Jump to content

Stop Trying to Make ... Happen!


Franko

Recommended Posts

  • Members

Outside of Seinfeld/Frasier/Friends/W&G, what other notable Must See TV series get referenced these days? No one talks about Mad About You (in spite of reboot discussions), Wings, Suddenly Susan, Caroline in the City, Boston Common, NewsRadio, The Single Guy, Jesse, Just Shoot Me, Veronica’s Closet, or any other of the interchangeable upscale, urban ensemble sitcoms of the ‘90s. Most sitcoms of any era are trash.

Link to comment
Share on other sites

  • Replies 130
  • Created
  • Last Reply

Top Posters In This Topic

  • Members

 

Maybe it goes back to the SNL days? Not sure. I've got a soft spot for her.

 

 

And damn. I forgot about half of those shows. NBC, in particular on Thursdays, tried to throw anything to see if it could stick for Must See TV. They wanted something to catch on between Friends and ER. During the second season of Friends, one night they gimmicked having David Schwimmer on The Single Guy while Lea Thompson was on Friends. 

 

Without Googling, I'm trying to remember the show with Michael J. Fox and Heather Locklear (?). And then Charlie Sheen showed up. Things are fuzzy. And maybe that wasn't even an NBC sitcom.

Link to comment
Share on other sites

  • Members

 

I did enjoy Wings (I tend to see it as separate from the Must See TV era as it started around 1990 or 1991), but I lost interest after 3-4 years. Those first years I think were charming though, and I liked the cast, although I've always had a limited tolerance for Steven Weber.

Link to comment
Share on other sites

  • Members

Wings was underrated, I’ll agree, and it had a wonderful cast that went unappreciated at the time, especially given how many of them had pretty substantial careers after the show.

 

I know some people loved NewsRadio, but I can’t with that show. Dave Foley and Joe Rogan, oy.

Edited by Faulkner
Link to comment
Share on other sites

  • Members

That's funny. Andy Cohen just had Brooke Shields on WWHL the other night and asked her what she preferred: SUDDENLY SUSAN or LIPSTICK JUNGLE.

 

She picked the latter. My BFF was a uber-fan of that show so I texted him knowing how I knew it would do him good to know BS loved it, too. 

Link to comment
Share on other sites

  • Members

 

Just Shoot Me was only funny because of Wendie Malick... and that character was the prototype for all of her other comedic characters thereafter.

 

Wings was pretty funny, especially in the earlier seasons with the orchestra laden opening credits.

 

I will agree making Must see Thursday happen was huge in the 90s and early 2000s.

Link to comment
Share on other sites

  • Members

I liked 3rd Rock From The Sun. Even though people see it as silly slapstick, I thought it was hilarious and cleverly written. You could tell the entire cast were having a ball. Jane Curtin said she would be happy and excited on the way to work thinking about what she was going to be doing that day.

 

One forgotten ABC show nobody ever talks about from the 90's is Grace Under Fire. Brett Butler just faded into obscurity. I read about all the backstage mess that went on. 

 

Someone mentioned Caroline In The City. I remember when Mad TV ripped on it in a hilarious parody. Nicole Sullivan said that she was at an awards dinner and Leah Thompson't daughter spotted her and she whispered to her mother, there she is the one that made fun of you. She tried to get Leah to confront Nicole......LOL

 

Please register in order to view this content

 

 

Link to comment
Share on other sites

  • Members

Ok. That’s AMAZING. I remember the actual show being such unintentional camp with Caroline torn between two obviously gay men. IRL I know Malcolm Gets came out while Eric Lutes was apparently straight.

 

Speaking of Chuck Lorre, I hope work slows down for him soon so he can get busy with a juicy memoir.

Edited by Faulkner
Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • The storyline April and Draper are involved in during the summer/autumn of 1979 seems fairly "benign" but soon turns very serious.  April has a VERY intrusive, wealthy mother (Margo Huntington Dorn).  Margo knows that April and Draper (who've recently had a miscarriage and are theoretically never going to be able to conceive another baby) want to buy a house.  Margo hoodwinks them into buying a house they can't afford.  The house is listed at $100,000 (about $400,000 in today's dollars).  Margo pays the first $35,000 and leads Draper to believe the asking price of the house is $65,000 instead of $100,000.  If Draper finds out his meddling mother-in-law paid 1/3 of the cost of the home and tricked him, he'll be mad as hell.   Meanwhile, Draper has received a job offer from a prestigious New York law firm.  Margo pulls some strings and has the senior partner in the firm rescind the offer, to keep April in Monticello.  If Draper finds out about THAT, he'll be even angrier with Margo than he will be about the house trickery.  All of that is "bubbling under the surface" in the fall of 1979 but will be the next major story, as everything begins to spiral out of control.   Yep, you've got the Karrs and their very basic middle-class house, the Victorian-themed place where Miles and Nicole live, April and Draper's old craftsman house with the exposed beams, the Madisons & their Mission revival house, and Margo with her 1970s-chic penthouse.  Each of the sets is completely different.  And their budget was like zero, lol.  
    • It felt weird and out of place.  I get. While I agree with those on here that he's gotten better, it's still really bad. I'm not seeing the "good" acting some see...but I'll give him a B for being better than when he first started. There's potential. I'll leave it at that. 
    • It's like watching paint dry at a slow-ass pace. It's bad acting. Entirely. Excellent? With Claybon? Never. Ever. 

      Please register in order to view this content

    • Ah! Good to hear. Isn't it especially odd to think that house fictionally exists not far from the Karrs?  Or, that it was designed non-fictionally by the same person who designed April's place?
    • Good to know I'm not the only one who noticed that. Strange and awkward, and I don't know what they're doing with those fades.   -- Finally, had to laugh at how many Emmys this board passed out today.

      Please register in order to view this content

       
    • Not unless they live in an apartment complex. 

      Please register in order to view this content

    • That was bad. Product placement is fine, but not here, not now. Besides, no one carries their damn detergent to the living room.   Completely and utterly disagree. I thought Brandon Claybon was excellent today -- maybe his best performance since the show started. No recast needed.   Not unpopular with me. That didn't work. The montage was good, but 5 minutes of Amazing Grace? With all those verses? No. What kind of family breaks into a loud version of Amazing Grace after what just happened??? None. Anita's lecture to Leslie was great. Ending the show -- a really good episode with crackling dialogue -- like that was a mistake.  
    • Today, was a fantastic episode. I loved everything about, including Ainta singing, Amazing Grace. I love the family dynamic of the Dupree's so much. They remind me of my own family at times. Martin & Smitty have come leaps and bounds from where they  started. I genuinely felt a connection between them I can't wait to watch it deepen. Dana/Leslie/Sherry/Ana is a piece of work. Her speech at the Dupree's about her "concern" for Eva and then locking her out of their apartment??? She is pure evil, but I love it. I can't wait to see where the Eva/Kat story goes. There's so much potential there. As for Ted, I need to see Keith Robinson in the role before giving my true critique of Maurice Johnson.
    • I don't recall that we ever saw the exterior of the Madison house.  BUT the interior is definitely Mission Revival.  It has a wrought-iron staircase, and all the doorways & corridors have archways.  I watched a few old episodes over the weekend from that period and really noticed for the first time how uniquely Mission Revival the set is.  
    • I know Daphnee's back hurts, because she was carrying Maurice through those scenes! Still not loving the idea of replacing the actor, but he was giving very little.  Brandon's scenes with Leslie did not hit the way they were supposed to because I was busting out laughing.  One thing I enjoy about this soap is how it plays with the nuance of good and evil. Kat vs Eva and Anita vs Leslie. There are some things that Kat and Anita said that makes it hard to root for them and how the Duprees can be family over everything to a fault. It almost makes them come across as entitled and unlikely at times. And while what Lesile and Eva have done is wrong in different ways, you can see that hurt and sympathize.  Now, what I don't get is what Lesile thought she was doing expecting the Duprees to accept Eva with open arms. Honey, Eva is a Richardson not a Dupree. In the Dupree world, she's Ted's problem unless they choose otherwise, because there ain't a drop of Dupree blood coursing throught her veins (unless we learn otherwise in some twist). Ted is lucky if they don't disown his ass.   
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy