Jump to content

Y&R: Old Articles


DRW50

Recommended Posts

  • Replies 14.3k
  • Created
  • Last Reply

Top Posters In This Topic

Top Posters In This Topic

Posted Images

  • Members

When they had Sex and the City wardrobe infiltrate Guiding Light, people weren't in to it. They got so many complaints. I can still picture Marah's RIDICULOUS hat.

I do think it's hilarious that if you go to Brooklyn now, you see a bunch of hipsters wearing flannel. The last time flannel was in, New York City eschewed the movement and stuck to wearing all black. Just funny to me.

Link to comment
Share on other sites

  • Members

I didn't know about Greg/April. Or Jack/Peggy (was this mentioned when he flirted with Chris later?). Or Nikki and that doctor. I wonder why they didn't bring him back in 1996 instead of having her marry the gyno she'd known for about five minutes.

Link to comment
Share on other sites

  • Members

Peggy's Jack was Professor Jack Curtis, not Jack Abbott.

Bill Bell often reused character names, ie. Brad Eliot/Brad Carlton, Chris Brooks/Christine Blair, Jack Curtis/Jack Abbott, Michael Scott/Michael Crawford/Michael Baldwin, John Abbott/John Silva, Diane Jenkins/Diane Weston.

Link to comment
Share on other sites

  • Members

Soap changes your approach. A soap sets up a pattern, a habit. I needed to develop a new kind of freshness for what I was doing. I felt the need to extend my boundaries, to widen my distance. Soap operas are very compressed. Working on a film is different because it demands more size and scope. As the movie progressed I got more comfortable with my work.

Bill came to Young & Restless via Raquel Welch's Kansas City Bomber film. Sources at MGM have reported his work was excellent but much of it never found its way into the final product because, as some speculate, Raquel felt he was too overpowering in their scenes together. Viewing what was left we found that even what remained proved this point: Bill's only major scene with her was one of the highlights of the picture.

"I still want to study in England, but I guess I'll just play it by ear. It's funny, but now that I have the opportunity to look ahead and I'm in a position to do so, I find I'm not looking as far ahead as I was when I was on the show and under contract. I was constantly looking forward to what was next. Now that I'm there I'm just playing it as it happens and seeing how things fall."

Bogart Slept Here is more or less about an actor (much like Dustin Hoffman) who kicks around New York and Broadway for a long time and then gets discovered by a Hollywood movie producer (much like Mike Nichols who is directing the film and who discovered Hoffman for The Graduate). In the film Bill describes his role as follows, "I play an actor who meets the Hoffman character (he was to be played by Robert De Niro but at press time producers were considering James Caan for the lead), we test for the same role, we meet ad have a scene. I guess you can say the character is a young, employed New York actor."

Before doing Young & Restless, Bill was a guest on most of the major nighttime shows like Streets of San Francisco and his approach three years later is somewhat different..."Sure I'll probably do them again, but they'll all be things I want to do, I won't just be working, working, working for the sake of it or for the money. I'll try and choose the right things and get the best mileage out of them."

I asked Bill if he had any reservations about leaving the safety and security of Young & Restless. "No," he answered in loud tones. "I feel very positive, very good about the move. I think change is always helpful. You try and get as much information as you can and then act on it. Well, that's what I did and I feel very positive about my decision. I have no apprehensions, regrets, or second thoughts about it at all."

However strong he feels about leaving Bill has a lot of gratitude for what he's learned the last three years. "I've certainly come away from the show with a lot more than I went into it with. Any actor who gets the opportunity of working or getting any experience doing a particular job is going to walk away with, hopefully, more than he went in with."

Three years ago William was a young actor who had been in Hollywood six months. He was faced with a monumental decision for a newcomer. Should he accept a part on an as yet unaired soap opera named, of all things, The Young and the Restless? Or, should he opt for film and nighttime TV parts that carry more status in the industry? At that time I suggested that in no way could hurt his career. Now coming out of it we both reflected on that promise..."You did promise it would be an education and it was," remarked Bill. "However, what I learned from the soap needed modification when applied to film work. It needed a freshness and amplification that I didn't get from my soap training. The Veil afforded me the chance to experiment with these things and I find there isn't any problem adjusting.

