Jump to content

Recommended Posts

  • Replies 17.7k
  • Created
  • Last Reply

Top Posters In This Topic

  • DRW50

    3079

  • DramatistDreamer

    1974

  • Soapsuds

    1765

  • P.J.

    825

Top Posters In This Topic

Posted Images

  • Members
Posted

They could have brought her back as Marland did, for special events and storylines..and especially towards the end of the show. They could have brought her daughter back and have her make visits, etc.  Shame that they had no imagination.

  • Members
Posted

There are surprisingly few April 2nd episodes uploaded to YT. I was searching for the 1987 episode, and only the 1997 episode turned up. Other than the Nikki/Ryder conflict with Hal and Jack's jailhouse visit to Lily, the episode seemed somewhat dull for an episode airing on the show's anniversary. I know that not every year can feature a party but this one seemed so bland. Even Margo's psychotic break in the garishly lit boutique was like, meh.

 

Another strange but interesting marker...  A hair color commercial featuring an almost completely blonde Noelle Beck.

  • Members
Posted (edited)

I would pay top dollar for box sets of surviving episodes from across the show's run featuring Irna's commentary from the grave. Pure comedy!

The Decades channel airs a nightly program called "Through the Decades" that highlights a lot of "this day in history" type of stuff, and there was a feature on ATWT on its anniversary. I think the only real clip they showed was from the early 60s episode where Lisa comes down the stairs to discover her male friend has been invited to have dinner with the Hughes family. There were some nice clips of interviews with Don, Kathryn, Helen, and Eileen from when they were taping Chris and Nancy's anniversary party in 1986. I wish they'd thrown a bone at EON.

Edited by All My Shadows
  • Members
Posted

 

I think I saw that segment on Decades a few years ago too.

 

P&G is definitely the entity standing in the way of getting any more episodes curated and released/streamed to the public.  They yanked rights out of the hands of the SoapClassics people, who seemed to be doing a fairly good job taking the distribution of classic episodes in a technologically progressive direction, by not only selling sets and collections but streaming episodes as well, which was the future back then (it is the "now" nowadays). 

 

I am surprised there wasn't more collective action to try to change P&G's course of action on that (online petitions existed in 2012/13) but I guess ATWT & GL fans were so used to accepting things being yanked away, that most just shrugged.

  • Members
Posted

Have been scrolling through a site with random old Australian TV listings and discovered that ATWT aired in primetime in Sydney on Ch 7 in 1974!

It's from Thursday Nov 28th at 8.30pm,

This is the blurb...

Carol returns home and asks Tom to give up Natalie Bannon's case.

Grant and Joyce have a showdown and Grant decides not to divorce her until she has fully recovered.

So it seems not to far behind the US storylines.

Quite frankly I'm surprised that Oz execs would take to a daytime soap that had been running for nearly 20 years and expect viewers to be interested.

Meanwhile the same channel was airing DOOL, Y&R and GH during the day.

The Melbourne listings for the same evening do not have ATWT in the schedule, in fact the entire schedule was different. So it looks like ATWT was Sydney only exclusive.

Wonder if it was nightly and how long it lasted?

  • Members
Posted

Watching November 1, 1985 episode and there is a scene between John and Lucinda, where John makes a wisecrack about Lucinda's bathtub.  I wonder if this scene was a consideration for the infamous bathtub sequence almost two years later? If it was, that would involve some memory, especially considering all the story that happened in those two years. It's just one of those minor details that one wouldn't expect to play in such a major way so far down the road.

That's one of the things I find fascinating (from a technical perspective) about the writing during this period.

Little scenes that appear to be about something completely different, but when you go back, you see seeds being planted, whereas, in real time, as you watch, you would never figure this out.

  • Members
Posted

So I went back to watch the episode, what memories. I was in grade school when this aired. Marland was quite good at details from year to year. I think this was his best era with ATWT (85-90). I know Lucinda and John were popular, but I liked it better when Lucinda did not like him. Finn Carter was really a natural. 

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Because Kay Alden (a female writer living in Chicago who had a big crush on Eric Braeden) wanted to write some scenes for Lori Brooks (a female writer living in Chicago who had a big crush on Victor).  The whole storyline was self-indulgent and foolish.  
    •  

      Please register in order to view this content

    • Shouldn't this really be Bold opening?

      Please register in order to view this content

       
    • -- Jesus, that was bad. -- If we're going to bash Will's face-making, we can't let Luna off the hook. All that scrunched-face crying was annoying. -- Still no explanation as to how Luna escape, leading to utter stupidity that she gets away AGAIN while Will just stands there. -- Meanwhile, the entire cast hilariously gets texts about the jail escape and heads to the beach house. 

      Please register in order to view this content

    • I knew Ray Wise looked familiar (beyond How I Met Your Mother, which I also watched, where he replaced Eric Braeden!).

      Please register in order to view this content

        
    • Congratulations, Laura! You're still a lousy Mayor though 

      Please register in order to view this content

      GH really needs to keep the WSB honeypot away from Emma, and especially from Gio. If they want to put the two of them in a triangle with someone, it should definitely be with Trina. And, while I don't like Sidwell or this storyline that much, that was a really good ending. I didn't see it coming either.
    • In regards to Long's 2nd stint, it appears as though she officially came back as head-writer between the 4th of July/Bauer Barbeque episodes 1987 and mid August 1987.. and then between April and September 1988 were episodes written by the scabs.  I almost count her having 3 stints head-writing Guiding Light since the writer strike lasted five months. In her 2nd stint, she seemed focused on the following: - Sonni returning from the dead thus keeping Reva/Josh apart yet again so she naturally turns to Alan and causes the ending of the Vanessa/Alan relationship.   I wonder if Maeve's decision to leave affected some of this because she was gone by January 1988, a few months after Long's return so she had to come up with a way to get Vanessa to take off (and it was to be there for Billy during a low point if I recall). - Phillip/Chelsea were pretty heavily focused on during this 2nd stint period and I liked their rapport. - A lesser focused story in the background was the Lillian/Hawk/Sarah situation - Formulating her next version of the 4 Muskateers with Cam/Dinah/Harley/Alan Michael... but in order to include a more rough around the edges Harley.. Dinah was softened quite a bit (though I did see a cat fight between Harley/Dinah where Dinah belted Harley so I think Turco could have played an edgier Dinah). - There also seemed to be a Spaulding takeover going on with Phillip trying to oust Alan.. and it affected his relationship with Chelsea. Post-writer strike, I noticed that the Phillip/Harley arc kicked into gear with him pretending to be 'my fair lady' with Harley.. but trying to set it up to look as though they were sleeping together.  That arc plus the aftermath of Maeve's death were what Long started when she came back after the strike. I don't know how the Alan/Reva situation would have gone had CB remained in the role and if the writer strike hadn't happened.
    • I've only been solidly watching the show for the first time the past few months. I was familiar with parts of the show and some of the character just from being a soap fan. I do have to say that I am enjoying GH more than any other shows right now. Sure, it has flaws but it seems to move along fairly well, and most of all, the eye-candy. Damn, there are so many cute men on this show. Nathan and Michael are at the top of my list.

      Please register in order to view this content

    • I have to say that I was honestly surprised by the exit this week. With spoilers and casting news, it is tough to pull off an honest shocker, and this shooting actually made gasp out loud.  I would bet many of you would enjoy it, if you watch it more regularly, I know that has been my experience this month.  
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy