Jump to content

Search For Tomorrow Discussion Thread


Paul Raven

Recommended Posts

  • Replies 3.2k
  • Created
  • Last Reply

Top Posters In This Topic

  • Members

 

It's bad enough that he messes things up about the shows he is not as familiar with, but didn't he WORK at GL? Sad.

 

In any case, I'll still give the chat a whirl because I'd like to hear what Marcia and Michael had to say. A Maree/Lisa mother/daughter chat is a terrific idea for a future show. Too bad Nelson Aspen can't moderate these chats.

Link to comment
Share on other sites

  • Members

OUR memory for details is incredible!  LOL

 

Marcia referenced Hogan and Patti’s wedding “in Ireland” and I winced.  But, man, she remembered Lee Godart’s character’s name (Bela Garody) and was immediately redeemed. 
 

Marcia was still unhappy about being killed off OLTL. She laughed about Eterna. 
 

Michael reminded us that there was a time lapse between David Kimball on Y&R going into the dumpster and getting trash compacted, and the dead victim was probably a homeless man, so David’s alive and Michael’s ready to return!  He also said he was up for a role on GH recently, the one that went to Gregory Harrison (Alan assumed). 
 

Marcia regretted Sunny losing Hogan to Liza, but admitted that Liza was the leading lady, so...

 

When Hogan and Liza didn’t work out (Luann Gideon was not mentioned or blamed, but Hogan and Liza worked with Sherry Mathis in the role), Hogan then went to Patti. Marcia explained that Patti was Jo’s daughter and seemed to accept that she was a major legacy character who needed a leading man.  I still wanted Hogan with Sunny. 

Link to comment
Share on other sites

  • Members

@DRW50 It's completely understandable. Joanna Lee's tenure is so well regarded and Sunny's rape was one of the last big stories that "Search for Tomorrow" told that didn't feel like a complete gimmick. I think its also one of the last stories that Gary Tomlin put into place. He would end up as headwriter at "Another World" in either March or April of 1984. 

 

What I've seen of Barrett's first few months were very good, but I think she was basically encouraging Tomlin and Glynn to take the story that was already in place and just slow it down and cut it down. There was a lot happened on Lee / Tomlin's "Search for Tomorrow." Everyone seemed to have a little bit of something. I know that most people cite Vargas' kidnapping of Jo as what boosted the ratings, but the show was just really strong in the summer and fall of 1983 as that kidnapping story was climaxing. Not only did Vargas have Jo, but Steve's paternity secret was about to come out, Stephanie and Steve had their aborted wedding, Wendy learned she was pregnant just as Warren decided to stay with Suzi because of her money, and there was a Stephanie / Liza and Lloyd / Travis rivalries brewing over business and personal issues.  Lee's departure in December 1983 really hurt the momentum as it coincided with the supposedly pre-planned mass exodus of cast members around Christmas 1983 only to be followed by an influx of new characters in early 1984. 

 

The bits and pieces that have crept up from the summer of 1984 are interesting, but not as strong as 1983. I also find myself interested in not so much because it's interesting but because everything is so new and different. The fall of 1984 into early 1985 seems very very bleak and dark.

 

I wonder what Tomline would have done if he stayed? I know Barrett seemed to do a second major cast dump in the summer of 1984. I don't think the newcomers of the second wave survived to well (the Kendall twins, Justine, Adair, Cord Touneur and his half-sister Victoria). In particular, I'm curious what Tomlin planned for Elan story. Weren't there hints at one point that she may have been Adair and Alec's or Adair and Chase's kid? I also wonder how Tomlin would have handled the Suzi / Wendy relationship once Michael Corbett left the show. 

 

I know Tomlin's second stint isn't as well regarded though I think there were a couple of producers involved during his second stint. The show's last two years sound and feel so stunt oriented. I do like the serial killer stuff which is very much a stylized stunt. I don't think it helped the show. And I don't think making Sarah a vixen was a skill in Michelle Joyner's wheelhouse. I thought Mayer Avila and Braxton created a very nice triangle there that was quickly abandoned. I am curious what the original plans were for Estelle which I think may have been sidelined by the revamp. Wasn't Estelle suppose to be a much more menacing character? 

Link to comment
Share on other sites

  • Members

The last few months of Search seemed to have a nice focus and tone.  Stu/Jo got renewed focus and they were a huge part of the Ella Hobbs story ( a good against type performance by Ann Flood).  So when the show ended, it was in a good place (last scene was a perfect ending for the show).  Walsh/Long couldn't have the show, but they ended the show with dignity unlike ATWT or GL

Link to comment
Share on other sites

  • 3 weeks later...
  • Members

I think that Gary Tomlin was the show's greatest writer - certainly during the final years.   (He was also the best producer of One Life to Live.)

 

I got the impression that he was supervising the show during the time that C. David Colson was the headwriter - maybe as unbilled story consultant.   I think that Mr. Tomlin was the official writer of Another World at the time.

Link to comment
Share on other sites

  • Members

Apologies if this was mentioned before, but I only just just found this out while looking up Corrine Conley. Apparently CBC in Canada mounted a short-lived radio version of SFT where she starred, many years before her run on DAYS as Phyllis.

 

More info here:

 

https://www.newspapers.com/clip/27937652/the-ottawa-citizen/

Edited by beebs
Link to comment
Share on other sites

  • Members

Gah! Thank you @Paul Raven. I'm gonna do a quick scan and maybe find out some more info for you on start and end dates as well. CBC's archives have not been well-publicized, unfortunately, and I'm unsure if Broadcast Centre will be open for tours or anything once lockdown ends, but I will investigate further.

 

Thanks for pointing me toward your post!

Link to comment
Share on other sites

  • 4 weeks later...

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I have to check out his Bela Garody on Search for tomorrow. He was one of the main reasons EON worked for me when I was watching. Truly unforgettable presence. Handsome in the most perverse and sinister way. They don't make faces like that anymore. 
    • My favorite moment in SOAPDISH is the HW taking the star to the mall in NJ to improve "morale"!! 
    • Oh no! The shoulder pads! I will mourn them when they're gone. Please tell me the head pieces and hats remained!?
    • Shout! TV has now added season 26. Not sure what the reasoning for that was, but maybe it was the one that was ready to go... 
    • It's AWFULLY hard to tell.  But out of the (approximately) 16 weeks so far in 2025, Bryton has only had about 12 episodes.  That's significantly less than 1 per week.  Once the actor drops down to less than 1 per week for an extended period of time (such as a 39-week cycle), I start thinking there's no contract in place for him or her.  Surely these folks aren't tying themselves down to a show for a guarantee of 1 or 2 episodes a month.   If I counted right, Bryton has had 21 episodes in the past 24 weeks.  They're either (a) about to kick into high-gear & work his ass off to meet his minimum guaranteed appearances, or else (b) he ain't got a contract that guarantees him squat.  
    • These contract guarantees of 1 ep per month are ridiculous. How can you even have a story if your character apprars 4-5 times in a month? It's sad.
    • It's hard to tell with some actors appearing on average 4 times in a month whether they're recurring or just on a low guarantee contract. Someone recurring  like Beth Maitland can be used a lot for several months then disappear. So the monthly tallies aren't enough to go by.
    • Of the so-called "contract" cast members, I'd venture to say these are recurring: Bryton James, Camryn Grimes, and (possibly) Michael Graziadei.  I've suspected since 2018 that Kate Linder and Christian LeBlanc are recurring.  And I believe we all know Miss Ordway is, because she said so. lol.  
    • Dante blaming Gio instead of his dweeb son and the other dweeb was just ridiculous. Gio's paternity story is going in circles with no reveal. I've already started fast forwarding Drew and his stupid ho Willow's story. Kristina's story is beyond dumb with no great payoff.
    • Sarah (with the English accent) isn't just some random character.  Sarah was once the housekeeper for Eliot Dorn and Margo Huntington.  One of the following 2 scenarios happened a few months ago: (1):  One night, while Margo wasn't at home, and while Oscar the Doorman wasn't at his post, a burglar sneaked into the private elevator, rode up to the penthouse, stole several thousand dollars worth of Margo's valuable diamonds and pearls, and tied-up Eliot Dorn and Sarah the Housekeeper, ensuring that Eliot and Sarah couldn't pursue the burglar back down to the lobby or phone the police to apprehend the burglar. OR --  (2): Eliot Dorn was SLEEPING with Sarah the Housekeeper, and the two of them conspired to steal Margo's jewelry and went on a lavish spending spree and then tied THEMSELVES up to make it look as though a burglary had occurred in the penthouse. Margo Dorn currently believes Scenario #1 occurred, and she's rather annoyed that the "incompetent police" haven't located her stolen jewels yet.  Eliot and Sarah know that Scenario #2 actually occurred.  When Sarah stopped by the Unicorn and saw Eliot kissing Raven Swift, Sarah snidely said, "Oh! This must be Mrs. Dorn!  Nice to meet you, Mrs. Dorn!" Sarah knew good & damn well Raven isn't "Mrs. Dorn" because Sarah worked for Margo Dorn on a daily basis for many months.  That was Sarah's not-so-subtle way of announcing, "I'll be paying a visit to District Attorney Logan Swift and letting him know that his wife is sleeping with you, and I'll be paying a visit to WMON to let Margo Huntington know that you're sleeping with Mrs. Swift!"  lol.     
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy