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Y&R: Week of May 04, 2009


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Patience, patience, patience.

The "ugly duckling" has arrived from Darfur with a hardened, broken heart, and a sense of what is SUBSTANTIAL in life, rather than superficial. Moreover, this is someone who, years ago, when she learned she was a Chancellor, promptly decided to use the bus to work at Crimson Lights. She was always supposed to be the glowering and unadorned girl...with an inner life we -- and probably she -- could never full access.

The goal, of course, is to see whether she can be slowly, slowly, slowly thawed. But it must be slow if there is to be any verisimilitude. If the bags suddenly disappear or she suddenly looks like every other soap chick...what's the point? She's supposed to stand out for her resolute rejection of Western commercialism. Like Brock.

Why does everyone have to be homogenized, and happy.

We already saw hints of her tenderness and loving nature with Kevin. We saw a brief flash of flirtatiousness when she applied at Jimmy's. Her eyes tell the story of longing and restraint with Billy. Please don't rush this to fit into some kind of shiny happy soap template. Otherwise, they might as well have cast Rebecca Budig or Kirsten Storms. This is a different kind of heroine, and this is a "Coming Home" (Voight-Fonda) kind of story.

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This is an interesting debate though (sorry to get off-topic). We give people like Goutman a lot of crap for saying stories need to move faster, and it needs to be all plot/plot/plot, and people don't have the attention span to follow a slow-moving story, etc. And we totally come down on him harshly for saying that. But CF has been on for exactly four weeks, and it seems like it's a done-deal - people on SON don't want to invest the time in her. And there's also the

story discussed in the Spoiler section that people are already saying will fail.

I'm not saying one's right and one's wrong, I just think it's interesting that we are coming down on execs for saying people don't want to invest time in a story so they have to move through stories quickly, when it looks like we're proving them right when we post things like this. Maybe they're on to something?

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Why is it hard?

Y&R is a 36 year old show. So, why expect everything to be perfect within a month? Why not just get on the train, and enjoy the journey? That's why I watch soaps....

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to bad NONE of this is written.

That said, so far i have loved her the most at Jimmys when applying. I am down for a Mac/Cane thing.

So true.

I do think we all rush to judge everything. And some of that is a natural reaction but now, unlike in the past, its as if we dont allow time to change our views. Perhaps it is because of whiplash storytelling and quick recasts, who know.

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I never said I didn't like her, it's the bags under her eyes that disturb me from time to time. If others can't get invested in her solely on the basis of the fact that her character always was pretty boring, then that's their problem, right?

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Therein lies the problem with this story. Much of her performance is left to speculation.

If we don't get an explanation soon, then we'll know that she was supposed to emote more than she has, that all of those scenes with Miller lacked chemistry because she was just bad not because she was intentionally trying to hide her emotions.

I'll wait. I'm definitely not throwing her under the bus yet, especially if she does exhibit an emotional breakthrough over the next few months.

ETA:

I think boring Mac works in a highly dramatic story line with the world in utter chaos while she's in the middle. Thus far, no one's in chaos.

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