Jump to content

Days: October 2019 discussion 🎃


Recommended Posts

  • Members

The writing for Julie is shameful. I just won't criticize the character. I can't and I won't. It's just not her. Forget Julie being "ruined." It's not Julie. I will not even act like it is. Was she a saint? Of course not. But she was never this. There is no reason for any of this story to exist. None. You can say that as some people get older they become more racist, but that isn't what this story is saying. It's just saying she's a racist, isn't that wild and hilarious and she just can't help herself, but let's have a laugh along the way - oh and of course poor Gabi.

 

The material is disgusting and it encapsulates the many, many failures of Ron Carlivati as a writer and in just how much he trucks his many failed headwriting stints in lazy bigotry. 

 

Bill Bell and Pat Falken Smith would be sickened.

 

Hell, I'm sickened for them.

Link to comment
Share on other sites

  • Replies 254
  • Created
  • Last Reply
  • Members

I’ll sign on with the others calling the writing for Julie as atrocious and disgusting.

 

it’s not who she was, but Ron C didn’t care, and carried out the horrific bigotry for months and months. Did no one on the set complain? Did SSH ever say “Wait a minute”? Every time I saw her, my mind immediately went to “She’s a racist.”

 

i had had the same problem with the writing for Jack. Going full blown MAGA for all that time? Seriously? It was just sh_it. 

Link to comment
Share on other sites

  • Members

 

I don't think most actors today have the power to question the writing, and SSH and Matt Ashford both have been fired by the show before (a few times over in his case), which would likely make them even more wary. 

Link to comment
Share on other sites

  • Members

 

Word +.

 

I literally just opened this thread to post the exact same sentiments.

 

This is not Julie. This is a unlikable, alternative-reality pod version of the character, being butchered by a hack writer who lacks the talent (and probably even the interest) to write consistent, nuanced, adult drama.

 

The show has butchered and warped many of its veteran players over the years, including Maggie, Marlena, and now Julie, and it only turns off long-time viewers like me, who remember how good the writing once was.

Link to comment
Share on other sites

  • Members

 

For all the breathless hype (from many people who no longer even cover soaps now, or are busy writing their own garbage shows) of how Ron was our savior because he "loved" soaps and "understood" soaps, he has never understood anything beyond his own ego. He was, at best, an adequate scriptwriter who never should have been promoted to more. 

 

I'm sure this is all meant to be delicious camp, and we're supposed to get giddy while we wait to "kiki" over our shiny new editions of Small Wonder re-releases, or whatever the hell else is being pushed as his newest obsession. It's just a shame this has to involve such a rich, complex character. He should never be allowed to write for anyone who has ever provided any worth to this genre. Fortunately for him, that leaves a lot of characters.

Link to comment
Share on other sites

  • Members

I said at another site that what makes this worse - at least to me - is the fact that Gabi was made sympathetic as a character on Julie's back. As was said, Julie was no saint, of course. She hated people. She was devious at points.

 

But she was NEVER so OTT hateful and vile. And it pisses me off that this behavior was used to sanctify Gabi. Sure, Julie treated Gabi badly, but again? That wasn't the Julie of yesteryear. And it just makes me resent Mary Sue-Gabi that a character LITERALLY on the show since Day One, if not SSH playing her, must be sacrificed for her.

 

But Ron cannot write nuance. Subtlety? Forget it. He has his white hats and black hats and the end.

 

It may not be right or fair as far as my issue with Gabi/Julie goes, but it's how I feel.

Link to comment
Share on other sites

  • Members

 

The folks who claim RC is a savior who understands soaps tend to be, from what I have seen, people who do not understand the genre, themselves. Low-brow camp (with outrageous caricatures paraded across the screen in place of recognizable human characters) is NOT what is genre is about. If the audience had been handed this crap from the start, soaps would never have become popular to begin with, let alone lasted for generations. My sarcastic self often wonders who the target viewers for this "new" model of soaps are: gum-chewing grade-school drop-outs who move their lips when they read, but still cannot understand the big words? Drunken drag-queens who are anxiously waiting for the next episode of RuPaul's show to air, and need a temporary "fix" in the meantime?

 

UGH.

 

 

ITA. The exact same thing happened on GH, when that degenerate, would-be hitman Luke Spencer SEXUALLY ASSAULTED a married teenager, and then to prop him up and portray him as the show's new hero, the show inexplicably and stupidly started saying that SCOTTY was the bad guy (!!!) for being pissed off that his wife and the hoodlum rapist ran off together. It was sickening, and it only made me loathe Luke more, just like the Julie/Gabi idiocy turns me completely off Gabi.

 

Sigh. 

Link to comment
Share on other sites

  • Members

 

AMEN. I've hurt for it with Maggie and Marlena both in the past. But, I am more in pain for it to be Julie.

 

And, I find myself really worrying with great concern if Ron is going to cause DOOL to go under?!!! Can the ratings sustain this?!!! Will we lose one of the last four to what is such a mess where the writing is concerned?!!! I really care about that. I'm not watching Y&R or B&B or GH. I'm only watching DOOL. And, I find myself feeling a little desperate. Heck, one day last week I felt myself in a cliffhanger moment where it seemed like Julie had died! I didn't know for sure that she had not until Monday's show. And, it is the writing. The Directing is solid, with Scott McKinsey in there pitching with others. And, that's a good cast for the most part. Oh, I have whined about Stacy Haiduk and about Robin Strasser but they are only two. The bulk of the cast fits fine into the town called Salem.

 

Okay, now, there's a problem with definition. This is not camp.

Link to comment
Share on other sites

  • Members

I agree with the comments about what Ron has done re Julie.  I have enjoyed the Doug and Julie scenes in which they've been alone, but I give credit to Susan and Bill for that.  Now Ron seems to be working on dragging down Kayla, making her an incompetent and unethical doctor.  And none of this is making me like Gabi either.  Just makes me resent her.

Link to comment
Share on other sites

  • Members

 

Ditto. I hated it when Jim Reilly treated Maggie like a piece of furniture and deducted 50 IQ points from Marlena. But this feels even worse. On the one hand, I'm thrilled to see Julie on screen more than we have in years. But I hate that viewers who don't know the real Julie – who didn't see her progress from troubled schemer to romantic heroine to high-powered businesswoman – are labeling her racist because of the way Ron is writing her. 

Link to comment
Share on other sites

  • Members

 

Yes, it's true that I have really felt settled into it when they've put Doug & Julie alone. And, there's no good reason for him to be writing Kayla this way! Kay is a jewel.

 

Yes, I was just reminiscing about what a spoiled little girl she was. But, Julie has had character growth in front of our very eyes like no other.

Okay, I know that a canonical definition of camp is out there somewhere from Susan Sontag, but I don't have it to hand right now.

 

Here's the dictionary.com definition:

 

something that provides sophisticated, knowing amusement, as by virtue of its being artlessly mannered or stylized, self-consciously artificial and extravagant, or teasingly ingenuous and sentimental.
 
a person who adopts a teasing, theatrical manner, especially for the amusement of others.

verb (used without object)

Also camp it up. to speak or behave in a coquettishly playful or extravagantly theatrical manner.

adjective

campy: camp Hollywood musicals of the 1940s.

 

See?! Nope, this is not camp. Not sophisticated. Not with knowing amusement. Not artlessly mannered. Not stylized. Not artificial. Not extravagant. Etc.

 

 

 

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Drake Hogestyn tribute tomorrow. https://michaelfairmantv.com/days-of-our-lives-drake-hogestyn-tribute-live-michael-fairman-channel/2025/06/02/

      Please register in order to view this content

       
    • I'm anticipating most of the cast at the Nice location for a few weeks a la the Tuscan villa for Victoria and Ashland's wedding. I don't know why they bother. I'd rather see the money going into more regular home/office sets. This party has been a bust. No secrets revealed, break ups  etc. Ugly decorations and I'm going to slam the costuming again. Just the guests heaping praise on  Nikki  like she's achieved some magnificent milestone rather than just getting a year older.  
    • https://www.instagram.com/p/DKaqI4GO7Mm/        
    • https://tvline.com/news/days-of-our-lives-john-death-explained-drake-hogestyn-1235451151/?utm_campaign=trueanthem&utm_medium=social&utm_source=facebook&fbclid=IwY2xjawKrXXlleHRuA2FlbQIxMQBicmlkETFreXpydFZQT3h1b3lQVFM4AR4ovqbIaNdi2bPPGk9VIYEdv-pqWeEv7KlJuwDBYHTT9Nhe5oivDctLPyYRoQ_aem_QKaZ_6nQU2X6FyM7QcZfvQ Eight months after longtime Days of Our Lives star Drake Hogestyn died following a battle with pancreatic cancer, the Peacock soap has revealed the fate of his beloved character John Black, a role he played regularly since 1986. In the loving arms of his wife, Dr. Marlena Evans, John took his last breath at the end of the June 2 episode, after suffering devastating internal injuries during a lab explosion. The iconic character went out as he lived — a hero. Sensing the fans’ devastation on Monday, Marlena’s portrayer Deidre Hall posted this simple-but-powerful message to fans on Instagram: “I know. I know. Hardest day ever.”
    • Please register in order to view this content

    • Now coming into June...well...   I knew it was coming but I didn't like the start to the next round of Dani/Bill/Hayley. As the 3 A plots from the start of the show (The SilkPress storyline and Martin's Secret being the other two), it needed to be benched for a while to develop those characters and allow other characters and storylines to grow. 3 months in, Hayley is the weak link, Dani is still divisive, but not boring, and Bill has been making his mark with some plots faster than others. So last week seeing the story starting to loop back around to them with Hayley's potential pregnancy, I honestly had mixed feelings.   I get it. The SilkPress storyline is currently in aftermath/next turn mode, so it has to be moved into a C plot position. Moreso if we want to keep the very talented Miss Trish around. And I love how clever the writers are being with the storyline. They give us enough in the episodes and are still playing out beats to keep the appetite fed. I don't feel like anyone is being dumbed down to keep her around. And Trish is giving nuances in her alone scenes with NuTed. I shouldn't care for a clear psycho, but she be selling it. That said...I wish they had given us a little more of the Martin's Secret storyline in the last week of the month though I loved the game of cat and mouse Bill did on Martin and Smitty to keep the storyline alive and active after it had a nice build beginning of May and vanished for a week mid-May. And it appears like it's about to go back to the backburner as an A plot which of course leaves the A plot of Dani/Bill/Hayley.   I am probably in the minority as someone who is not anti-Dani here and even she annoyed the heck out of me last week. In character true, but I just felt like there was a way to get all of that across without it feeling like...as I've said before...one step forward, two steps back...and have it feel organic. I liked Hayley got a little bit of edge with her, but she still ain't no match for Dani. And it reminds to be seen if we should be going back to that well of a story yet.   Now about today's show...   And I thought Tracy was bad! lol. But YES. Sharon has been worth the wait. And so has Anita's story! Finally having TT in the limelight. This has been a nice slow burn for me and a nice B plot. And the actress is good. The wig is giving. And her holding what Anita's secret is over her head and threatening to tell Vernon....Ooooo...that is what I was waiting for.    And speaking of bad...I thought Eva vs Kat was a great rivalry. But I am loving the rivalry that is growing with 'Nancy Drew' and Silk Press Sheila! They both get good licks in and are so cunning with each other. And I definitely have liked that since the anniversary party, that it has been growing. Now that Kat has been proven right, she has not backed down. And neither has SilkPress. And we got a 'Ms. B@tch' moment, too? LOVE. Eva coming up with a trump card was delicious and so 90s Sami Brady. GOOD. And the coda with Jacob and the expert...YES. The Silk Press storyline has been the best paced on the show so I love that the aftermath of the anniversary party continues to be so...barring one flaw...well for me. Not enough Nicole's POV.   And I like the C plots on display. And by that, I mean Chelsea with Vernon. And it made me wonder what the writers have plan for her love life now that the throuple is over with. I was watching her and going awww.   And of course the mystery man around Martin. I am starting to wonder if he really even works at the country club given how he made a run for it. That would be a twist.    Speaking of Martin...good to see him in scenes with his father and mother.    I'm getting used to NuTed.    I felt the last episode of May was a bit of a letdown, but this was a very nice recovery.
    • Unless they cut him, I'd think he would stay. Surely, he didn't choose to return because he expected high quality. I figure he gets to work when he wants and spend a lot of time doing his own thing and being with his family.
    • The writing for Liz and Lucky is indeed terrible, but if JJ signed a one-year contract he may be gone in a couple of months anyway. Perhaps they’re just cutting their losses.
    • That would be his older sister Stacey. She was the center of a big story back in the day. Nola was out to snag medical student Kelly Nelson, who she thought would provide her with the life she craved. He was in love with a girl named Morgan. Nola plotted to get pregnant by him, but couldn't manage to get him in bed. So she seduced Floyd, who thought she was in love with him. When she knew she was pregnant, she got Kelly drunk and made sure he woke up next to her in bed. Kelly believed her when she told him he made her pregnant. They were about to elope to Las Vegas, but her mother ratted her out and Kelly abandoned her. She almost married Floyd, but jilted him at the altar. She went to work for Quint. When the baby came prematurely, Kelly saved both of them. She named the baby Kelly Louise to irk Morgan, who was now married to Kelly. When she fell in love with Quint, she had a change of heart over all the trouble she had caused, so she changed the baby's name to Anastasia Louise, shortened to Stacey. Quint was a devoted stepfather and Henry treated her like his own granddaughter.  After Quint and Nola leave SF, I believe Stacey is never seen again. Which is odd, you would think they would have brought her back with Nola and J, but they never did.
    • Your welcome!

      Please register in order to view this content

       
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy