Jump to content

Your "I will fight you" characters


Recommended Posts

  • Members

I did like Kimberley Simms' Mindy, but I never hated Eve even when she was there. I mostly wondered why either of them wanted Nick (I like VI, I think he's a wonderful actor and I have enjoyed his work on AMC, but I hated, hated, hated Nick for quite a number of years). I thought Hilary Edson was luminous as Eve. I actually enjoyed her with Ed, although, as you said, that was probably a sign she was on the way out.

Gilly was a great supporting character with real presence, who could have easily become a lead. Forever hating that they dropped her relationship with Alan Michael.

Link to comment
Share on other sites

  • Replies 79
  • Created
  • Last Reply
  • Members

Erica did loose though. A LOT!!

She miscarriages her and Phill's child and her and Dimitri Child.

She didn't get her way when she had the Abortion and when she took the birth control pills

She had a mental breakdown back in the 70s.

She didn't get to win the heart of Phill, Nick, or Chuck.

She was raped at the age of 14

And the mother of all of them--She was abandoned by her father!!

Link to comment
Share on other sites

  • Members

I dunno, I adore Erica but in all my years of watching I never felt like she "needed my support". :) She is untouchable as far as I'm concerned, Teflon diva. Flawed? Sure, but who cares? Her detractors can't detract a thing in my book because she is an infinitely redeemable winner at heart.

Link to comment
Share on other sites

  • Members

 

 

I agree that her storylines were not great in AMC's later years. She spent far too much time weeping over Kendall's latest medical crisis or dealing with Bianca's relationship issues. Susan herself has said that she felt Erica was off-balance as a character in AMC's later years.

That said, we saw her, over the course of 40 years, go from a spoiled, selfish teenager who only thought of herself to an adult who literally confessed to murder (more than once) to try to save her daughters. We saw her go from caring only about herself to being willing to lay down her life for Bianca when she was a sickly little girl. She went from a woman who got married on a whim even when she didn't love the man to a woman who told the man she DID love that she wasn't willing to jump into another marriage just to make him feel secure.

We saw her go from a flippant teen who blamed her mother for her father leaving to a woman sobbing over her mother's casket because she knew that no one had ever loved her as much as Mona did. She went from practically homophobic over Bianca coming out and doing everything to sabotage her budding relationships to bitching at a minister who wouldn't perform a christening of a baby born to lesbian parents. Erica went from fearing her daughter's sexuality to blithely telling Caleb, "oh, that's my married lesbian daughter." She went from seeing her rapist in Kendall to loving Kendall solely for who she was. She went from loathing the idea of Bianca bearing her rapist's child to adoring Miranda.

The Vegas thing was poorly executed but the overall concept - Erica going a bit insane and doing something rash because she couldn't cope with what was happening in her life - was something we saw her do multiple times in the past. Adultery with Jeff... based on their marriage, he was an odd choice for her to fall for even temporarily, but the adultery? Yeah, that's something Erica would do and did do in the past. As for fighting with younger women... yeah, okay. That was lame, but thanks to Frons & Co, there really weren't that many other women on the canvas her age. :/

If anything, I'd argue that what hampered Erica from an emotional development standpoint was the repeated on again/off again relationship with Jack because THAT never changed. It never developed. They repeated the same mistakes over and over again and never learned from them. When your lead female character says, "Is this another rendition of the famous Jackson Montgomery 'Goodbye Forever' speech?" it's a sign your characters need to break out of the cycle they're in. The potential for emotional growth and maturity was there, but it never really came to fruition. I'd have preferred that they stay out of each other's orbits for a few years and THEN if they were going to be together, let them do it in a mature relationship in which they learned from their past.

Link to comment
Share on other sites

  • Members

Loved me some Gilly and Harley. But - don't kill me - never could stand Eve. There was something about the way Hilary Edson spoke that I found deeply irritating.

I would add Holly and Bev's Alex to my list. Y&R I'd include Dru, Heather's Victoria, and Nikki.

Link to comment
Share on other sites

  • Members

Y&R: Drucilla Barber...she could never do any wrong. EVER! And anyone Winters related, except for maybe Lily. But even with her I have my limits.

OLTL: Evangeline Williamson!

And basically any AA character and the use of terms ghetto and thug when they do not apply...and no, it is not relative. I saw the term "thug" used to describe Mason on Y&R (they even have started talking about his grammar). I was pissed. There is nothing thuggish about the character Mason and he has perfect damned grammar. I am not even a fan of him but my gosh was I upset!

Link to comment
Share on other sites

  • Members

That's the reason I left GL. Not only did they veer from the story, they edited out scenes that they'd already taped. AM and Gilly started referencing moments and convos we never saw on screen. That's when I realized how far TPTB went to cater to bigots. I quit and never looked back.

Link to comment
Share on other sites

  • Members

This was the last straw for me too.

As I recall, Alan-Michael and Gilly were trying to find the Spaulding's former assistant, Bess Lowell, who had a copy of a document that would prove the true ownership of Spaulding Enterprises. For reasons that made no sense, Gilly suddenly became afraid for her life and went into hiding.

In the meantime, Gilly's storyline was handed on a silver platter to Lucy Cooper, a Mary Sue character who had been on the show for all of two minutes. TPTB also found time to chem test Alan-Michael with Tangie Hill, a character that wasn't working on any level.

When Gilly finally returned, she was shoehorned into a bs romance with Sid, a black corporate lawyer who was secretly a ghetto crimefighter. Jill Farren Phelps talked up the relationship in the soap rags while dismissing the questions about Gilly/Alan-Michael with, "We're not going in that direction." The actors didn't have one tenth of the chemistry of Gilly/Alan-Michael or Gilly/Hamp and both were gone within a year.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I think the gross ickiness is Josh Griffith's intention. At birth, Ian Ward stole Mariah from Sharon, so that Sharon knew only of the Cassie twin and not the Mariah twin.  Sharon gave up Cassie for adoption at birth, never knowing that Mariah existed. When Ian Ward stole baby Mariah, he had her be raised by a woman member of his cult. She grew up in his cult. Years later, after Mariah was an adult in Genoa City and had left him, he tried to kidnap her to marry him himself, I sort of remember some icky scenes where he had arranged a wedding, but she escaped or was rescued -- it was so gross that I chose to forget it, and I don't want to look up the details. Mariah is feeling traumatized/triggered by Ian Ward being in Genoa City several months ago, because he was obsessed with her, and he terrorized her loved ones, interacted with Tessa, and drugged Sharon, which ultimately resulted in the death of Heather -- causing the grief of Daniel and Lucy. None of that was Mariah's fault. But she was so horrified by what happened, that she feels she did something wrong that caused this hateful villain to continue to obsess about her.   Based on small comments that Mariah made recently, I think she feels completely worthless. I gather that when she was away on the business trip a month or two ago, all of what happened with Ian Ward and Heather's death just hit her all at once and she was mentally/emotionally collapsing, and just felt unable to call for help.  During the business trip she sat in her hotel room and spiraled more, feeling more and more worthless and afraid. Finally she started drinking at a bar, and that's when the creepy old man approached her.  By that point, she wasn't in her right mind, and started interacting with the guy.  Either she though he was Ian, or she thought he was someone like Ian, and she would be *required* to flirt with him in a role play, and do what he commanded, almost like old programming being reactivated.  Or perhaps just simple self-loathing playing out. I don't know if the guy actually knew Ian or Jordan, or if he was a random stranger.  But Mariah's fear/loathing/subconscious chaos kicked in. And then... well that's as far as her flashbacks have aired so far. She can't bear to face the rest of whatever it was.  I gather that in the coming episodes, we'll (eventually) find out what happened next as we see more of the icky flashbacks. --------------- The rest of this post is only my speculation: I think that she felt like she was supposed to have sex with him but didn't want to, and may have tried to kill him instead. Or he r*ped her.  Or they didn't have sex at all, but it's all convoluted in her mind.  Something horrible happened but I don't think it was her fault.  If the man died, maybe she covered it up?  I really don't know, I'm just speculating ideas. At any rate, I'm totally convinced that this is NOT a conventional "cheating storyline" where someone willingly has sex outside their relationship. ----------------- This is basically Josh Griffith's obsession with dark storylines, creepy villains, and terrible writing of "mental health issues".
    • The most we ever saw was on the "Roger years" tape.

      Please register in order to view this content

       
    • Right. Literally for decades, soaps mesmerized their audiences with tales of romance, family conflict, class struggles, and recognizable interpersonal-relationship sagas. We didn't need relentless, heavy violence. We didn't need clones, mad scientists, extra-terrestrials and demon possessions. We didn't need gaggles of plastic himbos and bimbos pushing beloved vets off-screen. We only needed to see people whom we cared about, and the intelligent, moving progression of their lives. Flashy sets, gaudy gimmicks, and high-falutin' hairdos be damned. The characters and the words were important.
    • Absolutely! Brad should've simply moved on from Lunacy. There's no point of freeing her, if you're not going to at least make an attempt at redemption or incorporating her into the fold. It happened with Quinn, who committed quite a few felonies before become the Forrester Matriarch.  Heck, keep Lunacy in prison and have Poppy/Finn discover that she gave birth to twins - 'Sunny' could've come on with a clean slate and still had Sheila/Finn and all the other drama. It certainly couldn't have been worse than what we've witnessed with the destruction of $B.    
    • I would enjoy it if Swan popped up on BTG as an old one time friend/mentor of Anita’s for a cameo. This is just

      Please register in order to view this content

    • I had totally forgotten that Courtney story. I see Burton was already phoning it in by that point.
    • omg I completely missed that, but now when I see it typed here in your post, it's obvious icky cringe. So now I just checked and Tomas said that -- on May 27 that he likes the author Carl Ivati.  He said it with sort of an accent, so I didn't catch the stupid joke or think about the spelling.   I remember when that aired, that I actually said to myself at the time, "I wonder if that's a Latin American author, and I will have to google him later." And now I see your post, and I see. Well that's cringe, and I feel stupid to have fallen for it.

      Please register in order to view this content

         
    • There's a lot you don't need if you have the writing.  You don't even need large casts!  You could make do with a cast of 12-18 actors if the writing is there.
    • Thank you. There’s absolutely nothing wrong with sleeping around if your spouse actually knows about it. She’s just a cheating slut.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy