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Cheap, actually she returned later and her hair was a combination of that candy orange and grey. It was a mess, but she looks great now with the blond hair. It took years off! Right now I haven't watched any of this week. Trying to catch up on last week, but it's painful. I skipped tuesday and watchs weds-thurs for Jill and Kay and watched most of Friday, but it was painful.

I just wonder why the show suddenly started telling all these stories that were just told on other soaps. AMC and B&B both did heart transplants recently and the upcoming story has been done by just about every soap on air and never as good as the Knots Landing original! Just give it up already!! I wish MAB would butcher storylines from canceled soaps so it's at least not so fresh in us viewers minds. Copying current soaps which are all competing to get canceled seems silly.

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Amber is pregnant. Is the father Daniel, or Deacon, via Deacon's rape? Amber considers entering a nunnery, but finally stands outside of the new Bardwell's Bratwursts stand. She tells Daniel and Deacon that she is going to live her own life! As she shrieks her bold choice to the men in her life, the sheer decibel level of her voice causes the B in the Bardwell sign to smash her on the head, killing her instantly. Daniel and Deacon feel strangely relieved.

Sharon and Nick plan to remarry. Their flower girl is little Shick, the beloved daughter they rescue from Adam's clutches. Horror of horrors, Shick is kidnapped by a gorilla! The gorilla turns out to be Noah in an ape costume, planning to take Shick a more peaceful life in Gorilla City. Nick realizes he has neglected the monkey part of his heritage, and he and Sharon don their own gorilla costumes and plan to go live in the wild. Sharon is struck down by a tranquilizer dart from Phyllis. Will she live or die? In the final scene, Paul Rauch has old friend Victoria Wyndham wander through the Chancellor mansion, replacing photos of Phillip, Rex, Brock, etc. with Ada, Jamie, and Mac. When someone cries out, "You have nothing to do with this show!" Wyndham fires back, "So what? Neither does anyone else left on this piece of sh!t!"

Danny returns to sing "Danny Boy". Terrible Tom returns, revealing that he was actually Joe Novak under an assumed name. Kate Mulgrew appears as the ghost of Mary Ryan, telling them that Soapnet is canceling all soaps and that Brian Frons sucks.

Neil gets a new job selling ice cream. Tyra pays a visit, hoping for a second chance. When he tells her no way, she tries to seduce his old friend Henry Marshall, who was, until a week ago, her biological uncle. Henry resists, then keels over from a heart attack. In lieu of a cliffhanger, a booming voice reminds them that black people are not allowed in Genoa City, and they can ask Obama to get them a job.

A serial killer stalks Genoa City. The Newman family is killed off systematically, until finally, only Victoria is left. The killer reveals herself to be Gwyneth Alden. Gwyn spits venom: "I haven't worked in 15 years, and YOU, YOU have worked CONSTANTLY!!! And you have nabbed the finest pieces of tail at every job, while I pined after Jeremy!! JEREMY!!!!" A panicked Victoria, almost managing to snap out of her usual coma haze, tells her that she saw Trisha in Oakdale. Gwyn leaves, but not before pushing Victoria and Morgan Fairchild down an elevator shaft.

Nikki and Victor remarry. A crazed Krista Tesreau aims a gun at Ashley, and as she plans to pull the trigger, the credits roll. Paul Rauch stomps a painting under his foot, then puts his cigar out on an ugly gold lame skirt. "MY vision," he spits as he walks away.

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I'm with Toups. I strongly advocated for the baby switch...but this one has a bad start. What has hung me up the most? A silly point...chemist Ashley would NEVER take a drug while pregnant. She KNOWS better.

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Not just a chemist--a biochemist. Someone whose raison d'etre was to produce products that would receive FDA approval -- i.e., not cross the blood-brain barrier, be toxic, etc.

If ANYONE, _even_ when she is off the rails, would know not to take tranquilizers while pregnant...it is Ashley.

I love baby switches. But this one was premised on Sharon passing out (something not explained until late in the game -- 'she lost a lot of blood' --) and Ashley passing out by taking drugs she would not take.

I compare this to the delicious Sheila switch...planned for months...slowly and shockingly revealed...facilitated by her status as a nurse...nurtured for years...augmented by the horror of Lauren losing a baby (Dillon) she'd come to love (the first time Bill Bell relented on killing a baby since -- I believe -- DOOL). Us suffering with Lauren for months that her baby was truly alive -- and agonizing with Molly as she struggled to say the word "baby". Perfection!

I get goosebumps remembering that baby switch. For this one to work, we needed everyone to be rendered stupid, drugged, or near dead. And we needed Snidely Whiplash in the middle of it. Oh, woe!

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I find the thought of Victor getting Colleen's heart after how nasty and vile he's been to her absolutely disgusting. I really cant beleive Y&R is going there. Id rather Tracy say no and let her heart go to a more deserving person

Ashley is clearly insane. I dont think theres much rationale to apply to her

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I just saw the 10/1 episode and even though this baby switch story is starting out horrible, SC did really well in those scenes... thank god for god actors on this show because otherwise the stories would suck that much more

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OMG! :lol::lol::lol::lol:

Yesterday had some good scenes: Jill's birthday -- and Kay leaving to go help out Nikki, thereby hurting Jill's feeling. And Peter Bergman was superlative yesterday.

the idea that this old coot gets Colleen's heart, though? Wrong wrong WRONG. I checked out Serial Drama yesterday and one of their Y&R posts went through Colleen's near-death dream sequence -- including this bit:

The Curious Death of Colleen Carlton

And THAT is why Pricktor should never get Colleen Carlton's heart.

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I often miss that site, because they seldom discuss Y&R/B&B. But what a perfect review and summary of much of what is wrong with that story. Some of the comments that follow further elucidate what was wrong with the staging.

I am now obsessed with that old Hogan Sheffer story from his ATWT days:

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There's nothing particularly intriguing about any of the characters in this baby switch. Adam and Michael Muhney's portrayal is so flat, yet over the top and one note that he isn't an intriguing villain to watch. The Sharon character has been brutally hacked away by these writers, and Ashley hasn't had a personality or some common sense since she came back to this show.

Needless to say, this storyline was a huge strategic error, and one that was done purely for shock value to cover up the fact that this writing regime cannot write properly pace, or properly executed character-driven storylines about basic elements of soaps and human life.

If this show continues like this, the bottom will fall out, and it will fall out hard. I see another major ratings erosion soon, and it's already started if you look at the long term trends.

