslow insisted that Holly's rape played realistically 
    • Wow it’s official, Gatwa is out… https://www.avclub.com/ncuti-gatwa-addresses-doctor-who-finale-statement DW fandom on Reddit is in a furor over how things went down and apparent last minute scrapping of the original ending. Also…Billie Piper again really?
    • He comes pretty close, talkin' about how Reva is full of love and joy, blah blah....which is bilge considering he was the one responsible for throwing her out of Josh's life over working with Alan. 
    • Just watched the episode concerning Olivia's drug use and Abby's persistence, etc. Donna Mills did stellar work in this episode, as did Tonya Crowe and Brian Austin Green (Brian).
    • But by Dinah and Hart...Hart especially looked as if he could not tie his own shoes!  Ed, Holly, Alan, Alex Henry and Vanessa among others were not able to put Roger down....Dinah???
    • The preaching seems to end before the Barnes settle in late December, 1981. The stuff that felt overly religious (the Davidsons believing a miracle will save Lori rather than a surgeon, Jeff's miraculous recovery from a beam of light) was quickly nixed because it wasn't working. The closest thing that you get to that under the Barnes is when Dennis Fraser, the drunk driver who killed Nora and Scott, turns his life over to god. The born-again redemptions out of nowhere seem to stop fairly early into the Barnes' run. I do think Miriam's transformation was much more delicately done with her turning on her bestie Nancy because Nancy was seducing Charles, Miriam's wealthy father, so Miriam offers to testify for the Davidsons in the trial against Nancy over possession of Nora's house. In turn, Nancy repays the favor by pumping an emotionally distraught Miriam with barbituates while Miriam carries on her affair with low level thug turned political aide Norm Elliott. Miriam is used by everyone into her life and finally lands herself in the hospital becasue she has become so addicted to the pills. At the hospital, it is the friendship and kindness of the Davidsons that brings Miriam to a more peaceful place. The Davidsons ability to forgive is both appealing and, at times, dramatically limiting. In this case, the Davidsons lead Miriam to her new Mama, Ione Redlon. Now, under Vinley, Miriam is determined to reconnect with her son, Frederick, and her ex-husband, Paul.   My bigger issue with the Barnes' writing is that they write the storylines with twist endings that sorta come out of nowhere. I know the resolution to the Kate Carrouthers mystery sorta plays out like that so I am curious to see how I feel about that.  The biggest change throughout the writing teams has been the view of morality. Winsor had many characters who could be viewed purely through the lens of black and white, but others explored the shades of gray (often younger people). The brief head writerless period was much better at embracing an action doesn't make a person and there characters were much more gray or at least evil at a more local level (Nancy, in this period, only flirts with her brother-in-law where as later she is actively providing pills to Miriam to keep her addicted and away from her own father). The Barnes, for the most part, seem to embrace this level of political corruption that seems to permeate throughout the show making it clear that power (as well as money) is the root of evil. Even criminal Vince Cardello is presented as less evil than Charles Carpenter, though Carpenter's murder of a resident of his complex was rewritten to relieve Carpenter of any responsibility in the matter. Vinley's work seems more into exploring the why or delving deeper in general. Babs Farley, the hooker who is looking to reclaim her life, is such an intriguing character. She is given such meaningful monologues regretting her decisions and desperately trying to keep away from the hands of her former pimp, Ron Washington, who hasn't appeared yet. Monk and Fernandez seem to be wrongly accused of Lori's attack and there seems to be hints of racism that the show is looking to address. Marianne confronts Gil about his feelings towards God in relation to their mother's death years earlier.  There does seem to be a layer of misogyny to Vinley's work, but it's early so I'll be curious to see how this plays out. There are a lot of attacks on women (Lori is nearly raped, Babs was beaten, Nancy is on the verge of being blackmailed for sex by Tab, and the Russ / Marianne / Gil scenario has hints of toxic masculinity. It's very early so it'll be neat to see if that is maintained.  Jerry TImm lasts about a year I think (March, 1982 - March, 1983). One of the episodes on TouTube has a comment suggesting that Timm was fired by CBN because he had done something in his past that came to light. It didn't seem to be clear what that was.  I like what I've seen of Timm as Gil. He has such a presence that it covers up some of his weaker acting choices. It's unfortunate that he didn't get to play as much of the Gil - Stacey - Amber triangle as his replacement does.  
    • I believe it was Mark Arnold's family that taped all the shows. It was the same with Ariane Muneker - her mother bought a video recording machine in the 1970s, at a time when that type of technology was really expensive John Wesley Shipp's parents also taped all his shows, and has a complete library of every single episode of every soap JWS has appeared on. Same for Cynthia Watros. When the Soap Actors parents pass away, and there are all these VHS tapes in dozens of boxes, it is shame to waste all that. 
    • Personally, I felt that the deletion of the original music from the girls' slumber party episode, and the axing of REM's Losing My Religion from the ep featuring Brenda and Dylan breaking up, were the most painful. The changes really damaged those episodes. I dropped the DVDs after season two, but I've been told by other viewers who kept going that tunes from all the seasons continued being replaced, and the situation only got worse as the DVD releases progressed. Yes, penny-pinching from those in charge was the principle issue, but I wonder how much better the DVDs would have sold if such poor choices had not been made in the name of cost cutting. On the other hand, when Time-Life put out the Vietnam-war era classic China Beach, they dug deep into their pockets and ended up clearing the rights to a whopping 268 (!!!) of the original tracks. This represented 96% of the total. TPTB said that when they were not given permission to use a few of the remaining pieces, they substituted different singers' versions of the exact same songs, in order to preserve the show's integrity as much as possible. The CB set was expensive as heck, to be sure, but to me it was worth it.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy