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B&B: Week of April 14, 2008


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More Heather Tom and Ashley Jones sharing scenes together! I really enjoyed them.

But let's dial it WAY down with the Nick worshipping. Honestly, Mount Rushmore is not the end-all and be-all of male booty in LA!

Ridge (or "Cliff" as Nick called him) needs to get his ass on a plane somewhere. He was so infuriatingly smug with Storm. If he thinks Storm is so dangerous, how come he left Ashley alone with him at the restaurant? So much for saving his newest sweetheart. :rolleyes:"Ashley, Storm is so very, very dangerous. He's the one who shot Stephanie. But don't tell him you know. Even though he knows you know because I just told him you know. Just act TOTALLY normal and get him to drive you home. I'd offer you a ride but I just want to get out of here as fast as I can and jump into bed with Brooke. See ya. And Good Luck."

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Now, let me say, today's B&B highlights the fundamental crack cocaine of this show.

I hate the characters and I hate the stories :-).

And yet, today was riveting.

The suddenly crazy Storm (bad writing), was chillingly compelling...and I truly believed Ashley was scared. Watching this little horror movie unfold is going to be interesting.

So, too, suddenly, Bridget turned into a possessive bitch. She was taunting Katie and making her feel insecure. She even had VOICEOVERS, saying "no, Aunt Katie, you're not going to steal Nick from me". A bitched up Bridget (makes no sense! this is inconsistent with all the prior years of plotting!) was terrific to watch. And, Heather Tom straddled her multiple character streams with aplomb (insecure: Nick could never love a girl like me...something Bridget fed on; feisty: ready to drop Nick, but suddenly wanting to fight once Bridget implicitly challenged her; chemistry: all this great subtextual stuff with Nick). Heather and Jack and even Ashley are SUFFICIENTLY GOOD that I can actually forget for a minute that this is ANOTHER incest story!!

Bridget and Ridge arguing about Storm...yawn.

Preview ads for this week suggest that Donna may be the instrument of something bad happening to Tiny...and that is going to fuel Pam even further. That is another TERRIBLE story...insta-crazy Pam. Eric would never tolerate this dangerous nut. BUT....it produces compelling drama.

The day-by-day shifts in quality and character motivation totally parallel the bad stuff on LML's Y&R. You never quite know what you're going to get. That signals the abject failure of Brad Bell and his co-headwriter team.

On the other hand, on specific days, the individual dialogue and the performances save the show...time after time.

Imagine if this show were well plotted/written. What a great show it could be.

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MarkH, a lot of what you say, I really agree with. ^

Like that point about Bridget suddenly revealing her bitchface. Under WJB, that would have been more skillfully done. Something about the way William Bell wrote characters... they were three-dimensional. A "good girl" character like Bridget -- essentially Caroline back in the early days -- was fundamentally decent but when push came to shove, she could pull out the bitchiness and manipulation and it was accepted. Because Joanna Johnson played a multi-faceted character with traits that the audience recognized in themselves.

Now, though, the characters have become plot-points which is saddening. I watch in the hope of glimmers of what they used to be. The Storm story is a perfect illustration of that.

Sadly, I think Brad bell is used to writing with this plot-point template. It's about keeping the audience on their toes, as opposed to crafting characters that grew, change and evolve.

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i love it when bridgett pulls out her inner bitch card. AJ is fab at snarky bitch. heather tom is :wub: ...

aside from those two actress i hate everythiong about B&B right now and i shouldnt, because IMHO whats going on sounds good, but it comes off as BAD.

the incestual route doesnt bother me because of what a small cast they have. but the storyline, like al others on this show, is just lacking that little something needed to make it amazing.

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"Ash"ley, Katie, and Storm are the only people keeping me tuned in when we haven't been seeing Pam and Stephanie around. Ash, Doc, Logan, lol, Ridge thinks of his own name for everybody.

I really don't like Taylor and Rick, no matter if the relationship is "physical" or not. And Bridget and Nick are on their same ol' merry-go-rounds.

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Jack Smith was BRILLIANT when he co-wrote B&B. Most of the characters were involved in a SL, there was NO incest (apart from "Ridget", but that was over before it began due to viewer backlash) and there was much more variety! I PRAY that JS is coming back to B&B!

But bottom line: ANYONE IS BETTER THAN BELL!

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There is no question the show can keep you often. I'm learning more and more that even when the *stories* suck, scenes/dialogue, good acting, good production values can all save the episode.

So, for me, it puts me in this odd situation of disliking the overall canvas...but enjoying what is painted on it some days. I don't know if that makes sense.

I just wish the quality could be more consistent, and more emotion/character-based rather than plot/incest-based.

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