Jump to content

GH50: October 2013 Discussion


Recommended Posts

  • Replies 796
  • Created
  • Last Reply
  • Members

Some GH thoughts:

First of all, to answer my good friend's question: No, I don't want to see Carly in a triangle with ToddQ and Julian. At least not now. And I also don't want to see Julian boxing half-naked again. His body is great and all, I think I have more hair on my body than he does and that is not a very sexy thought. Please grow some hair. Morgan is fourteen years old and he is hairier.

I am sad that it was not Laura who showed up to save Luke. :( I am enjoying the Scorpio storyline a lot and I pretend that I don't notice some stupid things, like does Faison's prison only have one guard? Where were the other people? At the prison cafeteria? FH was good as acting as Obrecht and think I am in love with Robert Scorpio. And I suffer a little bit of Stockholm Syndrome (hello Jerry).

Sabrina running after Patrick and telling him that it was not Robin on the phone? #$%^&*(*^T%$#E%R^&*(%R#@$%^&%^

Who knew? John McBain can smile! And Sam was indeed very beautiful in this episode.

Link to comment
Share on other sites

  • Members

tumblr_muhkb0Ofc31so3lqko3_250.jpgtumblr_muhkb0Ofc31so3lqko6_250.jpg

tumblr_muhkb0Ofc31so3lqko4_250.jpgtumblr_muhkb0Ofc31so3lqko5_250.jpg

WTF...seriously an Anna mask? How unoriginal. Un a side note , I do love that they at least made reference to the fact that Anna has a sister (her twin Alex). Its too bad about the bad blood between PP and ABC, bc I wouldnt have minded seeing her reprise her role of Alex. I wouldnt have minded Obrecht kidnapping her and using her to trick Faison and to control Anna.

he's been ghostwriting for nearly the past 2 years

Link to comment
Share on other sites

  • Members

That boxing thing was stupid. I really should have tuned out the second it started. It was obviously just so Frank and Ron could watch their favorite leading men shirtless in scenes together. Why those two actually sat there and sucked up airtime was beyond me.

Link to comment
Share on other sites

  • Members

Is this considered part of "pacing" ?

From the beginning, they've been doing this pattern all along (and getting away with it), with sooo many characters coming and going and this returning from the dead, I just can't. figure out their style of storytelling, I can't get a rhythm on it but still trying though. Afterall, they are heralded as the bestest in soaps, it has to be me; and just don't know what a story is when I see it. I really was interested in Aj' trial, momentum is gone and now, I'm not as interested but still would like to see this storyline play out.

When they first came on they tried a little harder to make a differentiation but that quickly wore off now, NONE, no effort whatsoever.. didn't watch much of OLTL so I don't know much about how their characters acted within the last 6 years.

Link to comment
Share on other sites

  • Members

I meant to comment on this last night - the scene where Derek/Julian (what are we suppose to be calling him?) was punching the speed bag was so terrible. The punching sounds were far louder than anything else and I could barely hear the dialogue.

One other thing I meant to comment on - Ava having sexy times with Morgan and imagining freaking SILAS in his place. Bull$#!%. And then Morgan imagining Keku. Reeeediculous!

Link to comment
Share on other sites

  • Members

The boxing was not great, but I didn't hate it. I thought I'd be rolling my eyes, but it was ok. Both seemed to be having fun, and I have to say, Roger needs to keep the scruff and beef up just a bit. Not bloated (Tyler and William), but just a bit more meat.

I'm even enjoying flirty Sam, who now realizes shampoo and soap are her friends. She is having fun and looking forward to dating, and it's nice to see since she's been miserable for 5 consecutive years.

Moron and Ava have grown old and tired, but it was really just a matter of time before the bottom fell out of this. Two weeks was all it took! I gave it a month, but who woulda thunk Craptini would far exceed my low expectations.

Michael and Kaka? I simply do NOT care, but I have to say that when people ask why Michael didn't go ask Carly for a job, I was like "Duh, it's Carly"! The most overbearing mother in GH's history. She would drive him nuts!

Sonny! Go to hell!

Oh, and it's great to know Shawn and Carly had conversations about Derek OFFSCREEN! Bastards!

Elsa, ok. Perhaps not a triangle but Julian could provide angst for Francly? No? Anything to give this story some damn depth! William and I had a bit of a discussion on Twitter this past weekend, and he seemed to be a bit too pleased and asked me some questions that were more hints if anything.

Link to comment
Share on other sites

  • Members

I wouldn't mind Julian causing problems to them and be involved in their story, but I have a feeling that triangles make characters sad and too serious and I am enjoying the Franco/Carly dynamic as it is for now.

Julian has to be more devious and dangerous though. Sometimes I watch him and think that he would make a great love interest for ATWT's Iva in 1994 or he could be a recast Cliff Wilson on Y&R.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I didn't think this was very good (I've never yet seen a good episode of this revival), but you do get a lot of Michael Stroka. And if you are a Donna Reed Show fan, you also get Paul Petersen.

      Please register in order to view this content

       
    • A very rare, fascinating look at camera blocking in a 1980 episode. Very loose, almost startlingly so (who expects to see Will Vernon with a cig dangling out of his mouth?). @vetsoapfan There's some Jacquie Courtney content in the back half of the video.

      Please register in order to view this content

       
    • Barbara Stock shares memories of her time on Dallas, including that Ken Kercheval was the only cast member she knew outside of the show and that she did not actually realize she was being written out. https://www.remindmagazine.com/article/29593/barbara-stock-spenser-for-hire-dallas-chips-spinoff-doing-know/
    • Thanks @Paul Raven  I concur that this isn't the most interesting material, but I do wish I could see how JoBeth Williams played those trial moments.
    • If I remember correctly, they were interrupted before Nicole could reveal what the third thing was. I remember feeling like it was an intentional interruption, too. 
    • 1976 Pt 5 Joanne’s hopes are raised when Jack seems to respond to the new woman she’s become. She wore a new dress and had a lovely dinner with wine, and when Jack drank more than he was used to having, he reached for her. Her happiness is dimmed when he calls her Peggy, but she says nothing. The next morning, when Jack can remember nothing, she tells him they made love. When Peggy later tells Joanne she’s going to have to stop helping her make herself over as it’s becoming too painful, Joanne angrily lashes back that Peggy might just as well back off, because Jack made love to her last night. Peggy, angry and hurt, asks Jack if it’s true. Realizing that Joanne told Peggy to hurt her, he tells Peg he’s going to ask Joanne for a divorce now. But Peggy is still guilt-ridden over Joanne and, fearing she can’t handle it yet, tells Jack about Joanne’s suicide attempt. Jack, horrified, goes home to see Joanne, who soon realizes that Peggy must have told him about the pills. She assures Jack that she knows life is too precious to ever do that again. Once Jack is satisfied that she really means it, he returns to us Peggy. But Peggy is close to breaking from the guilt and tension she’s living with, and tells Jack that if he’s ever free, they can decide then. Needing a fresh perspective, Peggy takes Chris up on her offer that Peggy spend the night with her, as Snapper won’t be home.  Chris, meanwhile, has been spending her free time preparing Nancy’s apartment for her homecoming. Expressing appreciation for everything she’s done, Ron has offered to make her a table similar to one he’s made for Nancy. Chris has thanked him and has given him her address so he can deliver it. Stuart, wondering why Ron can’t seem to get another job despite the leads he’s been given, checks him out and learns he was in prison for burglary but there was also’ a rape charge, which was dropped. Chris asks Nancy, who explains that before their marriage Ron picked up a woman in a bar. She took him to her apartment and began to seduce him but then screamed rape. He had taken nothing, Nancy adds, but was told he’d rot in prison if he didn’t plead guilty to burglary. No one  told him that the woman had declined to testify. Nancy was the only one who believed him, and she with him against her family’s wishes. Ron walks in at the end of the conversation and informs Chris that he tried to deliver her table but  finally realized he was looking for the wrong address. When Chris later returns to her apartment, she finds Peggy whimpering on the floor in the dark. Slowly Chris gets the story from Peg: The lights wouldn’t -work when she arrived, and she was grabbed from behind, thrown to the floor, and raped. Chris convinces Peggy that the police must be called and manages to protect Peggy from brutal questioning by insisting upon an officer trained in dealing with rape victims. After Peggy is taken to the hospital, the investigator, Miss Weston, asks Chris who might have  known Peg was there—or might want to rape Chris herself. After thinking this over, Chris tells her about Ron. Jack has been trying to reach Peggy. Lashing out from his own pain, Stuart brutally tells him that she’s been raped and he is partially to blame, as she went to Chris’s to get away from her problem—him. Jack is shattered. Instinctively knowing that Ron is guilty, Chris confronts him. But Ron sticks to his story of looking for a wrong address and, under pressure from Chris, finally offers to be in a lineup. Brock tells his mother that Jill wants to visit Phillip’s grave. Kay replies it will be “a cold day in hell” before. She does. But when Jill asks Kay if she would put some flowers on the grave for her and her baby, Kay, touched, breaks down and asks Jill to go with her. Liz, knowing that Kay spends too much time alone, virtually forces her to accept an invitation for dinner and then invites Ralph Olsen, a plumber who is a widower. Kay is aloof at first -they apparently have nothing in common—but when Ralph turns out to be a former alcoholic, the ice is broken. Ralph offers to help Kay with her drinking problem, and she soon finds she likes him very much. Liz becomes concerned with Kay’s assumption that her friendship with Ralph is heading for much more and tries to warn Kay that. Ralph is not the marrying kind. She tries to head Kay off when she makes plans for a “love nest,” but Kay persists and attempts to seduce Ralph at her pool. He evades her passes and asks her if they can’t just slow things down. But Kay is undaunted, and since he isn’t proposing, she does so herself. Ralph, who has told Bill that Kay’s money stands in‘ their way, gently turns her down, explaining that she would need to change him and they wouldn’t be happy. Humiliated and hurt, Kay starts drinking again.
    • I think it wasn't just some of the poor casting choices that did the show in during its early days, but also the flat writing. Perhaps it was network interference? You'd think the Dobsons would have fought harder for their original vision, but after 6 months they dropped most of it. 
    • Small Bar is a better set than the casino set.
    • The show loses me once the crime stories are in overload.  Heather and Jerry's marriage doesn't excite me. It would have been tawdry, but I think there should have been more lingering in Heather and/or Greg's feelings for the other. Or at least having someone suspect that their newfound sibling relationship was more complicated. But none of their parents were around. It just feels like they burned through too much story there too quickly.  Ellen and Dale's romance definitely seems intriguing. I don't think I knew they toyed with Jill having feelings for Dale, which would have meant that Jill was once again considering going after her mother's man. That's a very interesting dynamic. With David coming home from Hong Kong, and Tom afraid of David's involvement, I think they should have given Tom and Jill a try. Tom trying to use Jill to buy respectability and maintain power at the law firm.  Vicki and Tony's affair seems like fun with Vicki just seeming to see Tony as more of a sexual object and it leading to a health crisis. There was probably some space to explore that both Tony and Ginger's fathers were criminals (Tony's bio dad). I can't remember if Harry Wilson/Ike Harding died, fled town, or went to prison. If he was alive, I think he would have been worth revisiting.  What fascinated me about "Somerset" in early 1976 is its a show of remnants, pieces of the show's different eras, and they seem to sorta work, not as well as more well defined canvas would. I do think a streamlining was needed, but I am not sure if the criminal angle was the best route to choose. 
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy