Jump to content

Y&R: Old Articles


DRW50

Recommended Posts

  • Members

Deborah Adair makes her scenes interesting.  She's not as "obvious" and "over the top" as Brenda Dickson, and not as comical as Jess Walton.   She really created a 100% believable Jill, albeit a Jill who was far more down to earth than the other Jills.  

Link to comment
Share on other sites

  • Replies 14.3k
  • Created
  • Last Reply

Top Posters In This Topic

Top Posters In This Topic

Posted Images

  • Members

Nice to see a 1982 episode!  I recall I really hated the story with Claire.  It bored me to tears.  It was funny hearing Jill talk about giving the Abbott house a makeover.  Here we are about 40 years later and still no makeover.  Of course, we've all seen what can happen when TPTB try to makeover an iconic set.  The "upgrades" to the Newman and Chancellor sets were pretty disastrous!!

I just saw the promo for the Edward story climax, and was surprised I could actually see that clip again.  Someone should save that to the vault.  I really enjoyed that story because of how well the Edward actor played the part.  I recall one part of the story being an on-location shoot of Nikki and Edward going on a picnic, but don't recall the particulars.  I also recall his conversations with "mother"...  One of the creepier creeps in the history of Y&R!

I wish more would turn up about Victor's bomb shelter, Kay haunting Suzanne Lynch, Douglas and Derek's duel, among many others.

Link to comment
Share on other sites

  • Members

Deborah, even when she's being bitchy, seems far more *genuine* than Brenda Dickson.  With Brenda (in the 1980s), it was just such a camp festival.  I could buy Brenda Dickson as the heartless vixen who divorced John and took him to the cleaners, just as I bought Deborah as the vulnerable girl who married him and seemed mostly sincere with her intentions.  The actress switch occurred at just the right time for the story to work.    

Link to comment
Share on other sites

  • Members

I haven't seen alot of Brenda Dickson's 1973-1980 run to judge her acting style, but from what I've seen of her 1983-1987 run, she starting getting OTT in her acting style around 1985. It got worse during 1986 and 1987.

Link to comment
Share on other sites

  • Members

While the Claire story wasn't working...given that the actress playing her was known for playing ditzy blondes, she did quite well with playing the sadness of Claire.

DA made Jill a classic manipulator with her sweet concerned voice masking her true intentions.  She wasnt as broad as Dickson nor as sarcastic as Jess Walton either.

And I like seeing more of Lilibet's take on Patty play out.  No wonder Bill bell was disappointed when she quit.

Link to comment
Share on other sites

  • Members

Thank you @YRfan23 as always for sharing!! I am glad this finally made it in full as I remember you talking about the Jill & Liz scenes

Please register in order to view this content

 

It’s funny that Liz called out Jill on how she talked down to Mamie as Jill obviously took over the “lady of the manor” act immediately. Yet here I almost could’ve imagined if Adair had stayed her and Ray’s Mamie could’ve easily become unlikely allies down the road against Dina and Katherine. 

Leslie still being on canvas felt so out of place with the rest of the episode. Was Leslie indeed  to kept on longer or was she dropped as soon as the Laurence family story went bust? 

 

Link to comment
Share on other sites

  • Members

As we can see from the opening credits of this episode, Bill Bell clearly intended that "The Trials & Tribulations of Leslie & Robert" would be his "A-List storyline" for years and years to come.  Leslie and Robert were given the Pole Position in the opening credits, as the show's most important characters.  

When the Lawrence storyline ended, Leslie was shuffled off the canvas almost immediately.  And it happened over the course of one or two episodes.  She had a scene with Stuart Brooks where she said, "Dad!  Maestro has organized a concert tour for me."  Stuart said, "Why Les, that's just wonderful!"  And Leslie responded, "Yes, it is, Dad.  Oh, and by the way, I'm leaving in five minutes.  Love ya.  See ya later!  Bye."  And she was out the door and gone.

We can discern from this episode that Y&R had changed a lot during 1982.  The show had repositioned itself entirely.  The storylines that appealed to the audience by late 1982 and early 1983 were (1) the goings-on in the Abbott house, (2) the goings-on with Nikki and Her Men, and (3) -- although it isn't featured in this particular episode -- the adventures of young detectives Paul and Andy.   Plus there was just the right amount of "crossover" in these three distinct storylines, with Paul being the brother of Patty Abbott and also regularly involving himself in Victor's activities, Kay Chancellor running Nikki's life and also interfering in the marriage of John & Jill Abbott, Lauren tempting Paul and taunting Traci, Amy Lewis being Traci's friend and Paul's right-hand woman, etc.  ALL of this was set-up extremely well, and it shows why Y&R was winning the 1983 Emmy and moving higher in the ratings.  

The situation with Leslie, Robert, and Claire was just simply superfluous to the "real storylines" of Y&R.  It was disjointed and didn't integrate well within the framework of the show.  Claire's coma seemed hokey and old-fashioned, and this grouping of characters seemed to be "leftovers" from a different time and place.  It just wasn't working.  The Brooks family had outlived their usefulness.   The only thing truly WORKING for the Brooks family was what you see here -- Liz Foster Brooks trying to steer Jill in the right direction (and trying to keep Kay Chancellor sober when Jill started dropping bottles of vodka at Kay's house).  

Even though it clearly wasn't his original plan, Bill Bell did the only thing that could work -- dropped all of the Brooks girls one by one off the canvas and retained Liz, who still served a useful purpose in the storyline.   

Link to comment
Share on other sites

  • Members

I have never felt Deborah got Jill. Jill's father walked out on her giving her abandonment issues. Her first love was killed by a woman she had looked up to and almost worshiped, her second love was also taken away by the same woman and she was left to raise her son alone. Jill had sociopathic tendencies because each time she got hurt she closed her heart off more and more. By the time she went after Stuart, it was almost understandable that she would be so desperate for security that she would betray her own mother.

Brenda and Jess got this and played it and Deborah, at least from what I have seen, never did. She played a sweet girl who was a little bitchy and manipulative and somewhat spoiled and entitled. I don't think she truly ever understood Jill's deeper motivations and scars. DA's Jill seemed like she would have married Andy, had more kids and lived in the Foster home happily ever after.

I do believe Brenda could have played the romance with John, she did so with Phillip and Derek.

 

Link to comment
Share on other sites

  • Members

Deborah Adair definitely put her own spin on the character.  Wasn't there a period of time in 1982 when Deborah Adair's Jill went CAMPING & FISHING with Andy Richards?  Can you imagine Brenda Dickson (complete with hats, plumes, veils, and heaving bosom) catching a trout?  lol.  Deborah Adair certainly brought her down to earth, made her more accessible, while still retaining some of the underlying bitchiness.  

Link to comment
Share on other sites

  • Members

Yes I agree Deb brought her down to earth and made her more accessible. For me, that isn't Jill though, lol. The 1974 ep we have shows even from the beginning she hated being poor. Her passive aggressive attiude towards Greg and her determination to get out of the dump she lived in was evident even in that small scene in the kitchen. You can tell Brenda as Jill wants to rip Greg's face off, haha. 

I like Deb and still enjoy her Jill, she is fascinating and great to watch, but Brenda and Jess will always be the more definitive for the character, in terms of the psychology of the character, which was so much of what Bell's Y&R was about.

 

Link to comment
Share on other sites

  • Members

That was Brenda/Jill 2.0 

Earlier Brenda/Jill might have gone along with that to land a guy...At that point Jill had  been through so much that maybe she was resigned to having to settle. All her attempts to move up the ladder had come to naught.

Edited by Paul Raven
Link to comment
Share on other sites

  • Members

In honor of all the Deborah Adair talk from December 1982, I've updated my avatar to my favorite Jill December 1982 moment - her return to the Chancellor mansion the day after the disastrous dinner party. I love how she triumphantly strides in to savor her victory... caressing her new fur coat gifted to her from John... sticking the dagger into Katherine... "I'm rich now! Nothing can hurt me!"

Please register in order to view this content

 

Edited by yrfan1983
Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Whoa. She should have fought like hell to get that. Was it the greatest show ever? No, but it had a fantastic cast and was practically guaranteed to last multiple seasons because of its star power. Could have certainly led to bigger and better things. If it had flopped she could have always gone back to soaps. Judith Light broke through on a sitcom where she was basically second banana to Tony Danza. That grew into a very busy and distinguished career. The woman is still regularly booked to this day.
    • I could understand her being frustrated by the fact that she'd been in the business 10+ years at that point, and probably couldn't even get in the door. But then again, she'd already gone out for pilot season once (that we know of) and she and  her agent knew a 35-ish woman had a very difficult time in Hollywood. I know she did a few guest spots, but other than Designing Women, nothing I saw--not even a Murder She Wrote, and that show had tons of ex-soapers on it. I mean, God bless Marilu Henner, but even having been on Taxi, she couldn't get arrested for years either.
    • I didn't rewatch that period, so I'm not really sure how much Bill is on. I recall something about him living at the boardinghouse. I think Van made Matt his guardian, and why she didn't name Josh would be a mystery to me, other than the HW decided they needed to keep Bill in Matt's sphere. Nola is also his aunt, although they don't know each other well, and Van wouldn't have trusted her anyway. There's Dinah---but she's unreliable. Billy gets out of jail around NYE.
    • Please register in order to view this content

         
    • That's on Kimmer. As someone posted above...she was offered roles in pilots but she would be part of an ensemble or supporting. She didn't want that so she came back to GL. I don't know what she thought would happen..someone offering her "Here's Kimmer!" or The "Zimmer Comedy Powerhouse Hour" variety show..but her housefrau fans did not have the same pull in HW as they did on the soaps. Forbes and Watros knew that you had to take small parts to get noticed ands start a career in primetime. I know she was in consideration for the wife in Evening Shade, but when you go up against Marilou Henner, the soap diva looses. I could see her frustrated in a role like that, where she has to be the understanding wife with a bit of sass, but she could have made it work, if it wasnt for her huge ego.  I think it would have been an issue haveing all the powerhouse comedy actors surrounding...(lets face it..Alice Ghostly woudl have wiped the floor with her...) but it would have been a good launching padd.
    • Oh good, so I don't have to wait too long haha. I'm glad she cares about seeing Bill graduate. I'm guessing I'm in for a bumpy ride between Bill and Matt, if he's going to be his caretaker? Who else could it be, maybe Josh?
    • John Spencer      pg. 445    THEATER THE GLASS MENAGERIE    October 1979     Gentleman Caller      NYC THE GLASS MENAGERIE    1979 - 80    Gentleman Caller        Tyrone Guthrie Theater   Minneapolis   MONSIEUR DE MOLIERE     1979  - 80      Tyrone Guthrie Theater   Minneapolis   ROMEO AND JULIET     1979 - 80        Tyrone Guthrie Theater   Minneapolis  LAKEBOAT      1981                  NYC     007 CROSSFIRE      1984      Romanov      Actors Theatre of Louisville     CAROUSEL      1986 - 87    Jigger  The Opera House at the Kennedy Center     Washington, D. C.     FRANKIE AND JOHNNY AND THE CLAIR DE LUNE  
    • Maeve makes a few sporadic appearances, but returns full-time the next spring/summer. She's back in time to see Bill and Michelle graduate, although she skulks around town and wasn't going to tell anyone she was alive. She comes back wearing this HUGE hat---which was a throwback to the old Vanesaa. lol.
    • Aww, yeah it's very heartbreaking and I mostly enjoyed the Nola/Vanessa scenes because they finally let their walls down and came together in a beautiful moment. So Nola was at the hospital already and bumped into Vanessa, who had MRI papers that fell out of her hand and Nola went down to pick them up and asked her what was going on. Later, Vanessa confided in her about her disease. Then, Nola told Zachary on the beach (he prodded her and already alluded to knowing something was going on with Van), and then Vanessa found out she told him and got a little upset. Now, however, Nola is strangely absent while everyone is mourning her death. I'm curious if Nola will actually tell people about her MRI results. I would assume so. Only Nola, Rick, Roger and Zachary know anything, although there is the MRI results letter from the mail that everyone has missed seeing at home. I'm sure it'll all come out at some point. But... I just saw the next episode and the opening already cut Vanessa out and added Dahlia and Zachary. I guess Maeve is gone for a long time

      Please register in order to view this content

       That will break my heart seeing the town continue to mourn her and assume she's dead. I can't wait to see her return though, and I have to imagine feelings will be torn between loving that she's alive and being very angry she did all of this. While I hate what Vanessa is doing, I'm happy to hear it's not totally against her character. I think you're right, had Henry still been around, she wouldn't put him through this. I'm still surprised she is with Bill, though. I get her feelings on Matt, because she wants him to move on, but still very heartbreaking. I'm glad this was Maeve's choice to have a break vs. being fired.    Interesting, so I'm curious to see who they eventually pair Phillip with. They're flirting with a Phillip/Annie pairing, but I'm not sure if they'll go that route with the Jeva drama, her growing pill addiction, and Rick's past with her.  Ugh, yeah I'm so sad to see Bridget do a total 180 in the last couple weeks. She has always been a strong character from what I've seen, but now she's just bending over backwards to get Hart to love her and it reeks of desperation. Yeah, sure, this new Hart is eye candy, but I'm already tired of seeing Hart/Dinah have sex all over Springfield and the Cayman Islands haha.
    • Yes.  I remember them together during the early summer of 1986.  They didn't share scenes again for 30 years until 2017 because Carrie wasn't on the show when Anna returned during Sydney's kidnapping.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy