Jump to content

Recommended Posts

  • Members
Posted

The one with Ned and Lois moving to Brooklyn? I think it was called Heart and Soul. Wasn't that the same one with a family of actors and a black family of musicians? 

  • Replies 3.8k
  • Created
  • Last Reply

Top Posters In This Topic

Top Posters In This Topic

Posted Images

Posted (edited)

It's bittersweet watching the epilogue of the Loving Murders. And the wrap up of the series. The City had great aesthetics. But the stories were lackluster. Sydney Chase was an unlikable cold fish. Not the type of character to anchor the series. The City does improve towards the end. With the arrival of Queen bitch Tracy Q. 

Please register in order to view this content

Edited by victoria foxton
  • Members
Posted

And Jane Elliott herself was a producer on Loving during its last years! 

 

I would have sent Debi and Darnell back to AMC the first chance I got, but then again, maybe it's a good thing they weren't there for McTavish's second stint...

  • Members
Posted (edited)

I wonder what would have happened if, instead of sending Jane Elliot over to TC, they had sent Susan Lucci?

 

 

At the very least, they could have sent them over to OLTL after TC had been cancelled.

Edited by Khan
  • Members
Posted

I was shocked Debbi Joined PC as Ellen Burgess

After watching The Loving Murders again, I have to stick with my idea that  Elizabeth Savage could not have pulled this story off if she were still Gwyn

  • Members
Posted

Watching through the first few episodes of The City, never having watched it previously...

 

Please register in order to view this content

 

  • Members
Posted

 

We wouldn't have gotten the baby stealing story (which was more suited to The City anyway, probably...), so that would have been something. That period feels like a lack of ideas on what to do with Erica. 

 

 

Debbi still wanted to play a character who was unsympathetic. I remember a letter in SPW taking her to task for wanting to play a bitch, and how that had already been done with Dominique on Dynasty, etc. but I can see why she tired of the heroine role. Of course Ellen was never that unsympathetic, so if those were plans they changed early on. 

 

 

Heinle was wonderful as Steffi, which is the only reason I had as much goodwill as I did for the rest of her lackluster soap career. I've heard people say she has finally improved as Victoria in recent years - I wouldn't know as I don't watch it. 

  • Members
Posted (edited)

 

Exactly.  Erica was in a bit of a rut by the time LOVING had morphed into THE CITY -- and I say that as someone who has worshipped at La Kane's stiletto-heeled feet his entire life.  Moving her from AMC's Pine Valley to TC's SoHo might have been just the thing, both for Erica, and for TC itself.  PLUS, I happen to think she and Buck would have been FIRE as a couple. 

Please register in order to view this content

 

 

Sigh.  If only Agnes Nixon had thought of it, I'm sure Susan Lucci would have graciously agreed to join TC (while still making occasional appearances on AMC, of course) as a favor to her.

Edited by Khan
  • Members
Posted

 

It wouldn't have been a world away from the year or two that Erica lived in NYC in the early '80s. The more I think about it the more disappointed I am. 

  • Members
Posted

 

No, it wouldn't have been.  But, this time around, they could have had Erica return to NYC in order to -- oh, I don't know -- assume the reins of a high-powered modeling agency, or something.  You know, just so it wouldn't feel like a rehash from her last residency in Manhattan.

  • Members
Posted

Well, it's been rumored for years that the cast treated poor Morgan Fairchild horribly and were terribly jealous of the special amenities allotted to her in her contract. They would have never gotten away with that sh!t with an ABC Daytime superstar like Lucci.

  • Members
Posted (edited)

 

At the very least, I think bringing Susan/Erica over to TC, with her built-in, loyal audience, might have helped TC buy more time to establish itself as a viable show.  As it is, they tried to launch TC with Morgan Fairchild, who (no offense to Morgan or to anyone else) hasn't been relevant since the mid-'80's.

 

 

True.  Plus, by most accounts, Lucci is wonderful to work with.  Unless Sarah Michelle Gellar and Lee Godart had joined the cast, I think TC's cast would have had a much easier working relationship with her than they did with Morgan Fairchild (who I adore but, let's be honest, has never had a series or role that ran for very long).

Edited by Khan

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Please register in order to view this content

       
    • How did you guess that! Yeeeeeeeeeeeeeeeeeeeeeeeeeees. Anita was serving "solo artist" realness the whole time. Stole the show. 

      Please register in order to view this content

    • Bye bye Dalton. Unfortunately this is going to fall on Sonny though, when for once he didn’t kill anyone.
    • Up to December 7th, 1992.   

      Please register in order to view this content

      "Grief, mental illness... and a handjob." Let's get done with the hardcore drama first... before we continue with the lighter stuff. Bo's condition worsened after the hot psychiatrist gave the risky idea to SHOW him Sarah's body. Dr. Jonas is triggering these people into catastrophes every day. It's almost like he gets pleasure out of this. Well... they did show him Sarah and the result was BAD. Bo went into a crazy meltdown, locked himself with the corpse... and started putting blankets on her to warm her up. Disturbing scene... yet powerful work from Robert S. Woods. Bo's resolve came at the end of December 7th's episode when he let Viki come inside and talk to him. I've chosen this as the clip of the day - anyone who ever underestimates or puts down soap actors, just because they are working in a soap... should see this. And then we'll talk. Very powerful.  Viki did what she does best - performed a miracle almost, getting Bo to open up and let the family in. And after that... everyone was looking at her like she is God. The children... Clint himself... everyone standing by the door expecting "savior Viki" to continue being the mother figure they desperately need. But Viki is also a woman. Woman, whose heart is no longer in that house with Clint... She wants to be with Sloan so bad... she has started looking at her husband in a different, colder way. He even came to her bedroom in his robe, probably expecting Viki to invite him in... but he got a chilly response.  Alongside Bo's terrifying breakdown... there were some grim events unfolding at Asa's house as well. Dorian and Blair's fighting made Addie become aggressive towards Asa of all people. She attempted to stab him with a pair of scissors. Asa then finally said "ENOUGH IS ENOUGH!". It's either the baby or your sick mother. She must make a choice. What he doesn't realize... is that there is no baby. When he decided to contact Blair's doctor to inquire about her pregnancy... she knew she had to act FAST - likely fake a miscarriage. Jesus Christ, Blair!  This leads me to the storyline that consistently disappoints and undermines the overall mood of the show. Just picture having these intense storylines - involving... family, breakups, betrayal, grief, mental illness, and manipulation... and then suddenly, you see Alex giving Mortimer a handjob in the Buchanan Palace restaurant amidst all these other powerful scenes. Some might argue that this is precisely why such moments are there - to dilute the drama and darkness... but the result is far from enjoyable. It turns the entire show into a circus. You can't expect me to be emotional in one scene and then witness Alex reaching into Mortimer's pants... without cringing. It's a bit too abrupt... too early. It ruins everything and makes me despise... despise the characters involved. It's pathetic.    Overall -  6.5/10 - it would be a perfect 10 if you removed Alex and Mortimer. But I can't do that and I've decided it's enough giving them (the writers) slack about this. It's annoying, not funny and needs to end. If this was Bold... I would have been tearing them to pieces... but just because they've given me so much good material... I've forgiven idiocy time and time again. I have nothing against handjobs (quite the contrary actually), but I can't see them in the midst of a man crying over a corpse and a mentally ill woman attacking someone with scissors.    Clip of the day Viki consoles grieving Bo.  

      Please register in order to view this content

       
    • Please register in order to view this content

       
    • And every show she leaves is so unstable it takes years to recover, if it recovers at all. Objectively I can say she has a good eye for the look of the shows she is producing, and she knows how to film drama and strive for good acting. I don’t really fault her casting when it comes to new talent, her FOJ’s sometimes fit and sometimes don't though. She also interferes with writers to the detriment of her shows, favors problematic men’s egos on set and gives way less respect to women performers. Her work is often thematically very dark, and misogynistic. Something happened to her a year or so into Guiding Light. The show starts to come unraveled, she basically forced out the writing team that had been bringing the show success. She starts manipulating things like focus groups to get what she wants, and starts building the shows around the men (Buzz as example) and weak women (Lucy). She took over OLTL and tried to fully direct the writing while producing the show. On GH her instincts were so disastrous that they forced Guza/Pratt on her and gave them Associate Producer titles for more money and some agency in the story. And even then, it took until the Brenda return to fully save her ass. And on top of that she is majorly responsible for the show losing Sarah Brown, Amber Tamblyn, Genie Francis, and not securing Vanessa for a longer stay. And now that we know Guza didn’t want to kill Alan off, her fingerprints are all over that one IMO. The only thing I respect about her outside some casting that Mark Teschner brought to her is that she recognized Erika Slezak was too important at OLTL and still too vital to put out to pasture as only the mother of Joey, Jessica, and Kevin, and hand wringing sister of Todd. Emmy’s aren’t everything. Y&R had been number one for decades and truthfully should have been dethroned multiple times but habit and name recogniztion count for something.
    • Meg Bennett wrote for Y&R while appearing as Julia.
    • Everytime Liam appears on Screen I’m like: oh wait.. hey. It’s Liam. He’s still there?“ Like i don‘t know what it is but I always forget that he’s still around lol
    • Heather is a director AND writer at B&B, both in an irregular capacity.   Lawrence St. Victor is part of B&B's writing team for several years now.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy