Jump to content

General Hospital January 2022 Discussion Thread


Recommended Posts

  • Replies 412
  • Created
  • Last Reply

Top Posters In This Topic

  • Members

You think anybody in Port Charles has a problem with the fact that the Mayor is bffs with the local mob boss?

Please register in order to view this content

I live for Carly/Nina scenes. Keep em’ comin. “I thought you were smart, but you’re an idiot”

And count me in as someone else who thinks Nicholas Chavez is cute and a very talented actor

Edited by AbcNbc247
Link to comment
Share on other sites

  • Members

I enjoyed today's show. I liked the Portia/Trina scenes where Portia was giving Trina good advice about Ava, and her feelings on the cabin. I also continue to like CS as Victor. I thought it was funny when he called Spencer "Spencer Nikolossovich". He was using the multiple names like an older relative does to get a younger person in line, lol. I wonder if Spencer may actually start to listen to him at least a little and that may help his relationship with Nikolas. Though Laura still doesn't like Victor and is weary of his influence on Spencer/Nikolas.

I thought that the Sonny/Laura and especially the Carly/Nina scenes were good today. I liked seeing Laura give Sonny advice and him being honest with her. Those scenes were nice. And I thought that Carly/Nina scenes were good. Nina is doing a very good job of going toe to toe with Carly. She is not scared of Carly and is holding her own against her. And she's not being screechy, she's more even-keeled on how she's handling things. She handled Carly well.  Though, I did expect Carly to slap her at some point with the stuff she was saying and she ended up doing so lol. 

And I wonder who put Liz's wedding ring in her locker. 

Edited by xtr
Link to comment
Share on other sites

  • Members

I don't care who put the ring in Liz's locker, as long as it keeps her from more awkward kisses with Dawgy Daddy. I prefer to pretend she never married the Turd. It's much easier now that he's gone. 

If anyone did it, it's going to end up being Liz herself, trying to c*ckblock 

Please register in order to view this content

.

 

Why is it so hard for Nikolas to love his son and wife at the same time?   Most people do it every day. I realize the slights (like pretending he was dead, not revealing it sooner), but seriously?  So stupid.

 

Most people forget how close the friendship between Laura and Sonny has always been.  Even after Lucky's "death" in the fire, she was always on Sonny's side. She's one of the few that has never shied from honesty with him.

 

Luke's death feels to me like  #firefrank went to Tony Geary to try and get him to do a short stint to ease the sting of losing Burton. Geary declined and so "Let's kill off Luke" was born. There's not a huge group in the cast (no Lucky, Ethan, Lulu, Valerie, Dillon, Skye, Lucas) to really mourn him. Of the few that are related--Bobbi---( and I did lose it when she heard) ex-wife Laura (married, own life), Elizabeth --surrogate daughter, ex-daughter -in-law) hasn't been told, but then, Frank always disses Elizabeth with his OLTL table scraps. Tracy--we know won't be around long, though a couple of weeks of JE is always like a year's worth of Christmas.  Alexis-- meh.   Carly is too involved with her own chit to be bothered, but I hope we get Carly/Bobbi/Josslyn scenes. 

No Scotty around to gloat....

Who else to mourn?    Robert, Anna, Felicia, ?Mac?, Lucy (not told yet)-- why bother?    Because #firefrank is a petty little man whose stink is long past his use-by date. I see rumors of Luke's death being a sham, but I'd rather they leave the character deceased.  Bring back some favorites to mourn him (Denise Alexander, Nathan Parsons, Jonathan Jackson, Ryan Carnes and Robin Christopher.) Leave Lila Rae behind and show Jackson interacting with Cam, Jake and Aiden for a short time. Let Lucky ask Elizabeth what she was thinking marrying the man that kidnapped their son, and why is she involved with her sister's ex?  Film some future phone calls with Lucky talking to the boys, have Ethan touch base with Robert about  the missing Holly.   Martin comforting Lucy is yet another great thing to take from this.

 

End the "big mystery" around Curtis's hat daddy and just let him interact with the eligible ladies in his trajectory-- Stella, Epiphany and newly widowed Phyllis.-- And leave Jordan curing that kidney!  The role doesn't need a replacement anytime soon.  The secrets about Stella never sending the divorce papers and Portia's truth can stay buried for a while.

 

Hoping to see Trina be a real thorn in Epi-Pen's side on this "weekend at the cabin".  I'm glad she's finally seen the claws on Ava.   Also hoping she sees through Victor and gets through to Spencer.

 

Looking forward to Victor/Laura scenes.

God bless Cynthia Watros-- someone can actually go toe to toe with Laura Wright and not back down.  I just wish the character wasn't such a long-term train wreck.

Chase with that Baby bjorn is adorable. Get up on that, Brooklynn!!!

Can we just kill off Peter and give Maxie that friggin baby back?

 

Link to comment
Share on other sites

  • Members

wait, Trina knew what Ava did to Morgan all this time and was still close to her, wow!

Liking Victor and Spencer. Perhaps Mr. Sheffield becomes the new Cassedine patriarch if he stays on long term. 

I want to imagine Sarah and Tamera's Carly reacting to Nina bragging about her quasi affair with Sonny. 

Edited by ironlion
Link to comment
Share on other sites

  • Members

The Laura/Sonny scenes were top tier! 

After all these years, Benard has found footing and delivering really good work.  It only took 30 years but who's counting?  Super happy Genie is back!  Sonny's struggle is real and Benard is doing a fantastic job with it.  I actually felt bad because this man does not want to love Nina, he just does.  Laura was delicately pulling the information from him as she tried to get him to put himself in his wife's shoes.  That was some incredible stuff yesterday.  The show has been hitting the mark lately.  

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Here's the place to share some memorable criticism. You don't have to agree with it, of course (that's often where the fun starts). Like I mentioned to @DRW50, Sally Field was a favorite punching bag in the late '80s and early '90s.   Punchline (the 1988 movie where she and Tom Hanks are stand ups): "It's impossible to tell the difference between Miss Field's routines that are supposed to be awful, and the awful ones that are supposed to be funny." -- Vincent Canby, New York Times. "It's not merely that Field is miscast; she's miscast in a role that leaves no other resource available to her except her lovability. And (David) Seltzer's script forces her to peddle it shamelessly." -- Hal Hinson, Washington Post. "As a woman who can't tell a joke, Sally Field is certainly convincing. ... Field has become an unendurable performer ... She seems to be begging the audience not to punch her. Which, of course, is the worst kind of bullying from an actor. ... She's certainly nothing like the great housewife-comedian Roseanne Barr, who is a tough, uninhibited performer. Sally Field's pandering kind of 'heart' couldn't be further from the spirit of comedy." -- David Denby, New York   Steel Magnolias: The leading ladies: Dolly Parton: "She is one of the sunniest and most natural of actresses," Roger Ebert wrote. Imagining that she probably saw Truvy as an against-type role, Hinson concluded it's still well within her wheelhouse. "She's just wearing fewer rhinestones." Sally Field: "Field, as always, is a lead ball in the middle of the movie," according to Denby . M'Lynn giving her kidney to Shelby brought out David's bitchy side. "I can think of a lot more Sally Field organs that could be sacrificed." Shirley MacLaine: "(She) attacks her part with the ferociousness of a pit bull," Hinson wrote. "The performance is so manic that you think she must be taking off-camera slugs of Jolt." (I agree. If there was anyone playing to the cheap seats in this movie, it's Shirley.) Olympia Dukakis: "Excruciating, sitting on her southern accent as if each obvious sarcasm was dazzlingly witty," Denby wrote. Daryl Hannah: "Miss Hannah's performance is difficult to judge," according to Canby, which seems to suggest he took a genuine "if you can't say something nice ..." approach. Julia Roberts: "(She acts) with the kind of mega-intensity the camera cannot always absorb," Canby wrote. That comment is so fascinating in light of the nearly 40 years Julia has spent as a Movie Star. She is big. It's the audience who had to play catch up. And on that drag-ish note ... The movie itself: "You feel as if you have been airlifted onto some horrible planet of female impersonators," Hinson wrote. Canby: "Is one supposed to laugh at these women, or with them? It's difficult to tell." Every review I read acknowledged the less than naturalistic dialogue in ways both complimentary (Ebert loved the way the women talked) and cutting (Harling wrote too much exposition, repeating himself like a teenager telling a story, Denby wrote). Harling wrote with sincerity and passion, Canby acknowledged, but it's still a work of "bitchiness and greeting card truisms." The ending was less likely to inspire feeling good as it was feeling relieved, according to Denby. "(It's) as if a group of overbearing, self-absorbed, but impeccable mediocre people at last exit from the house."
    • I tend to have two minds about Tawny (Kathy Najimy) fainting during Soapdish's big reveal. You're the costume designer, if anything, you should have known the whole time. I guess it's an application of what TV Tropes calls the "Rule of Funny." Every time I watch Delirious, I always want the genuine romance in John and Mariel's reunion at the deli counter to last longer. Film critics had their knives out for Sally in this period. I'll start a separate thread on the movies page.
    • I don't think so, but I wouldn't be surprised if he was Dumas this whole time.
    • Tamara Tunie was serving up grand dame diva fierceness.
    • Nick told Victoria that he and Sharon had married in England.  Victoria was shocked.  Then she realized he was kidding.  He confirmed it was a joke and they're platonic. I don't even know what to say about that.
    • It's funny you say that because part of the entertainment of the trials on the show are all the day players who come on as witnesses and jurors.  I'm certain it was like the Law and Order of its time. It employed so many New York actors, that if you look close enough, there's usually someone vaguely recognizable in the courtroom.
    • I will defend Dante.  People already suspect he may be a bit unstable from time to time (from his time as a prisoner).  And, he's taking care of other people's kids from time to time.  So, he has reason to be cautious with those in his care.
    • Josh continues to try and milk Abbott/Newman rivalry. First it was Billy/Victoria, then Kyle/Summer, then Noah/Allie (that worked out well) and now Kyle/Claire. Do we have any inkling when Billy Flynn will arrive and who he will play? I'm sure Cole's illness will mostly play offscreen. What's in store for Nick and Sharon? Is it time to put them back together? I can't see any other romantic options. Nick has no children on the canvas to play off, as Christian is never seen. Sharon has only Mariah onscreen.
    • I would appreciate (if they're not coming), for future scripts to refer to them by their iconic hairdos.  For example, if Hope needs to call Chelsea because Bo has Sepsis, I'd like Shawn-D to say, "My Mom called Chelsea (the one with the sassy short black hair) for an update." Also, new rule, if Melanie does return, she needs to dye her hair back to red.  I googled who she was five times during Victor's funeral.

      Please register in order to view this content

    • Broderick, thank you for all of the info [I edited for space]. I am so grateful for everyone filling in the blanks for me. I suspected the Nora/Eliot scene was very important and it was setting something up but I didn't know what. Can't wait to see it play out. The two actors had such a great back and forth. I should have made the Paige/Patty Hearst connection. I thought Paige was in love with Brian from the first episode I watched but it seemed as if they were brother and sister. Steve kept being affectionate with her so I assumed he was the love interest. Then she was affectionate with someone else and well..she's a very busy woman. I can't wait to see Frances Fisher show up. (I'm trying to be vague because I don't know what would be a spoiler in this storyline) Now it makes sense why Draper would be upset. I didn't get the whole background of why he didn't go to NY. I'm a sucker for good acting, so I might still side with April and Margo, if the writers don't give Draper more to do besides yelling.  He had more chemistry with Logan, but I know that's not happening.  Something else I noticed: the show really takes care with even the smallest parts. The acting is superb. Too often, I noticed on older soaps they don't take care with the recurring or day players (Ryan's Hope was so bad with this that I couldn't make it through some episodes). It's only been six episodes, but so far, the casting department was spot on.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy