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Cannes Film Festival - Palme d'Or: The Square

Toronto Film Festival - People's Choice Award: Three Billboards Outside Ebbing, Missouri
 

Gotham Independent Film Awards - Best Picture: Call Me By Your Name

 

National Board of Review - Best Film: The Post

 

NYFCC - Best Picture: Lady Bird

 

National Society of Film Critics Winners - Best Film: Lady Bird

 

Golden Globes - Best Picture Drama: Three Billboards Outside Ebbing, Missouri

Golden Globes - Best Picture Musical or Comedy: Ladybird

 

Critics Choice Awards - Best Picture: The Shape of Water

 

Producers Guild of America Award for Best Theatrical Motion Picture: The Shape of Water

 

Directors Guild Award - Feature Film: The Shape of Water

 

Writers Guild Award - Best Original Screenplay: Get Out

Writers Guild Award - Best Adapted Screenplay: Call Me by Your Name

 

Screen Actors Guild Awards - Outstanding Performance by a Cast in a Motion Picture: Three Billboards Outside Ebbing, Missouri

 

Satellite Awards - Best Film: God's Own Country / Three Billboards Outside Ebbing, Missouri

 

BAFTA - Best Film: Three Billboards Outside Ebbing, Missouri

 

Independent Spirit Awards - Best Picture: Get Out

Academy Awards - Best Picture: The Shape of Water

 

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Cannes: Full List of Winners:

 

Palme d'Or: The Square (Ruben Östlund)

Grand Prix: 120 Beats per Minute (Robin Campillo)

Best Director: Sofia Coppola (The Beguiled)

Best Screenplay:   Yorgos LanthimosEfthymis Filippou (The Killing of a Sacred Deer) &  Lynne Ramsay ( You Were Never Really Here) (tie)

Best Actress: Diane Kruger  ( In the Fade)

Best Actor: Joaquin Phoenix (You Were Never Really Here)

Jury Prize: Loveless (Andrey Zvyagintsev) 

70th Anniversary Prize: Nicole Kidman

Honorary Palme d'Or: Jeffrey Katzenberg

 

TIFF - A full list of winners can be found here

Edited by Bright Eyes

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You can find a number of other videos on the channel showing moments from the Governors Awards.

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Producers Guild Awards nominations:

  • “American Fiction” (MGM)
  • “Anatomy of a Fall” (Neon)
  • “Barbie” (Warner Bros.)
  • “The Holdovers” (Focus Features)
  • “Killers of the Flower Moon” (Apple Original Films/Paramount Pictures)
  • “Maestro” (Netflix)
  • “Oppenheimer” (Universal Pictures)
  • “Past Lives” (A24)
  • “Poor Things” (Searchlight Pictures)
  • “The Zone of Interest” (A24)
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Emma Stone is already doing the “I don’t want this—Lily deserves it” routine that Cate Blanchett did last year when she collected a few of the precursors before Michelle Yeoh ultimately won:

 

I do wonder, though: EEAAO was a juggernaut that got two other acting Oscars and I doubt KOTFM will have the same force.

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2 hours ago, Faulkner said:

Emma Stone is already doing the “I don’t want this—Lily deserves it” routine that Cate Blanchett did last year when she collected a few of the precursors before Michelle Yeoh ultimately won:

 

I do wonder, though: EEAAO was a juggernaut that got two other acting Oscars and I doubt KOTFM will have the same force.

I think Lily and Cillian will win, because Oppenheimer has the momentum you mentioned and I'm not sure that the respect and love a lot of people seem to have for Paul is enough. (there will also be building backlash against Alexander Payne, even if the Oscars usually don't care about that type of thing)

Lily is the opposite - she's a prize they can give out to a movie that likely won't be getting any others. She's also a way they can pat themselves on the back. I guess it also depends on how divisive Poor Things is or whether people will feel the "she has had her turn" mentality as much with Emma (as she's only won one, not two like Cate).

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BAFTA Nominations:

 

Spoiler

Best film

  • Anatomy of a Fall
  • The Holdovers
  • Killers of the Flower Moon
  • Oppenheimer
  • Poor Things

Outstanding British film

  • All of Us Strangers
  • How To Have Sex
  • Napoleon
  • The Old Oak
  • Poor Things
  • Rye Lane
  • Saltburn
  • Scrapper
  • Wonka
  • The Zone of Interest

Leading actress

  • Fantasia Barrino - The Color Purple
  • Sandra Hüller - Anatomy of a Fall
  • Carey Mulligan - Maestro
  • Vivian Oparah - Rye Lane
  • Margot Robbie - Barbie
  • Emma Stone - Poor Things

Leading actor

  • Bradley Cooper - Maestro
  • Colman Domingo - Rustin
  • Paul Giamatti - The Holdovers
  • Barry Keoghan - Saltburn
  • Cillian Murphy - Oppenheimer
  • Teo Yoo - Past Lives

Supporting actress

  • Emily Blunt - Oppenheimer
  • Danielle Brooks - The Color Purple
  • Claire Foy - All of Us Strangers
  • Sandra Hüller - The Zone of Interest
  • Rosamund Pike - Saltburn
  • Da'Vine Joy Randolph - The Holdovers

Supporting actor

  • Robert De Niro - Killers of the Flower Moon
  • Robert Downey Jr - Oppenheimer
  • Jacob Elordi - Saltburn
  • Ryan Gosling - Barbie
  • Paul Mescal - All of Us Strangers
  • Dominic Sessa - The Holdovers

Director

  • All of Us Strangers - Andrew Haigh
  • Anatomy of a Fall - Justine Triet
  • The Holdovers - Alexander Payne
  • Maestro - Bradley Cooper
  • Oppenheimer - Christopher Nolan
  • The Zone of Interest - Jonathan Glazer

Outstanding debut by a British writer, director or producer

  • Blue Bag Life
  • Bobi Wine: The People's President
  • Earth Mama
  • How To Have Sex
  • Is There Anybody Out There?

Film not in the English language

  • 20 Days In Mariupol
  • Anatomy of a Fall
  • Past Lives
  • Society of the Snow
  • The Zone of Interest

Documentary

  • 20 Days In Mariupol
  • American Symphony
  • Beyond Utopia
  • Still: A Michael J Fox Movie
  • Wham!

Animated film

  • The Boy and the Heron
  • Chicken Run: Dawn of the Nugget
  • Elemental
  • Spider-Man: Across the Spider-Verse

Original screenplay

  • Anatomy of a Fall
  • Barbie
  • The Holdovers
  • Maestro
  • Past Lives

Adapted screenplay

  • All of Us Strangers
  • American Fiction
  • Oppenheimer
  • Poor Things
  • The Zone of Interest

EE Bafta rising star award (voted for by the public)

  • Phoebe Dynevor
  • Ayo Edebiri
  • Jacob Elordi
  • Mia Mckenna-Bruce
  • Sophie Wilde

Original score

  • Killers of the Flower Moon
  • Oppenheimer
  • Poor Things
  • Saltburn
  • Spider-Man: Across the Spider-Verse

Casting

  • All of Us Strangers
  • Anatomy of a Fall
  • The Holdovers
  • How To Have Sex
  • Killers of the Flower Moon

Cinematography

  • Killers of the Flower Moon
  • Maestro
  • Oppenheimer
  • Poor Things
  • The Zone of Interest

Costume design

  • Barbie
  • Killers of the Flower Moon
  • Napoleon
  • Oppenheimer
  • Poor Things

Editing

  • Anatomy of a Fall
  • Killers of the Flower Moon
  • Oppenheimer
  • Poor Things
  • The Zone of Interest

Production design

  • Barbie
  • Killers of the Flower Moon
  • Oppenheimer
  • Poor Things
  • The Zone of Interest

Make-up and hair

  • Killers of the Flower Moon
  • Maestro
  • Napoleon
  • Oppenheimer
  • Poor Things

Sound

  • Ferrari
  • Maestro
  • Mission: Impossible - Dead Reckoning Part One
  • Oppenheimer
  • The Zone of Interest

Special visual effects

  • The Creator
  • Guardians of the Galaxy Vol 3
  • Mission: Impossible - Dead Reckoning Part One
  • Napoleon
  • Poor Things

British short film

  • Festival of Slaps
  • Gorka
  • Jellyfish and Lobster
  • Such a Lovely Day
  • Yellow

British short animation

  • Crab Day
  • Visible Mending
  • Wild Summon
  •  
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If both "Barbie" and "Oppenheimer" score Oscar nominations, then I hope whoever writes and produces the Oscars this year will do a sketch imagining what it would be like if "Barbie" had been filmed like "Oppenheimer" and vice versa.

Edited by Khan

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3 hours ago, DRW50 said:

I really don't get it. Saltburn is just pop fluff. It's fun to watch, beautiful people, gorgeous scenery and viral moments, but ultimately it is vapid empty calories. What is the Academy hook? Are people just enjoying hooting at it over the holidays?

Edited by Vee

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32 minutes ago, Vee said:

I really don't get it. Saltburn is just pop fluff. It's fun to watch, beautiful people, gorgeous scenery and viral moments, but ultimately it is vapid empty calories. What is the Academy hook? Are people just enjoying hooting at it over the holidays?

I can only assume Emerald Fennell is well liked (or has good connections) and it being British means it gets more support than American films along the same lines (although Glass Onion did get an Adapted Screenplay nod). It's also one of those "we're saying something...well not really," movies some voters love, like Crash or Green Book.

Rosamund Pike is a gem but I would probably go for Carey Mulligan in Support over her (and take Carey out of Lead for Maestro). 

I would give Archie Madekwe a supporting actor nomination but there are already people even more deserving like Charles Melton who are going to be shut out anyway.

Nothing about that screenplay deserves a nomination. They should invent a category for Barry Keoghan's ass before they give the screenplay any recognition. 

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19 hours ago, DRW50 said:

I can only assume Emerald Fennell is well liked (or has good connections) and it being British means it gets more support than American films along the same lines . 

You are absolutely correct about this assertion. Promising Young Woman alone built up a reserve of awards goodwill. Hollywood is fickle though, so who knows how long this will last? Today’s Emerald Fennell may very well become tomorrow’s Diablo Cody, who although still doing work, is just no longer a film industry darling. I also think Fennell’s British-ness also tends to automatically elevate her creative ideas in the minds of the industry people.

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