Members edgeofnik Posted December 13, 2014 Members Share Posted December 13, 2014 I'm really pleased with the way they have been writing Sharon recently, especially post-reveal. This is the Sharon that most of us really liked - a good person who is sensitive and wants to take the higher ground. Nick is being written in a ridiculous manner. So, I have to go with Sharon scorch the Newman earth by bringing up every horrible thing they've done. At a minimum, drag Victor into it and get the judge to ban him from seeing Faith after pulling the Mariah stunt. In fact, maybe Sharon could get Sherman to blackmail Victor into getting to drop the custody nonsense that way or I'm hoping she discovers what Nikki is doing and uses that. Link to comment Share on other sites More sharing options...
Members redontop4 Posted December 14, 2014 Members Share Posted December 14, 2014 Yes. JFP and Pratt both left GH to join Santa Barbara (as music director and script writer, respectively) when it premiered in 1984 and climbed to the EP and HW positions. They held those spots during what many consider the show's golden years, 1987-1990, and won five Emmys between them during their reign. Ex-Y&R/Capitol producer John Conboy fired them both when he took over the show in 1990. Steve Kent, who oversees Y&R now for Sony, was a producer for the entire run of SB. JFP and Pratt went their separate ways--she to other daytime soaps, he to primetime soaps--until they were reunited at GH in 2002. (Bob Guza was also at GH in the early '80s and joined the SB writing staff in 1989. He outlasted JFP and Pratt there and, of course, crossed paths again with them at GH in the '00s.) Link to comment Share on other sites More sharing options...
Members detroitpiston Posted December 14, 2014 Members Share Posted December 14, 2014 Pratt will be the final nail in the coffin, I have no doubts about it. I still can't believe he's gotten his grummy hands on this show. Link to comment Share on other sites More sharing options...
Members JONNYSBRO Posted December 14, 2014 Members Share Posted December 14, 2014 You are right if only Jean and Shelley got a chance to continue their smart writing. Link to comment Share on other sites More sharing options...
Members detroitpiston Posted December 14, 2014 Members Share Posted December 14, 2014 I give you points for consistency at least. Link to comment Share on other sites More sharing options...
Members redontop4 Posted December 14, 2014 Members Share Posted December 14, 2014 Pratt just feels like the wrong choice for Y&R for so many reasons. I read somewhere (sorry, I hate when people say that, but I honestly don't remember where) that JFP wanted Josh Griffith back as HW but Sony/CBS shot that down so she pushed for Pratt, with whom she has a cordial, established relationship. Whatever the case, it's safe to say that the show is soon to take a sharp turn in a different (and, let's hope, better) direction. Link to comment Share on other sites More sharing options...
Members NothinButAttitude Posted December 14, 2014 Members Share Posted December 14, 2014 Exactly. Roger was written as dastardly and he rarely had people cutting for him; he always was knocked down a peg or two but got back up fighting. Link to comment Share on other sites More sharing options...
Members DeeeDee Posted December 14, 2014 Members Share Posted December 14, 2014 Chuck Pratt is exactly what this show deserves. Link to comment Share on other sites More sharing options...
Members GMac Posted December 14, 2014 Members Share Posted December 14, 2014 Hey Dee. Just curious is there anything you like about the show now? :-) Link to comment Share on other sites More sharing options...
Members DeeeDee Posted December 14, 2014 Members Share Posted December 14, 2014 Not really. There are way too many new characters (Joe, Stitch, Kelly, Chelsea, Austin, Sage) in frontburner stories (not counting the recent recasts), the vets who ARE getting story are being warped (Victor, Sharon, Nick, Victoria), stuck in pointless relationships (Jack, Cricket, Paul, Jill, Ashley) or dealing with sweeps driven medical problems (Michael, Nikki, Lauren), the Black characters remain seriously segregated (Neil, Hilary, Devon, Lily) or non existent (Tyler, Leslie, Barton, Mason), Kevin is STILL alive, the non-Black twentysomethings are useless (Noah, Abby, Summer, Mariah, Fen), characters who should be tertiary are eating up precious screentime (Avery, Dylan, Colin, Cane) & Jeanne's presence is seriously missing. Link to comment Share on other sites More sharing options...
Members Vee Posted December 14, 2014 Members Share Posted December 14, 2014 Can anyone explain the point of that damn music box story? What was the box all about? Every time I tuned in and saw it it was just Jess Walton and Robert Scorpio doing stupid "wacky vet hijinks". Link to comment Share on other sites More sharing options...
Members JONNYSBRO Posted December 14, 2014 Members Share Posted December 14, 2014 This kind of writing is an acquired taste Link to comment Share on other sites More sharing options...
Members Vee Posted December 14, 2014 Members Share Posted December 14, 2014 Yes, it's strictly for the Room Temperature Club. Link to comment Share on other sites More sharing options...
Members redontop4 Posted December 14, 2014 Members Share Posted December 14, 2014 What happened to On the Boulevard? Does Billy still own it? I like that set. Link to comment Share on other sites More sharing options...
Members cassadine1991 Posted December 14, 2014 Author Members Share Posted December 14, 2014 David Tom's Billy sold it and went to work at Jabot Link to comment Share on other sites More sharing options...
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