"Now, I feel that what's in front of me is the challenge and the freedom of whatever life and work has to offer. Getting new jobs or going to Europe is very intriguing, whether it's work, theater, regional theater, films or even another soap. I now have a chance to breathe, to experiment.

"One thing that was great about the show was when people, whose work I admired said, 'Look, your work was really good, you have something to offer.' I was never allowed to get out and do other things while I was on the soap and I had a need for that. You can't do other things when you're tied up in a soap. The people in charge felt it important I only do the soap and that's one of the reasons I'm leaving."

So Bill Espy will go out into the world of show business and make his way again. He has a good chance to accomplish everything he wants to do because he's trained and has good credits behind him. Also, lest we forget, he has a large following of loyal fans to bolster him at the box office.

- TONY RIZZO

Link to comment
Share on other sites

  • Members

I'm always curious, because I LOVED her on Days of our Lives and can not and will not ever accept Lauren Koslow because of her, but what was Deborah Adair like as Jill? I have her on my fanfic and I had never imagined her in the part before but LOVE writing the character FAR more with her in mind.

Cole was best suited over on ABC romancing Little Budig. Eve dying, sorta remember and fine I think I agree with.

Link to comment
Share on other sites

  • Members

Yes, that is indeed why Mitchell was there. To prove to he courts that anything that Jack did while he was gone wouldn't matter cause he was never dead.

I'm not sure why Ryan was there. I mean i know it must be because Victor thought he would try to get close to Victoria again while he was gone, but other than that there really was no reason for him to be there.

I think it was a little dumb of Victor to invite Nikki with everyone else. Wouldn't he just think it would ruin the special moment for her to be there with everyone else?

I think that Lauren should have been present at that gathering since she took Brad in at Fenmores. Then again one of the reasons why i say that is because i would have love to see what Lauren was like having scenes with people i rarely would see her in the same room with at that time (Ryan, Brenda Eppersons Ashley, Douglas, and Mitchell.)

Edited by yr9190
Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   1 member




  • Recent Posts

    • I decided this primetime soap deserved it's own thread as the Primetime soaps thread is very cluttered and why shouldn't NBC's Lorimar soap mot have a chance to shine? In doing a deeper dive into the second season ratings I was surprised to see that FR actually had an uptick in the ratings when NBC moved it to 9pm Tuesdays beginning March 82. I'd always assumed this move was a desperate one as NBC were running short of programming and had given up on the show,deciding to let the final episodes play out and be hammered by 3's Company  and CBS Movie. But the numbers paint a different story. In it's 10pm slot up against Hart to Hart, which regularly finished in the Top 20, FL premiered in 53rd place and placed in the 40's and 50's as the season continued. But come January 82 the numbers surged a little now moving into the 40's hitting #43 in Feb. Hart to Hart was #11 Then in March Bret Maverick was moved to 8pm with FR @9. First week 16th March FR #47 15.1/24 3's Company #3 Too Close for Comfort #5 CBS Movie #60 Not great but #2 in it's timeslot March 23 FR #44 15.6/25 3's Company #4 Too Close for Comfort #5 CBS Movie #33 So even with a stronger movie on CBS FR's numbers went up. March 30 FR #31 16.6/26 3's Company #9 Too Close for Comfort #5 CBS Movie #56 Best rating/position yet Tues April 6 pre empted Tues April 14 FR #36 16.0/26 3's Company #5 Too Close for Comfort #11 CBS Movie #59 Maintaining previous week's numbers Tues April 21 FR #33 15.6/24 3's Company #3 Too Close for Comfort #5 CBS Movie #60 Numbers down a little (reflecting general spring downturn) but best ranking of the season so far Tues April 28 FR #35 15.1/23 3's Company #9 Too Close for Comfort #6 CBS Movie #42 Tues May 4 FR #27 15.2/24 3's Company #5 Too Close for Comfort #4 CBS Movie #41 Season finale and highest position of the season. Looking at those numbers I wonder why NBC cancelled the show? They had very few hits and here was a show that was holding it's own and moving up in the rankings in a tougher timeslot. And being a serial, the storylines could continue to build the following season. And I'm sure the desirable W18-49 demo was good. Some might argue that CBS were shower weaker movies, but even so, soap viewers are pretty loyal. I guess Grant Tinker arrived at NBC and wanted a classier look but there was room for FR on the schedule. I mean, the following season Knight Rider,Powers of Matthew Star and the A Team arrived so there was still room for more populist fare. Flamingo could have stayed at 9pm-the replacement Gavilan bombed (surely FR would have done better} or moved back to 10pm. The following Jan NBC had a hit with A Team Tues 8pm. Had Flamingo followed it, it might have really taken off. As it was they tried Bare Essence, which flopped. Oh well,it was not to be...    
    • Always, in every way, Cass/Wally/Felicia foundational to my viewing. And, I think if we look at the aftermath of the disastrous 90 minute show that we find too many pockets of some kind of lost time at the show plus way too much of change-ups in exec & writing leadership and of course we also reach the first time it becomes notable that NBC wants to get rid of the show so they can put a new soap they own in the timeslot.
    • If the MAGAts were easy prey enough to get manipulated into voting for the tangerine-tinted terror, they'll fall for anything.

      Please register in order to view this content

    • And this came out as the "feud" and the media pushing the protests in Los Angeles got all the media attention. They know the press and the public will not care or can be manipulated into approving.

      Please register in order to view this content

    • Hope you will enjoy the 1976 storyline from the Daytime serial Newsletter. The show had just expanded to an hour so new characters and stories were required. The Soderbergs had been writing since late 73 and the show was still #1. Looking foward to comments and discusssion Pt.1  For over two decades As the World Turns has depicted the events in the lives of two Oakdale families: the wealthy and influential Lowells and the less affluent but equally respected Hughes family. Judge Lowell’s granddaughter Ellen is married now to Dr. David Stewart, whose adopted son, Dan, is actually her own illegitimate child. Dan was once married to Dr. Susan Stewart, by whom he has a daughter, Emily. Dan then married Liz, the ex-wife of his late brother Paul. Liz was the mother of Dan’s daughter Betsy, who believes to this day that Paul was her father. Liz died tragically the day after their wedding. Ellen and David have two daughters, Carolann (Annie) and Dawn (Dee), now of college age. Dan has recently fallen in love with Kim Dixon, who was about to divorce Dr. John Dixon until injuries suffered in a tornado caused amnesia and left her with no memory of her love for Dan. John is using this respite to solicitously convince Kim of his love for her. Nancy and Chris Hughes had three children: Bob, a doctor, Donald, an attorney, and Penny, who, after tragically losing two husbands due to automobile accidents, is now living in Europe, where she is married to a racing-car driver. Bob was married while very young to Lisa Miller, then a scheming and selfish young woman, whose machinations destroyed their marriage. She is the mother of Bob’s son, Tom, who is divorced from Carol, who is now married to Jay Stallings. Tom is currently married to Natalie Bannon. Bob later married model Sandy Wilson, a marriage which ended in divorce, and Sandy is now married to Norman Garrison, who is her partner in a beauty products concern. Norman blames Bob for Sandy’s  recent disillusionment with their marriage, and, ironically, Norman suffered a heart attack during his verbal assault on Bob at a Hughes family party; and while Bob rode with him in the ambulance to the hospital, Bob’s beloved wife, Jennifer, Kim’s sister, died in a car crash while driving home alone. Lisa, more mature and considerate of others now, is married to attorney Grant Colman, but her life has been complicated by the recent arrival in town of Grant’s ex-wife, Joyce, and the incredible news that she and Grant had a child after their separation, a child Joyce gave out for adoption but now wants to reclaim. Now the story continues... The picture has now come clear for attorney Grant Coiman. He has learned that his ex-wife Joyce neglected to tell him she had a child shortly after their divorce and had given the boy to Mary and Brian Ellison for adoption. Grant, after seeing the adoption papers and considering the boy’s interests, tells Mary he feels the child should remain with them; they are providing a fine, stable home for him. Grant’s wife, Lisa, is pleased with his decision, feeling he has thus closed the door to the past and they can now go on with their own lives. But Joyce has learned that attorney Dick Martin is now back in private practice, and she tells him she was confused when she gave Teddy up years ago and wants him to represent her in a custody action to get her son back. Dick tells Joyce she has a very weak case but he’ll do what he can. He goes out to Laramie to see the  Ellisons, upsetting them very much. Grant, meanwhile, has confided in Chris Hughes, his law partner, that while his name was on the consent form for the Ellisons’ adoption, he didn’t sign the papers; he had, in fact, never known that he had a son. But he’s afraid to open a new can of worms by signing a consent form now, as that would reveal that the adoption papers are not legally correct. Grant confides the situation to Lisa, explaining that if he wanted to,  he could probably get custody of Teddy himself, but that’s not what he feels would be best for the child. Mary Ellison finally breaks under the strain of Dick’s visit and tells Brian that Dr. Paulk, the doctor who arranged the adoption, told her he didn’t know where to find the baby’s father and so he signed the consent form himself. She painfully explains she kept this secret knowing that Brian wouldn’t go through with the adoption if he learned the papers weren’t legally sound. Brian quickly calls their family lawyer, Jerry Butler, who immediately phones Grant to be sure he backs the Ellisons’ claim. Dick realizes from Joyce’s story that Grant couldn’t have signed the papers and tells him he knows. The only person who has a right to file for Teddy’s custody now is Grant; he’s the only injured party. And the moment he files, Dick can sue for invalidation of the Ellisons’ adoption. Grant finally files, to settle the custody question once and for all, but technically he's filing for custody himself. Tom Hughes and Natalie Porter are married in a small, lovely ceremony at the home of his grandparents, Nancy and Chris Hughes. They honeymoon in the Southwest and return full of expectations of happiness. Natalie is disquieted, however, when flowers arrive which are not from her new husband. She covers by pretending to check with the florist and tells Tom it was a wrong delivery and they have told her she might as well keep them. But she knows who sent them. Natalie is upset when, shortly after, Luke Porter arrives in town and seeks her out. But Luke insists he is there only to assure her this is a final farewell and he has now decided to concentrate on. making his own marriage work. Sandy Garrison, Bob’s ex-wife, is working at the  bookstore to fill in for Natalie. Her estranged husband, Norman, recovering from a heart attack he suffered during a drunken confrontation with Bob at the Colonnade Room, is still telling anyone who will listen that Bob and Sandy are having an affair, but ironically will let only Bob care for him at the hospital. His recovery is hampered by his easily aroused temper. Norman anxiously tries to persuade Dr. John Dixon to convince Bob to swear he slipped at the restaurant, thus making them liable for a costly lawsuit, but John won’t do this. Chris discovers a large amount of money missing when checking the books on the Garrisons’ business, but doesn’t want to upset Sandy with this. More to come...
    • The cynical (i.e., the dominant) me has the very same thoughts.
    • Oh wow that’s pretty awesome! I wish I had  approached him but there was so many people 
    • In the current environment, while it's small, there is a crumb of good news: Apparently, San Antonio voted for a DEMOCRATIC mayor, Gina Ortiz, beating the "right-hand man" of Gov. Greg Abbott, former Texas Secretary of State Rolando Pablos. https://thehill.com/homenews/campaign/5337199-gina-ortiz-jones-wins-san-antonio/
    • Love this! You are both adorable. Wow
    • I have not gone back to watch much of 1987, but from what I've seen lately, it doesn't feel like the writers or producers had any sort of plan. The show feels as if it's constantly in flux.  I will give it credit for this. It's watchable for the most part minus Lisa/Jamie which I find nearly unwatchable now.   I don't find Cheryl mousy. I think she has a lot of quiet strength, but she was saddled with the Scott romance which the writers did not invest in. She had a good friendship with Julie (also criminally underused), and her interactions with Ada were enjoyable as well. I also like Layman, but Spencer was extremely talented and when Cass returns, Schnetzer and Spencer have some wonderful scenes. Spencer also fits in with Alexander, Hogan, and Marie.  I'd forgotten just how much I missed seeing Wallingford. IT was so good to see him again. Even when they didn't have a major plot, Felicia/Cass/Wallingford/Mitch always brings a smile to my face.  
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy