Members Faulkner Posted February 8, 2022 Members Share Posted February 8, 2022 (edited) No Gaga in today’s Oscar nominations: Best Picture “Belfast,” Laura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, producers “CODA,” Philippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, producers “Don’t Look Up,” Adam McKay and Kevin Messick, producers “Drive My Car,” Teruhisa Yamamoto, producer “Dune,” Mary Parent, Denis Villeneuve and Cale Boyter, producers “King Richard,” Tim White, Trevor White and Will Smith, producers “Licorice Pizza,” Sara Murphy, Adam Somner and Paul Thomas Anderson, producers “Nightmare Alley,” Guillermo del Toro, J. Miles Dale and Bradley Cooper, producers “The Power of the Dog,” Jane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier, producers “West Side Story,” Steven Spielberg and Kristie Macosko Krieger, producers Best Director Kenneth Branagh (“Belfast”) Ryûsuke Hamaguchi (“Drive My Car”) Paul Thomas Anderson (“Licorice Pizza”) Jane Campion (“The Power of the Dog”) Steven Spielberg (“West Side Story”) Best Lead Actor Javier Bardem (“Being the Ricardos”) Benedict Cumberbatch (“The Power of the Dog”) Andrew Garfield (“Tick, Tick … Boom!”) Will Smith (“King Richard”) Denzel Washington (“The Tragedy of Macbeth”) Best Lead Actress Jessica Chastain (“The Eyes of Tammy Faye”) Olivia Colman (“The Lost Daughter”) Penélope Cruz (“Parallel Mothers”) Nicole Kidman (“Being the Ricardos”) Kristen Stewart (“Spencer”) Best Supporting Actor Ciarán Hinds (“Belfast”) Troy Kotsur (“CODA”) Jesse Plemons (“The Power of the Dog”) J.K. Simmons (“Being the Ricardos”) Kodi Smit-McPhee (“The Power of the Dog”) Best Supporting Actress Jessie Buckley (“The Lost Daughter”) Ariana DeBose (“West Side Story”) Judi Dench (“Belfast”) Kirsten Dunst (“The Power of the Dog”) Aunjanue Ellis (“King Richard”) Best Adapted Screenplay “CODA,” screenplay by Siân Heder “Drive My Car,” screenplay by Ryusuke Hamaguchi, Takamasa Oe “Dune,” screenplay by Jon Spaihts and Denis Villeneuve and Eric Roth “The Lost Daughter,” written by Maggie Gyllenhaal “The Power of the Dog,” written by Jane Campion Best Original Screenplay “Belfast,” written by Kenneth Branagh “Don’t Look Up,” screenplay by Adam McKay; story by Adam McKay and David Sirota “King Richard,” written by Zach Baylin “Licorice Pizza,” written by Paul Thomas Anderson “The Worst Person in the World,” written by Eskil Vogt, Joachim Trier Best Cinematography “Dune,” Greig Fraser “Nightmare Alley,” Dan Laustsen “The Power of the Dog,” Ari Wegner “The Tragedy of Macbeth,” Bruno Delbonnel “West Side Story,” Janusz Kaminski Best Animated Feature Film “Encanto,” Jared Bush, Byron Howard, Yvett Merino and Clark Spencer “Flee,” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie “Luca,” Enrico Casarosa and Andrea Warren “The Mitchells vs. the Machines,” Mike Rianda, Phil Lord, Christopher Miller and Kurt Albrecht “Raya and the Last Dragon,” Don Hall, Carlos López Estrada, Osnat Shurer and Peter Del Vecho Best Animated Short Film “Affairs of the Art,” Joanna Quinn and Les Mills “Bestia,” Hugo Covarrubias and Tevo Díaz “Boxballet,” Anton Dyakov “Robin Robin,” Dan Ojari and Mikey Please “The Windshield Wiper,” Alberto Mielgo and Leo Sanchez Best Costume Design “Cruella,” Jenny Beavan “Cyrano,” Massimo Cantini Parrini and Jacqueline Durran “Dune,” Jacqueline West and Robert Morgan “Nightmare Alley,” Luis Sequeira “West Side Story,” Paul Tazewell Best Original Score “Don’t Look Up,” Nicholas Britell “Dune,” Hans Zimmer “Encanto,” Germaine Franco “Parallel Mothers,” Alberto Iglesias “The Power of the Dog,” Jonny Greenwood Best Sound “Belfast,” Denise Yarde, Simon Chase, James Mather and Niv Adiri “Dune,” Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill and Ron Bartlett “No Time to Die,” Simon Hayes, Oliver Tarney, James Harrison, Paul Massey and Mark Taylor “The Power of the Dog,” Richard Flynn, Robert Mackenzie and Tara Webb “West Side Story,” Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy Best Original Song “Be Alive” from “King Richard,” music and lyric by Dixson and Beyoncé Knowles-Carter “Dos Oruguitas” from “Encanto,” music and lyric by Lin-Manuel Miranda “Down To Joy” from “Belfast,” music and lyric by Van Morrison “No Time To Die” from “No Time to Die,” music and lyric by Billie Eilish and Finneas O’Connell “Somehow You Do” from “Four Good Days,” music and lyric by Diane Warren Best Documentary Feature “Ascension,” Jessica Kingdon, Kira Simon-Kennedy and Nathan Truesdell “Attica,” Stanley Nelson and Traci A. Curry “Flee,” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie “Summer of Soul (…Or, When the Revolution Could Not Be Televised),” Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein “Writing With Fire,” Rintu Thomas and Sushmit Ghosh Best Documentary Short Subject “Audible,” Matt Ogens and Geoff McLean “Lead Me Home,” Pedro Kos and Jon Shenk “The Queen of Basketball,” Ben Proudfoot “Three Songs for Benazir,” Elizabeth Mirzaei and Gulistan Mirzaei “When We Were Bullies,” Jay Rosenblatt Best Film Editing “Don’t Look Up,” Hank Corwin “Dune,” Joe Walker “King Richard”, Pamela Martin “The Power of the Dog,” Peter Sciberras “Tick, Tick…Boom!” Myron Kerstein and Andrew Weisblum Best International Feature Film “Drive My Car” (Japan) “Flee” (Denmark) “The Hand of God” (Italy) “Lunana: A Yak in the Classroom” (Bhutan) “The Worst Person in the World” (Norway) Best Makeup and Hairstyling “Coming 2 America,” Mike Marino, Stacey Morris and Carla Farmer “Cruella,” Nadia Stacey, Naomi Donne and Julia Vernon “Dune,” Donald Mowat, Love Larson and Eva von Bahr “The Eyes of Tammy Faye,” Linda Dowds, Stephanie Ingram and Justin Raleigh “House of Gucci,” Göran Lundström, Anna Carin Lock and Frederic Aspiras Best Production Design “Dune,” production design: Patrice Vermette; set decoration: Zsuzsanna Sipos “Nightmare Alley,” production design: Tamara Deverell; set decoration: Shane Vieau “The Power of the Dog,” production design: Grant Major; set decoration: Amber Richards “The Tragedy of Macbeth,” production design: Stefan Dechant; set decoration: Nancy Haigh “West Side Story,” production design: Adam Stockhausen; set decoration: Rena DeAngelo Best Visual Effects “Dune,” Paul Lambert, Tristan Myles, Brian Connor and Gerd Nefzer “Free Guy,” Swen Gillberg, Bryan Grill, Nikos Kalaitzidis and Dan Sudick “No Time to Die,” Charlie Noble, Joel Green, Jonathan Fawkner and Chris Corbould “Shang-Chi and the Legend of the Ten Rings,” Christopher Townsend, Joe Farrell, Sean Noel Walker and Dan Oliver “Spider-Man: No Way Home,” Kelly Port, Chris Waegner, Scott Edelstein and Dan Sudick Best Live Action Short Film “Ala Kachuu – Take and Run,” Maria Brendle and Nadine Lüchinger “The Dress,” Tadeusz Łysiak and Maciej Ślesicki “The Long Goodbye,” Aneil Karia and Riz Ahmed “On My Mind,” Martin Strange-Hansen and Kim Magnusson “Please Hold,” K.D. Dávila and Levin Menekse Edited February 8, 2022 by Faulkner 0 Quote Link to comment Share on other sites More sharing options...
Members Bright Eyes Posted February 8, 2022 Author Members Share Posted February 8, 2022 Finally, Kirsten Dunst is nominated! This has been long deserved for her. And even better, Aaron Sorkin wasn't. 0 Quote Link to comment Share on other sites More sharing options...
Members DramatistDreamer Posted February 8, 2022 Members Share Posted February 8, 2022 Some of my predictions have panned out this far, but I guess I'll have to see about actual awards. 0 Quote Link to comment Share on other sites More sharing options...
Members Faulkner Posted February 14, 2022 Members Share Posted February 14, 2022 0 Quote Link to comment Share on other sites More sharing options...
Members Bright Eyes Posted February 15, 2022 Author Members Share Posted February 15, 2022 (edited) Please register in order to view this content One of those things is not like the other Edited February 15, 2022 by Bright Eyes 0 Quote Link to comment Share on other sites More sharing options...
Members DRW50 Posted February 23, 2022 Members Share Posted February 23, 2022 This is just alienating viewers for people who are still not going to watch. 0 Quote Link to comment Share on other sites More sharing options...
Members Faulkner Posted February 23, 2022 Members Share Posted February 23, 2022 Exactly. People just care less and less about these types of award shows. 0 Quote Link to comment Share on other sites More sharing options...
Administrator Toups Posted February 23, 2022 Administrator Share Posted February 23, 2022 I agree with cutting the documentary and short categories. But all those other categories are important parts of a movie and I always looked forward to those categories. Actors, directors, and producers should threaten to boycott unless those movie categories are brought back. Mark Harris is right, just produce a good show. Ratings are going to be low no matter what. 0 Quote Link to comment Share on other sites More sharing options...
Members Bright Eyes Posted February 23, 2022 Author Members Share Posted February 23, 2022 I completely agree with that first tweet from Mark Harris, but if this decision has to be made, original score should not be one of the categories. A John Williams or Alexandre Desplat and the like have a great number of fans amongst movie buffs and the score is such a huge part of the enjoyment of a film. 0 Quote Link to comment Share on other sites More sharing options...
Members DramatistDreamer Posted February 28, 2022 Members Share Posted February 28, 2022 This is a good speech. I giggled when Will Smith mentioned that the Williams/Price family would not put their names on the film until they saw the final cut ("...cuz we do be messin' stuff up sometimes"). Venus looks gorgeous Please register in order to view this content . 0 Quote Link to comment Share on other sites More sharing options...
Members Faulkner Posted February 28, 2022 Members Share Posted February 28, 2022 0 Quote Link to comment Share on other sites More sharing options...
Members Soapsuds Posted February 28, 2022 Members Share Posted February 28, 2022 I DVR it! I'm glad he won. Hope to see it later on today. 0 Quote Link to comment Share on other sites More sharing options...
Members DemetriKane Posted February 28, 2022 Members Share Posted February 28, 2022 So well deserved. And long overdue. 0 Quote Link to comment Share on other sites More sharing options...
Administrator Toups Posted March 1, 2022 Administrator Share Posted March 1, 2022 Been a fan of Will since Fresh Prince. Thought he was great in King Richard. Really hope he wins the Oscar. CODA now takes the lead in the Best Picture race. 0 Quote Link to comment Share on other sites More sharing options...
Members DramatistDreamer Posted March 1, 2022 Members Share Posted March 1, 2022 Just proof of just how quickly things can change. Speaking of how things can change quickly, I wonder if that interview that Sam Elliott did (that is getting so much backlash right now) will impact Jane Campion and/or Benedict Cumberbatch? And if so, how much? 0 Quote Link to comment Share on other sites More sharing options...
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