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  • Member

Thanks for the tag, @DRW50.

The Dec. 3, 1981, upload, plus this clip, reveals a funny little quirk of the time. "Enid-vision," a.k.a. a sepia tint, for her flashbacks.

Later on, they went for a slightly more conventional approach, having a border around them.

Edited by Franko

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  • Member

@Franko Thanks for pointing that out. I wondered how long it lasted. I much prefer it to the squiggly corner lines - it adds more character. I appreciate the effort they made compared to most soaps, which often just threw them onscreen.

  • Member
4 minutes ago, DRW50 said:

@Franko Thanks for pointing that out. I wondered how long it lasted. I much prefer it to the squiggly corner lines - it adds more character. I appreciate the effort they made compared to most soaps, which often just threw them onscreen.

I was actually thinking about it in those terms, how it would have been interesting if characters had their own hues for their own flashbacks.

  • Member
3 minutes ago, Franko said:

I was actually thinking about it in those terms, how it would have been interesting if characters had their own hues for their own flashbacks.

I love that. Silent films used to have different hues for scenes to show the emotional state of the moment.

  • Member
3 hours ago, DRW50 said:

@Forever8 @SFK @Paul Raven @Vee @slick jones @FrenchFan @vetsoapfan @Franko @Soapsuds @Khan @TheyStartedOnSoaps  @j swift @soapfan770

Funny to hear Erica saying Kent is "a real Southern gentleman." She wouldn't be saying that much longer.

I can see why they recast as he does not read as a cosmetics king at all, although he's not awful. Considering Lee Godart was allegedly one of the few co-stars Lucci didn't get along with (IIRC) I wonder how she felt about the change. 

Poor Donna is such a puppy dog for Chuck.

This must be November 2 or 3.

Lee Godart always turned me off completely, on both AMC and TEON. I would have preferred Woods remain in the role, TBH. Did anybody discern actual chemistry between Godart and Lucci? I can't say that I ever did.

  • Member

That Kent definitely has a different vibe from LG, but I like him, and in that short scene, I could sense some good chemistry between he and Susan. Just from looks and mannerisms, he reads to me as AMC's attempt at to jump on the Ewing/Buchanan bandwagon.

  • Member
12 hours ago, DRW50 said:

I love that. Silent films used to have different hues for scenes to show the emotional state of the moment.

I love watching how different series incorporate flashbacks into their episodes.

On Peyton Place: The Next Generation, the director chose to use sepia tone (like in the opening and closing scenes of The Wizard of Oz) when showing flashbacks to the original 1964-69 primetime drama, and I found it both nostalgic and effective.

(BTW, I don't know why, but I was surprised to discover that Jean Bruce Scott played the comatose Allison MacKenzie in that 1985 film.)

I love when shows give us flashbacks from the distant past.

  • Member
19 hours ago, All My Shadows said:

That Kent definitely has a different vibe from LG, but I like him, and in that short scene, I could sense some good chemistry between he and Susan. Just from looks and mannerisms, he reads to me as AMC's attempt at to jump on the Ewing/Buchanan bandwagon.

I've always liked Michael Woods' work, starting with GL, where he played Dr. Jim Reardon.  He isn't the greatest of actors, but he's handsome enough and carries enough of a presence to keep your attention.

Edited by Khan

  • Member

FYI: Recent pix of Marcy Walker can be found in the Santa Barbara thread, as they've just had a cast/crew reunion.

Edited by Vee

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Part 3 in the Erica Kane 1983 Saga

 

On 7/27/2024 at 2:38 PM, DRW50 said:

I don't want to keep tagging people day after day, so I'll just mention that another 1983 episode has been posted by the same uploader. The prologue is missing.

 

Thanks for for posting. 

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