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    • Isnt’t this storyline similar to the Cameron Kirsten situation though? Sharon thought she killed him. He ended up being alive and Sharon was being tormented with thinking she was seeing his face everywhere and that’s how we got that iconic scene with her and Nikki in the sewers.   I understand in Mariah’s case this is different circumstances but it does seem like a play on that whole thing. Maybe I’m wrong. I just wish if they were going to make any character follow in Sharon’s foot steps it would be Faith. Mariah wasn’t even raised by her, and her personality is different. I would expect her to take a different path. I understand I could be completely jumping ahead because the storyline hasn’t even played out yet but we’ll see. 
    • Thanks again @Paul Raven Monica was completely without redeeming qualities at this point. I always found the whole Monica = Carly narrative regressive, as I don't think shows comparing characters so heavily is ever a great idea, but she's actually worse than Carly was. Was it the Pollocks who had Leslie have a miscarriage?  Giving her a child, especially by rape, was not a good idea, but a part of me wishes they'd committed to it just to see what story it might have had in later years.
    • @janea4old Your detailed explanation and delving into the psychology and motivations is no doubt the opposite of what we will see onscreeen. As @ranger1rg stated we will get a few scenes and some sketchy explanations. Like the adoption of Aria, most of it will take place off screen.
    • I'm suddenly fearful that DAYS is going to pull a Flowers-for-Algernon stunt and Bo's progress will be reversed.  While @te. is stuck on Abe's tiny bedroom, I can't stop thinking of the size of Bo's huge hospital room.
    • Okay, why are Paulina and Abe sleeping like that?!  I'd take a screen grab if I wasn't lazy, but come on.
    • All caught up on this week's episodes. Deidre Hall has done the best work of her career with this series of episodes. That is her tribute to Drake. Every acting choice has been perfect. From her reaction the moment John flatlined, to her snapping at Abe and Paulina (what a smart, realistic writing choice), to her grief playing the text message over and over. Josh Taylor did the best work of his career in the scene with Kayla telling him John had died. Everything about his facial expression, voice, pronunciation, everything was so different from what he usually does. He was overcome with the emotion of it and any of his acting tics disappeared. Peter Reckell and Kristian Alfonso were great. One thing I noticed with the flashbacks of John/Marlena and Bo/Hope is that Bo and Hope are constantly smiling at each other. The chemistry those two have cannot be faked. It's clear the writing team decided to clean up Bo and Hope and give fans a happy ending for them, neatly wrapped up in a bow. The juxtaposition of Bo and Hope reclaiming their happiness thanks to John, while Marlena is dealt life's harshest blow from John's sacrifice, was another great writing choice. Marlena even saying that to Eric, that she is paying for Bo's recovery with John's life, was such smart writing. Susan Seaforth Hayes was used very effectively between the two storylines. I really enjoyed the scene of Kate talking to Philip, calmly stating that she will make Xander pay. Overall, the show should be lining these episodes up for the Emmys and Deidre should be carefully choosing her scenes for her own reel. She deserves a Best Actress Emmy for this work. The first time I have felt that way about her work. Peter Reckell should submit himself for Guest for the scenes where he found out Victor is dead because he was genuinely heartbreaking. Josh Taylor should throw his name down for Supporting Actor for his scenes. The show deserves a Writing and Best Show for what they've done with the episodes around John and Bo. It was heavy stuff and I feel for the actors. I am so impressed with what they did.
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                                              BRENT SPINER       Also Credited as Brent Mintz             2/2/1949 - Present RYAN'S HOPE      Doctor Examining Kim Harris    1981 ONE LIFE TO LIVE   Ralph Hanley    1984 and TO TELL THE TRUTH    Imposter     1972 THE DAIN CURSE      Tom Fink   1978 FAMILY FEUD   1979 ROBERT KENNEDY AND HIS TIMES     Allard Lowenstein    1985 NIGHT COURT      Bob Wheeler    1985 -87 MAMA'S FAMILY    Billy Bob Conroy     (2 Episodes)    1986 - 87 STAR TREK: THE NEXT GENERATION       Lieutenant Commander Data  1987 - 94                        + STAR TREK ENTERPRISE    2004 - 05                                      Also Dr. Arik Soong                         + STAR TREK PICARD   2020 - 23                                     Also    Dr. Altan Inigo Soong (2020); Adam Soong (2022); Lore (2023)                          +STAR TREK: LOWER DECKS     2024            ST: TNG -- Also --   Dr. Ira Graves -- 1989; Lore -- 1988; 1990; 1993;  Dr. Noonian Soong --  1990; 1993; Frank Hollander, Eb Hollander, Henchman, Bandito, Annie Meyers -- 1992 READING RAINBOW     1988 GARGOYLES      Puck    1995 - 96 THRESHOLD    Dr. Nigel Fenway     2005 - 06 FRESH HELL   Brent Spiner    2011 - 12 WAREHOUSE 13      Brother Adrian    2012 GENERATION REX    Dr. Gabriel Rylander + (V)   2010 - 13 RAY DONOVAN       Therapist    2014 STAR WARS: REBELS   Gale Trayvis    2014 - 15 BLUNT TALK     Phil     2015 - 16 OUTCAST       Sidney     2016 - 17 MADE IN HOLLYWOOD    (2 Episodes)     2016 FROM THE MOUTHS OF BABES     2016 PENNY DREADFUL: CITY OF ANGELS    Ned Vanderhoff     2020 YOUNG JUSTICE    The Joker   (V)    2011; 2021 THE CENTER SEAT: 55 YEARS OF STAR TREK    2021 - 22 NIGHT COURT 2.0     Bobert "Bob" Wheeler    2024 - 25 @Wendy 's HUNTER CONNECTION HUNTER    "The Contract"     Willie Vaughn   12/13/1986 PILOTS/PROPOSALS SYLVAN IN PARADISE     Clinton C. 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A GIRL THING   Bob    2001      (Made for T. V.) ASK ME NO QUESTIONS      2001     (Made for T. V.) THE PONDER HEART    Dorris Grabney  2001    (Made for T. V.) I AM SAM   Shoe Salesman    2001 THE MASTER OF DISGUISE   Devlin Bowman    2002 STAR TREK: NEMESIS    Data; B-4      2002 IDENTITY CRISIS: THE MAKING OF A MASTER    2003 AN UNEXPECTED LOVE    Brad     2003     (Made for T. V.) JACK        Vernon    2004    (Made for T. V.) 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Commander Data from Star Trek: The Next Generation. Both are highly intelligent, but rarely understood by the outside world. Both aim only to evolve, to be better than what they are. And both belong to the NFL. Data, who is actually Brent Spiner, was born February 2, 1949 in Houston, TX. He was the son of Sylvia, a corporate VP and Jack, a furniture store owner. When Jack suddenly died, Sylvia was left to raise infant Brent and his brother alone. She eventually remarried a man named Sol Mintz. Although Mintz adopted Brent, Brent changed his last name back to Spiner when he became a professional actor. Spiner attended Bellaire High School in Houston and was heavily involved in baseball and the drama club, in addition to being a member of the NFL. While on the speech team, he gained 143 points and even earned the title of Dramatic Interpretation Champion in at the 1967 National Tournament (the same year actress Shelley Long won Oratory). After his success in high school, Spiner moved on to the University of Houston and began performing in local theatre in Houston. Eventually he dropped out of college to move to New York City and try his acting luck there. While in New York, Spiner gained more stage acting experience, performing in several Broadway and Off-Broadway plays, including The Three Musketeers and Stephen Sondheim’s Sunday in the Park with George. In 1984, Spiner decided to try film acting and moved again, this time to LA, where he appeared in several pilots and made-for-TV movies. He then auditioned for the up-and-coming show Star Trek: The Next Generation. Spiner himself was never a fan of science fiction or of the original Star Trek, but figured the show would soon be cancelled and he desperately needed the money. Starting in 1987, Spiner played Data for 15 years, during the show’s 7 seasons and the four feature films that followed. Even when the show was cancelled in 1994, Spiner’s career as a performer barely paused. He is most remembered for his role in Independence Day as Dr. Okun, the somewhat awkward chief scientist of Area 51 who is attacked and killed by his alien subjects. He has also made appearances on Law & Order, Friends, Dude, Where’s My Car?, I Am Sam, and The Aviator. Spiner returned to the theatre and appeared in the Broadway revival 1776 as John Adams. Unlike most of his co-stars, Spiner is not very active in the Star Trek convention scene. He has made a few appearances, but overall his lack of interest in science fiction gets the best of him. However, he still regards Patrick Stewart and LeVar Burton as two of his best friends. One of the challenges forensicators face is finding the human element in their events; to not be robotic and detached, but simply themselves. It is this crucial element that separates the good from the great. As the character Data, Spiner sums up the NFL experience the best: “If being human is not simply a matter of being born flesh and blood – if it is instead a way of thinking, acting, and feeling, then I am hopeful that one day I will discover my own humanity. Until then…I will continue learning, changing, growing, and trying to become more than what I am.”   https://www.ign.com/articles/2002/12/09/an-interview-with-brent-spiner https://www.latimes.com/archives/la-xpm-1992-02-17-ca-1835-story.html https://www.discogs.com/artist/1224629-Brent-Spiner?srsltid=AfmBOorfw9Nl3EZ4fc-plhbgU3ng2bSQTruygkdJxZgsPquzQ6sBhCbj     Leslie Charleson    pg. 435   PILOTS/PROPOSALS ANOTHER APRIL      April Weston Moss   1974    (Made for T. V.)   Article including James Rebhorn, Catherine Cox and Peter Kluge -- all former daytime actors .https://www.wittenberg.edu/administration/universitycommunications/magazine/spring1999/curtaincalling
    • For anyone who missed the end of Friday June 6 due to news interruption, the last five minutes of every episode is uploaded to the official GH facebook late in the evening, usually around 11:30pm Eastern. Here's the end of that episode: https://www.facebook.com/generalhospital/videos/3649028845342563
    • Thanks so much for posting this. Since they had retconned Roger/Holly's relationship after his return as being "Roger was always in love with Holly" when it was actually the other way around, they kept up this narrative in this video. Understandable, but it still bugs me. Holly was never his "heart." That's baloney. He only married her to be in Christina's life and was screwing other women like Diane and Hillary the whole time. Peggy was truly the only woman that Roger ever loved, and even that wasn't a very healthy relationship. Holly only really fell out of love with Roger after she realized she loved Ed while they were divorcing. I'm glad he reminded people that the rape scenes were taped in a day. It's amazing what they accomplished with very little rehearsal. That scene still has great impact after all these years. And OMG, watching the scenes of Roger's return in comparison...the quality in the writing really nosedived. The stupid mask. (I love the way they joke about the mask at the end). Alan's insanely over-the-top reaction to his return when Roger had no hold against him anymore. Yikes, one of the worst things Long did while she was still writing the show, though I will cut her a break since she absolutely had a tough task bringing back a guy who fell off a cliff.
    •   Thanks! You reminded me I did not remember to add in the preemptions for the dark weeks, since those are not listed on the sortable charts, so these are the additional preemptions per newspaper listings and Vanderbilt News for the 1973-1978 dark weeks. I have added them in to the full lists above.   8/26/74-8/30/74 Another World Wednesday episode- 3:04PM (26 minutes) 8/26/74-8/30/74 Doctors Preempted Wednesday- Ford News Conference 8/26/74-8/30/74 Edge of Night Preempted Wednesday- Ford News Conference 12/22/75-12/26/75 As the World Turns Preempted Friday- Sun Bowl 12/22/75-12/26/75 Guiding Light Preempted Friday- Sun Bowl 12/22/75-12/26/75 Search for Tomorrow Preempted Friday- Sun Bowl 12/22/75-12/26/75 Young and the Restless Preempted Friday- Sun Bowl 8/22/77-8/26/77 Doctors Preempted Tuesday- Carter News Conference 8/22/77-8/26/77 Guiding Light Preempted Tuesday- Carter News Conference 8/22/77-8/26/77 One Life to Live Preempted Tuesday- Carter News Conference (possibly aired just 3-315PM) 4/24/78-4/28/78 Another World Preempted Tuesday- Carter News Conference 4/24/78-4/28/78 General Hospital Preempted Tuesday- Carter News Conference 4/24/78-4/28/78 Guiding Light Tuesday ep- 230-3PM (30 minutes) 6/26/78-6/30/78 Edge of Night Preempted Monday- Carter News Conference 12/25/78-12/29/78 Another World Preempted Monday- (Local Fill) & Fiesta Bowl 12/25/78-12/29/78 As the World Turns Preempted Monday- Peach Bowl 12/25/78-12/29/78 Guiding Light Preempted Monday- Peach Bowl
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