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About Dan

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    RIP GL 1937 - 2009
  • Birthday 07/27/1986

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  1. Agreed. All three have GL's metaphorical blood on their hands. Along with a host of others.
  2. Think it was probably more to do with interference from CBS/PGP that caused Curlee to leave. You are right in that most writers/execs have generally been fairly complementary about working with JFP. You had the quashed A-M/Gilly romance in the fall of that 1993, plus a growing insistence to emulate the ABC shows that the network would start around this time. Not to mention that Ed Trach left PGP at around the same time that Curlee left. Ken Fitts would eventually cause havoc with all three shows.
  3. It really is kind of ironic, cause 1980s and 1990s GL probably could have benefitted from the setting being in California. I mean 2 major multi-national companies chose a random Midwestern city to set up headquarters? Would have been far more logical if it were set in California.
  4. Honestly, I think most of us were just glad the real Phillip returned and not psycho pod Phillip, the Grady crash-dummy death notwithstanding (the most unintentionally funny scene in GL history. I laughed so hard.)
  5. Ugh Noah. Yeah let's put the larger-than-life Reva Shayne with the most boring slab of beef known to man. Great idea. But at least it was better than the Buzzard.
  6. I think sadly that Peapack could have really been good had they not approached it as a budget cutting measure designed to stave off cancelation. Keeping the control room and being able to control lighting and blocking would have done wonders. Not to mention keeping the music department intact instead of that elevator muzak bs. Shame we couldn't have better writing at the time too, come to think of it.
  7. Has to be GL. Khan is right. Just checked the Ratings archive for 2003-2004. There was no major hemorrhage of viewers during that time but it came nowhere near the 1997 peaks where I believe the show added like a million viewers and was saved from cancelation. Nowhere near where the ratings had to be for PGP to be satisfied with paying additional budget for Conboy's pet projects.
  8. The actors loved them because they were basically full length Emmy reels. Some of them were decent but they wrecked absolute havoc on the show's pacing because they burned through so much story at once. Reva's cancer story suffered because all the good parts ended after a week.
  9. I think because of WSPR/The Journal because apparently there was such a dearth of news in Springfield that they were covering the royal intrigue of SC. :Shrug: I still can't get over the cheap water slide they built for Beth's "death" in Mexico a few months later. Hilarious. She was even more danger-prone in 2001 than she normally is.
  10. That was Robert Kochman, who was the show's senior producer since 1992. He was fired, I believe, just a couple weeks into the Wheeler regime in 2004. I believe he tried to send the cast a farewell letter and PGP/Wheeler confiscated them or something.
  11. I thought that it was Beth hanging from the rope in the castle tower or am I mixing up my stories? I believe that was the end of the Beth/Edmund-- I dont even want to call it romance frankly--relationship. What was up with the show pairing Beth with abusive men? According to Toups' wonderful archive in the SON files, Barry's last episode was August 16th, 2004. Nah. That was John Conboy blowing most of the show's budget on stupid[!@#$%^&*] like a full baseball field for his boy toy Marty West.
  12. I think it depends. The main issue with San Cristobal was that juggling two locations fractured the show. If the focus of the show wasn't on that damn island, it was on Danny and his merry band of mobsters. If the characters were from the island but we didn't spend alot of time there, I don't know if it would have been as frowned upon. And of course you have the lunacy of Reva washing up on the island with a second consecutive case of amnesia in 5 years that cemented that reputation. As for wheeler, I do blame her for the hubris of trying to reinvent GL in Peapack and then basically canning most of the people who had actually been through Filmmaking 101, leaving people who thought it would be a good idea to film from the top of a tree. Can you imagine Bruce Barry freed from the typical soap set? I think everyone would have benefitted from that experiment with better people in the roles and the ability to have something of a control room where they could have checked the lighting and such. Instead the colors were washed out. The worst part was the elevator muzak they had scoring every scene.
  13. At the very least, the Who Shot Roger? Stuff is entertaining enough to watch through plus the resolution of the David story and Julie/Dylan's wedding. 1994 is really when it all goes downhill.
  14. I was barely watching at the time, but I am still unsure of which was more disgusting. Marina with her godfather Mallet or Marina with the man who could have been her father, Alan-Michael? Both were creepy on a level the show rarely got to.
  15. I was going to link that exact scene with Nadine and David. This is one of my favorites. I know 1993 was not as good as the two years before it in general, but the scripts were truly brilliant stuff. Another favorite is the conversation between Ross and Ed from fall of 92.
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