Jump to content

Maybe if we post our favorite Soap Opening Credits


Recommended Posts

  • Replies 139
  • Created
  • Last Reply

Top Posters In This Topic

  • Members

Say what you will about Paul Rauch, but he understood the importance of opening sequences and theme songs.

 

"True Light," on the other hand, looked and sounded like a cheap talk show from the mid-'90's.  It only underscored how out-of-touch John Conboy was with GL and with soaps in general.

Link to comment
Share on other sites

  • Members

 

 ATWT's corn field opener music had a powerful dramatic emotional effect to it which I enjoyed. The visuals however were bad. Come to think of it, ATWT changed their theme and intros very rapidly in the later years. The 'toilet flush opener" (which I like) was probably the last of ATWT's openers to have decent visuals. 

 

I wish DAYS would have released new versions of thir hourglass opener over the years, keeping the Mac Donald Carey voice over of course. Their 2004 extended theme was perhaps the best they've ever used. 

Please register in order to view this content

 

Discovered this 70s (re-created) theme for the Secret Storm. It's very soothing and relaxing. It really captures the essence of how soaps were back then. The crashing waves just adds to that effect. I like how certain soaps had their trademark icon. DAYS was the hourglass, AMC's was the photo album, ATWT's was the globe and based on seeing other openers crashing waves it for TSS. 

 

Edited by ironlion
Link to comment
Share on other sites

  • Members

Two nice themes from other lesser known P&G shows:

 

The final Somerset theme (1973-76)

 

Please register in order to view this content

 

and the theme to The Catlins, a P&G soap that aired on TBS from 1983-85.  This theme is similar to the AW and Texas themes from the early 80s.  Wonder if The Catlins theme was considered for use on AW and Texas, but P&G decided to go with the themes that made it to air on both shows?

 

 

 

Link to comment
Share on other sites

  • Members

 

In a way, I'm glad Ken Corday has kept the updates to DAYS' opening sequence to a minimum.  Another producer would have ditched the iconic hourglass and theme song ages ago, leaving us with some tacky, generic mess.  (Yes, JFP, I'm looking at you.)

Edited by Khan
Link to comment
Share on other sites

  • Members


I love that.  For my grandma it was her ABC block (OLTL, GH, and Edge, she never got into AMC).  I could watch.  I could ask questions during the commercials.  But not when the show was on!  I was very little, but I remember how upset she was when they cancelled Edge.  Love the last shot of Raven.

 

Please register in order to view this content

 

I am a big fan of retaining something from the classic opening when you revamp.  Y&R going from drawings to animated in color to live action then the red open still maintained the show’s identity.  Same with GH’s Faces of the Heart with the ambulance, hospital, opening notes and Steve and Audrey as the first cast images. Same with GL’s Hold on to Love with the opening notes and the return of the lighthouse.

 

One nobody has mentioned yet but I always loved the just over the top-ness of it was the original B&B opening.  The music and fashion images were very entertaining, and I didn’t even watch that soap.  I especially loved Susan Flannery’s shots! 
 

 

Link to comment
Share on other sites

  • Members

Please register in order to view this content

 

@Khan This is the theme you were speaking of... SOD disparaged the smooth jazz version of HOTL and praised this return to an upbeat version but imo it was way inferior to the original and the smooth jazz.

Link to comment
Share on other sites

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • How did this come to be?

      Please register in order to view this content

      Btw, if he’s on again, you should apply to be a contestant
    • https://www.instagram.com/p/DJJTEW8J5EA/ 1989 Daytime Emmys Victoria Wyndham gives moving tribute to Douglas Watson, AW's Mac Cory Harding "Pete" Lemay created the character Mac Cory & then Doug Watson played him for 15 years. When Doug died on May 1st, 1989, it was a huge loss to the show, the other actors & also to the fans.  

      Please register in order to view this content

    • Jonathan Kellerman is definitely the most EON/Slesar-like writer in the business right now.  Unfortunately, he's almost 80 years old.  Interestingly, he has a son (Jesse Kellerman) who's about 45, who's been studying under him.  I believe what makes the Kellermans such effective mystery & crime writers is their background in psychology.  
    • I never understood the point of Marchetti. Summer left the show for a job there in Italy. OK. When she returned they had Jack buy the company. Why couldn't Summer have returned and simply stated it was not a good fit, she missed her home , family/friends etc It was absurd that this internationally successful fashion empire could just be bought by a US cosmetics firm at the drop of a hat. What was the point when they never did anything with it at all? Summer simply could have gone to work at Jabot. And wasn't there some nonsense about an offshhoot called Marchetti Home? Was Phyllis attached to that at some point? This show...
    • Leslie:

      Please register in order to view this content

      Ted:  
    • And based on the previews for today, maybe we’ll, uh, finally see something

      Please register in order to view this content

    • Haven't seen today's ep yet but so will be interested to see the clothes. So far I think they have been very character specific (even if I don't like some of them eg Kat's cutsie style) Anita is very showy/glittery, Nicole classic elegance, Dani sexy/bold colors etc. Unlike Y&R which seems much more generic. Also BTG pays attention to the men's wardrobe and has developed a style for the boyz-which is harder to do with male fashion. The absence of any of Derek/Ashley at any of these big events again demonstrates how they are in a different universe to the rest of the show. Not that a nurse and a fireman would be there but still they seem destined at this point to stay in their own lane and have little interaction with the core of the show.
    • Agnes had written for Bernard Grant for many years on TGL as well as Ernest Graves and Joe Gallison,Doris Belack,Robert Milli,and  Antony Ponzini at AW. So she would probably gravitate to writing a role with an actor in mind or choosing someone she had written for before who she knew could deliver.
    • Once Johnny Dallas' cut himself off from Laurie Ann Karr and their son, and once Laurie successfully recovered from her mental problems, she wanted a new, fresh, and healthy start for the next chapter of her life. She legally reverted her name and changed John Victor's  surname to Karr. After moving to the country (when Teri  Keane was dropped from the show), Bill and Martha Marceau legally adopted Jennifer, the baby girl whom they had earlier taken in when the child's biological mother, Taffy Simms (and other bio family members) proved to be unfit to raise her. Jennifer legally and emotionally became a Marceau, and gave that name to her own daughter, whom Jennifer birthed through surrogacy as a single parent. Et...voila! The Karr and Marceau legacies live on.

      Please register in order to view this content

×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy