Jump to content

Y&R: Discussion for the Week December 7


Recommended Posts

  • Replies 141
  • Created
  • Last Reply
  • Members

The awful Teresa Zimmerman. A lot of her scripts have been consistently awful lately.

I'm glad others are starting to notice the crappy day to day and overall crappy dialogue writing on Y&R.

I'm not feeling this Tucker character. When you build a new character, you're supposed to make sure there's something worth investing in and lace it with some defined intrigue. I find Tucker boring, and nothing about him intrigues me. I'm also finding William Russ quite boring and bland thus far. The sad thing is, I knew he's a pet of this writing team, and they will be shoving him down out throats, no matter how developed (or non-developed) he is as a character.

Link to comment
Share on other sites

  • Members

How are people feeling about Mac just curious(Clementine Ford). I still think the actress is horribly miscast and I thought CF was really decent on The L Word so it has nothing to do with acting ability. She's just so deadpan and bland. Mac is supposed to be the noble honorable sweet character I wish they'd cast her with someone that seems to have some natural sweetness and charm on screen. Y&R used to be very good I felt at one time at fixing casting issues. I guess they don't feel like this is an issue.

Secondly I have about had it with how they have written Phyllis. I used to be such a fan of this character. Don't get me wrong, I think think MS is a terrific actress, but it's like everything that I ever enjoyed about her character has been sucked away and/or dulled down with Nick. I hate the pairing with a passion for that reason especially.

Link to comment
Share on other sites

  • Members

I thought Clementine was beginning to find her groove, but that evaporated quickly. The writing for Mac has been directionless since she returned, they have no idea what do with her. Forcing her into this LAME surrogacy story is another thing in the long list of misfires with this character since she came back.

Also, it doesn't help that Clementine has no chemistry with anyone on the show. Not with Billy Miller, not with Jeanne Cooper, not with anyone.

I wish they'd recast or send Mac out of town again. Better yet, I wish they'd recast and get a better writing team to write for all the characters on this show.

Link to comment
Share on other sites

  • Administrator

The more Tucker is on the more the business story is going to be on and the more Jill and Katherine are going to be on. So I say bring it. This is the most watchable thing about Y&R right now. I can't wait to see when Tucker goes after the company (at least I hope that happens).

Link to comment
Share on other sites

  • Members

Mac is supposed to be sullen and low key. If that's deadpan, then so be it. AshBash's Mac was the same way.. I liked it because it was something DIFFERENT. This show has enough scenery-chewing actors.... Stafford, Muhney, Chapman, Leblanc and his jazz hands.. Frantz and her hysterics, this show NEEDS a low key character or two to provide balance, or else you have a cast full of circus freaks.

Link to comment
Share on other sites

  • Members

I thought her Mac had more of a sweetness about her underneath that seemed to shine through the low key portrayal. Plus she seemed to integrate much better into the canvas and had chem with a lot of actors on the show. I think the writing is partially to blame but how can you cast someone as Mac who has zero chemistry with her alleged true love Billy and Katherine.

Need I ask?

Link to comment
Share on other sites

  • Members

Ashley Bashioum could actually act. She brought it in scenes when she had to be a bitch opposite Jill, Brittany or Colleen. She actually has sex appeal, an edge and wasn't just Saint!Mac. Firing her when she returned was a huge, huge mistake. She had amazing chemistry with Kevin and could've saved that character from the nightmare he's been in since. She had chemistry with Daniel and I think she'd be more believable making mistakes and being a real soap character. I certainly don't think her Mac would have anything to do with a loser like Lily.

ETA:

I'm catching up on Y&R and nothing is sacred anymore! Even Heather's glorious long golden brown locks look like [!@#$%^&*]. Who did this to her?! It is another attempt to make us hate this potentially ratings gold character? Makes me so sad. Heather is the future of Y&R! No I'm not crazy either. I think she could fill the void Lauralee Bell left while being more interesting. She can be business sexy, a little bitchy and you can put her with any man on the show and it'll work. They need to strip her clothes off and get at it. I'd rather they attempt something with her over duds like Amber, Jana, even Phyllis and Sharon at this point.

Link to comment
Share on other sites

  • Members

The way the show is now produced, I don't believe they have any real ability to make any legacy characters or to write for interesting or watchable heroines, or couples, or much of anything. The whole show is so incredibly empty. No one seems to care.

I guess that's not being fair but when I see plot points about Phyllis rooting around trash dumps, I don't know how else to respond.

That whole story is just an awful mess. Do they ever sit around and ask themselves what this story is about? If they don't, then they should, because I don't know if any viewers can tell them.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Oh yes defintely, Josh Griffith repeats and repeats the same storylines.
    • Isnt’t this storyline similar to the Cameron Kirsten situation though? Sharon thought she killed him. He ended up being alive and Sharon was being tormented with thinking she was seeing his face everywhere and that’s how we got that iconic scene with her and Nikki in the sewers.   I understand in Mariah’s case this is different circumstances but it does seem like a play on that whole thing. Maybe I’m wrong. I just wish if they were going to make any character follow in Sharon’s foot steps it would be Faith. Mariah wasn’t even raised by her, and her personality is different. I would expect her to take a different path. I understand I could be completely jumping ahead because the storyline hasn’t even played out yet but we’ll see. 
    • Thanks again @Paul Raven Monica was completely without redeeming qualities at this point. I always found the whole Monica = Carly narrative regressive, as I don't think shows comparing characters so heavily is ever a great idea, but she's actually worse than Carly was. Was it the Pollocks who had Leslie have a miscarriage?  Giving her a child, especially by rape, was not a good idea, but a part of me wishes they'd committed to it just to see what story it might have had in later years.
    • @janea4old Your detailed explanation and delving into the psychology and motivations is no doubt the opposite of what we will see onscreeen. As @ranger1rg stated we will get a few scenes and some sketchy explanations. Like the adoption of Aria, most of it will take place off screen.
    • I'm suddenly fearful that DAYS is going to pull a Flowers-for-Algernon stunt and Bo's progress will be reversed.  While @te. is stuck on Abe's tiny bedroom, I can't stop thinking of the size of Bo's huge hospital room.
    • Okay, why are Paulina and Abe sleeping like that?!  I'd take a screen grab if I wasn't lazy, but come on.
    • All caught up on this week's episodes. Deidre Hall has done the best work of her career with this series of episodes. That is her tribute to Drake. Every acting choice has been perfect. From her reaction the moment John flatlined, to her snapping at Abe and Paulina (what a smart, realistic writing choice), to her grief playing the text message over and over. Josh Taylor did the best work of his career in the scene with Kayla telling him John had died. Everything about his facial expression, voice, pronunciation, everything was so different from what he usually does. He was overcome with the emotion of it and any of his acting tics disappeared. Peter Reckell and Kristian Alfonso were great. One thing I noticed with the flashbacks of John/Marlena and Bo/Hope is that Bo and Hope are constantly smiling at each other. The chemistry those two have cannot be faked. It's clear the writing team decided to clean up Bo and Hope and give fans a happy ending for them, neatly wrapped up in a bow. The juxtaposition of Bo and Hope reclaiming their happiness thanks to John, while Marlena is dealt life's harshest blow from John's sacrifice, was another great writing choice. Marlena even saying that to Eric, that she is paying for Bo's recovery with John's life, was such smart writing. Susan Seaforth Hayes was used very effectively between the two storylines. I really enjoyed the scene of Kate talking to Philip, calmly stating that she will make Xander pay. Overall, the show should be lining these episodes up for the Emmys and Deidre should be carefully choosing her scenes for her own reel. She deserves a Best Actress Emmy for this work. The first time I have felt that way about her work. Peter Reckell should submit himself for Guest for the scenes where he found out Victor is dead because he was genuinely heartbreaking. Josh Taylor should throw his name down for Supporting Actor for his scenes. The show deserves a Writing and Best Show for what they've done with the episodes around John and Bo. It was heavy stuff and I feel for the actors. I am so impressed with what they did.
    • DATA AVAILABLE 

      Please register in order to view this content

                                              BRENT SPINER       Also Credited as Brent Mintz             2/2/1949 - Present RYAN'S HOPE      Doctor Examining Kim Harris    1981 ONE LIFE TO LIVE   Ralph Hanley    1984 and TO TELL THE TRUTH    Imposter     1972 THE DAIN CURSE      Tom Fink   1978 FAMILY FEUD   1979 ROBERT KENNEDY AND HIS TIMES     Allard Lowenstein    1985 NIGHT COURT      Bob Wheeler    1985 -87 MAMA'S FAMILY    Billy Bob Conroy     (2 Episodes)    1986 - 87 STAR TREK: THE NEXT GENERATION       Lieutenant Commander Data  1987 - 94                        + STAR TREK ENTERPRISE    2004 - 05                                      Also Dr. Arik Soong                         + STAR TREK PICARD   2020 - 23                                     Also    Dr. Altan Inigo Soong (2020); Adam Soong (2022); Lore (2023)                          +STAR TREK: LOWER DECKS     2024            ST: TNG -- Also --   Dr. Ira Graves -- 1989; Lore -- 1988; 1990; 1993;  Dr. Noonian Soong --  1990; 1993; Frank Hollander, Eb Hollander, Henchman, Bandito, Annie Meyers -- 1992 READING RAINBOW     1988 GARGOYLES      Puck    1995 - 96 THRESHOLD    Dr. Nigel Fenway     2005 - 06 FRESH HELL   Brent Spiner    2011 - 12 WAREHOUSE 13      Brother Adrian    2012 GENERATION REX    Dr. Gabriel Rylander + (V)   2010 - 13 RAY DONOVAN       Therapist    2014 STAR WARS: REBELS   Gale Trayvis    2014 - 15 BLUNT TALK     Phil     2015 - 16 OUTCAST       Sidney     2016 - 17 MADE IN HOLLYWOOD    (2 Episodes)     2016 FROM THE MOUTHS OF BABES     2016 PENNY DREADFUL: CITY OF ANGELS    Ned Vanderhoff     2020 YOUNG JUSTICE    The Joker   (V)    2011; 2021 THE CENTER SEAT: 55 YEARS OF STAR TREK    2021 - 22 NIGHT COURT 2.0     Bobert "Bob" Wheeler    2024 - 25 @Wendy 's HUNTER CONNECTION HUNTER    "The Contract"     Willie Vaughn   12/13/1986 PILOTS/PROPOSALS SYLVAN IN PARADISE     Clinton C. Waddy       1986 WHAT'S ALAN WATCHING? (OUTRAGEOUS)    Brentwood Carter     1984 PodCasts ID10T WITH CHRIS HARDWICK     2012 GALAXYCON LIVE    2020 GATES MCFADDEN INVESTIGATES    2021 LABYRINTH WITH AMANDA KNOX    2021 INSIDE OF YOU WITH MICHAEL ROSENBAUM   2023 INGLORIOUS TREKSPERTS     2023 - 24 BATMAN: THE AUDIO ADVENTURES     The Joker    2021 - 22 Television Specials E'S INSIDE STAR TREK SPECIAL    1993 COMIC RELIEF VI     Lieutenant Commander Data     1994 HARRY ANDERSON: THE TRICKS OF HIS TRADE     1996 STAR TREK: 30 YEARS AND BEYOND    1996 WELCOME COMIC-CON    2013 movies MY SWEET CHARLIE    Local   1970    (Made for T. V.) STARDUST MEMORIES   Fan in Lobby     1980 RENT CONTROL     Leonard Junger   1981 LADIES AND GENTLEMEN, THE FABULOUS STAINS      Corinne Burns' Boss     1982 CRIME OF INNOCENCE   Hinnerman    1985     (Made for T. V.) MANHUNT FOR CLAUDE DALLAS    Jim Stewart    1986    (Made for T. V.) FAMILY SINS    Ken McMahon    1987     (Made for T. V.) MISS FIRECRACKER  Preacher Mann   1989    SHOCKER      Talk Show Guest   1989 CRAZY FROM THE HEART    1991      (Made for T. V.) CORRINA, CORRINA     Brent Witherspoon   1994 STAR TREK: GENERATIONS      Data   1994 JOURNEY'S END: THE SAGA OF STAR TREK: THE NEXT GENERATION   1994   (Made for T. V.) STAR TREK: RETURN OF THE NEXT GENERATION   1994 KINGFISH: A STORY OF HUEY P. LONG       1995    (Made for T. V.) PIE IN THE SKY    Upscale Guy    1995 PHENOMENON     Dr. Bob        1996 INDEPENDENCE DAY    Dr. Brakish Okun     1996    STAR TREK: FIRST CONTACT     Data      1996 TREKKIES     1997 OUT TO SEA    Gil Godwyn    1997 STAR TREK: INSURRECTION    Data   1998 SOUTH PARK: BIGGER, LONGER AND UNCUT    Conan O'Brien   (V) 1995 INTRODUCING DOROTHY DANDRIDGE    Earl Mills    1999    (Made for T. V.) GEPPETTO     Stromboli     2000     (Made for T. V.) DUDE, WHERE'S MY CAR?   Pierre     2000 HOLLYWOOD REMEMBERS WALTER MATTHAU    2001    (Made for T. V.) A GIRL THING   Bob    2001      (Made for T. V.) ASK ME NO QUESTIONS      2001     (Made for T. V.) THE PONDER HEART    Dorris Grabney  2001    (Made for T. V.) I AM SAM   Shoe Salesman    2001 THE MASTER OF DISGUISE   Devlin Bowman    2002 STAR TREK: NEMESIS    Data; B-4      2002 IDENTITY CRISIS: THE MAKING OF A MASTER    2003 AN UNEXPECTED LOVE    Brad     2003     (Made for T. V.) JACK        Vernon    2004    (Made for T. V.) THE AVIATOR   Robert Gross     2004 MATERIAL GIRLS    Tommy Katzenbach   2006 CAST OF CHARACTERS: THE MAKING OF MATERIAL GIRLS      2006 SUPERHERO MOVIE   Dr. Strom   2008 QUANTUM QUEST: A CASSINI SPACE ODYSSEY    Coach Mackey (V) 2010 STARDATE REVISITED: THE ORIGINS OF STAR TREK: THE NEXT GENERATION    2012 REUNIFICATION: 25 YEARS AFTER STAR TREK: THE NEXT GENERATION    2012 RESISTANCE IS FUTILE: ASSIMILATING STAR TREK: THE NEXT GENERATION    2013 STAR TREK: THE NEXT GENERATION: REGENERATION -- ENGAGING THE BORG    2013 RELATIVITY: THE FAMILY SAGA OF STAR TREK: THE NEXT GENERATION   2013 REQUIEM: A REMEMBRANCE OF STAR TREK: THE NEXT GENERATION     2013 STAR TREK: FROM ONE GENERATION TO THE NEXT     2013 BEYOND THE FIVE YEAR MISSION: THE EVOLUTION OF STAR TREK: THE NEXT GENERATION 2014 STAR TREK: THE NEXT GENERATION -- THE SKY'S THE LIMIT  THE ECLIPSE OF STAR TREK: THE NEXT GENERATION   2014 STAR TREK: THE NEXT GENERATION -- THE UNKNOWN POSSIBILITIES OF EXISTENCE: MAKING ALL GOOD THINGS...      2014 THE MIDNIGHT MAN     Ezekiel   2016 INDEPENDENCE DAY: RESURGENCE   Dr. Brakish Okun     2016 INDEPENDENCE DAY: A LEGACY SURGING FORWARD     Self; Dr. Brakish Okun    2016 ANOTHER DAY: THE MAKING OF INDEPENDENCE DAY: RESURGENCE    Self; Dr. Brakish Okun  2016 BRENTWOOD    Brent     2018 NEVER SURRENDER: A GALAXY QUEST DOCUMENTARY    Data   2019 STAR TREK: PICARD: THE IMAX LIVE SERIES FINALE EVENT    2023 Video Games STAR TREK: THE NEXT GENERATION -- A FINAL UNITY       Data     1995 CHRONOMASTER      Milo     1995 STAR TREK: GENERATIONS   Data     1997 STAR TREK: HIDDEN EVIL      Data    1999 STAR TREK: AWAY TEAM      Data   2001 STAR TREK: BRIDGE COMMANDER     Data   2002 FAMILY GUY: THE QUEST FOR STUFF     Data    2014 ELITE: DANGEROUS       Vega    2014 HCS   HOMEPACKS      2014 BROADWAY A HISTORY OF THE AMERICAN FILM    3/30/1978 - 4/16/1978      Hank SUNDAY IN THE PARK WITH GEORGE     5/2/1984 - 10/13/1985      Franz; Dennis THE THREE MUSKETEERS   11/11/1984 - 11/18/1984     Aramis BIG RIVER      4/25/1985 - 9/20/1987     Replacement -- The Duke  10/8/1985 - ??? 1776     8/19/1997 - 6/14/1998       John Adams     **** DRAMA DESK AWARD NOMINEE -- OUTSTANDING ACTOR IN A MUSICAL LIFE    (X)3      3/31/2003 - 6/29/2003      Hubert THEATER THE FAMILY PLAY 1 AND II    1975        Kil   Westside Theatre  Downstairs MARCO POLO       1976     Counselor 2     Marymount Manhattan Theatre LEAVE IT TO BEAVER IS DEAD   1979      Luke   New York Shakespeare Festival EMIGRES   1979     AA      Brooklyn Academy of Music THE SEAGULL  (World Premiere)    1980    Konstantin Treplev      Joseph Papp Public Theatre -- Newman Theater TABLE SETTINGS     1980      Older Son       Playwrights Horizons -- Judy Theater NO END OF BLAME    1981   Mr. Mik; Art Student; 2nd Male Nurse; 2nd Hungarian Soldier; 3rd Airman       Stage 73    MARVELOUS GRAY      1982     Electrician    Judith Anderson Theatre THE CHERRY ORCHARD    1983       Long Wharf Theater     New Haven, CTTHE PHILANTHROPIST      1983     John      Stage 73 SUNDAY IN THE PARK WITH GEORGE     1983   Jed; Franz  Playwrights Horizons -- Judy Theater LITTLE SHOP OF HORRORS   1983       Replacement -- Seymour Krelborn EVERY GOOD BOY DESERVES FAVOR      1992; 1993   Ivanov MAN OF LA MANCHA       2009      Don Quixote/ Miguel de Cervantes    Freud Playhouse at UCLA     Los Angeles, CA BOOK --    FAN-FICTION: A MEM-NOIR, INSPIRED BY TRUE EVENTS     October 2021 Family Ties Parents --     Sylvia Schwartz  and Jack Spiner    Step-father -- Sol Mintz Marriage --   Loree McBride      ???? - Present    1 Child -- Jackson Spiner   Before Brent Spiner was Famous There are many similarities between forensicators and Lt. Commander Data from Star Trek: The Next Generation. Both are highly intelligent, but rarely understood by the outside world. Both aim only to evolve, to be better than what they are. And both belong to the NFL. Data, who is actually Brent Spiner, was born February 2, 1949 in Houston, TX. He was the son of Sylvia, a corporate VP and Jack, a furniture store owner. When Jack suddenly died, Sylvia was left to raise infant Brent and his brother alone. She eventually remarried a man named Sol Mintz. Although Mintz adopted Brent, Brent changed his last name back to Spiner when he became a professional actor. Spiner attended Bellaire High School in Houston and was heavily involved in baseball and the drama club, in addition to being a member of the NFL. While on the speech team, he gained 143 points and even earned the title of Dramatic Interpretation Champion in at the 1967 National Tournament (the same year actress Shelley Long won Oratory). After his success in high school, Spiner moved on to the University of Houston and began performing in local theatre in Houston. Eventually he dropped out of college to move to New York City and try his acting luck there. While in New York, Spiner gained more stage acting experience, performing in several Broadway and Off-Broadway plays, including The Three Musketeers and Stephen Sondheim’s Sunday in the Park with George. In 1984, Spiner decided to try film acting and moved again, this time to LA, where he appeared in several pilots and made-for-TV movies. He then auditioned for the up-and-coming show Star Trek: The Next Generation. Spiner himself was never a fan of science fiction or of the original Star Trek, but figured the show would soon be cancelled and he desperately needed the money. Starting in 1987, Spiner played Data for 15 years, during the show’s 7 seasons and the four feature films that followed. Even when the show was cancelled in 1994, Spiner’s career as a performer barely paused. He is most remembered for his role in Independence Day as Dr. Okun, the somewhat awkward chief scientist of Area 51 who is attacked and killed by his alien subjects. He has also made appearances on Law & Order, Friends, Dude, Where’s My Car?, I Am Sam, and The Aviator. Spiner returned to the theatre and appeared in the Broadway revival 1776 as John Adams. Unlike most of his co-stars, Spiner is not very active in the Star Trek convention scene. He has made a few appearances, but overall his lack of interest in science fiction gets the best of him. However, he still regards Patrick Stewart and LeVar Burton as two of his best friends. One of the challenges forensicators face is finding the human element in their events; to not be robotic and detached, but simply themselves. It is this crucial element that separates the good from the great. As the character Data, Spiner sums up the NFL experience the best: “If being human is not simply a matter of being born flesh and blood – if it is instead a way of thinking, acting, and feeling, then I am hopeful that one day I will discover my own humanity. Until then…I will continue learning, changing, growing, and trying to become more than what I am.”   https://www.ign.com/articles/2002/12/09/an-interview-with-brent-spiner https://www.latimes.com/archives/la-xpm-1992-02-17-ca-1835-story.html https://www.discogs.com/artist/1224629-Brent-Spiner?srsltid=AfmBOorfw9Nl3EZ4fc-plhbgU3ng2bSQTruygkdJxZgsPquzQ6sBhCbj     Leslie Charleson    pg. 435   PILOTS/PROPOSALS ANOTHER APRIL      April Weston Moss   1974    (Made for T. V.)   Article including James Rebhorn, Catherine Cox and Peter Kluge -- all former daytime actors .https://www.wittenberg.edu/administration/universitycommunications/magazine/spring1999/curtaincalling
    • For anyone who missed the end of Friday June 6 due to news interruption, the last five minutes of every episode is uploaded to the official GH facebook late in the evening, usually around 11:30pm Eastern. Here's the end of that episode: https://www.facebook.com/generalhospital/videos/3649028845342563
    • Thanks so much for posting this. Since they had retconned Roger/Holly's relationship after his return as being "Roger was always in love with Holly" when it was actually the other way around, they kept up this narrative in this video. Understandable, but it still bugs me. Holly was never his "heart." That's baloney. He only married her to be in Christina's life and was screwing other women like Diane and Hillary the whole time. Peggy was truly the only woman that Roger ever loved, and even that wasn't a very healthy relationship. Holly only really fell out of love with Roger after she realized she loved Ed while they were divorcing. I'm glad he reminded people that the rape scenes were taped in a day. It's amazing what they accomplished with very little rehearsal. That scene still has great impact after all these years. And OMG, watching the scenes of Roger's return in comparison...the quality in the writing really nosedived. The stupid mask. (I love the way they joke about the mask at the end). Alan's insanely over-the-top reaction to his return when Roger had no hold against him anymore. Yikes, one of the worst things Long did while she was still writing the show, though I will cut her a break since she absolutely had a tough task bringing back a guy who fell off a cliff.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy