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I have seen little of Wally, but I always think of the backstage story Julia Barr (I think it was Julia) told where he hated his character and storylines so much that at one point he put some form of clown makeup on in his dressing room to show his feelings. -
Happy Birthday Giovanni Mazza!!Please register in order to view this content
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Understandable -
She's beyond awful. She needs to be sent away. We know that's not going to happen. -
I knew that was the Manhattan skyline in the background That’s one of the best parts of this; their relationship can go either way. Though I’m hoping that they’ll eventually find their way back to each other
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I don't remember ANYTHING with Devon and Cliff! I do remember Liza fixated on him (around the time Angel Haining took over the role briefly as Marcy Walker left for Santa Barbara!), but not a thing about Devon. Shows how memorable it was. LOL! I do have a very hazy memory with Devon and...Wally, was it? I think that was his name, Devon's husband! (Mom watched AMC from jump, and wee little me got into it!) But I do remember poor Tricia Pursley just played Devon as a sad sack. -
By Gatecrashers · Posted
Since we need to see Tide placed in the show at least 4 times a week, Derek should be acknowledged as what happens when one accepts the Tide Pod Challenge. -
No mention of Hope and Carter's Insta romance? I skimmed through today's episode. It was a status quo, pointless episode.
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By Paul Raven · Posted
I agree that the costume designer has done well in giving characters a specific look-I just don't like Kat's! But I will concede defeat on this one... Now that the show is well established I am thinking about some of the choices mad re occupations and settings. I don't expect a soap to be a documentary but the workplace can be fertile ground for story, character interactions and to add a sense of realism. It's getting a little Y&R with people meeting up at eateries. Making Derek a firefighter seems pointless-he should have been a cop working with Jacob.Would have given him more airtime and purpose. Martin is supposedly an up and coming politician but we have no evidence of that. Maybe his office should have been a set-and some other characters work there. Jan could have worked there in some capacity, or maybe Ashley instead of being a nurse. Vernon could spend time there offering his expertise-which could lead to conflict with his grandson. Same with the Real estate business-we don't see Vanessa in that role. She would have more credibilty if we saw her at work. Ashley or Smitty might work there etc, with discussions of the business -listings, attending viewings etc Andre does real estate photography. Maybe Naomi could work for her father and they could have workplace battles. Discussing cases with Tomas and her dad. And we need to see Nicole at work. Finishing up with a client etc And for Chelsea and Kat some actual evidence of setting up the'purse line' Realizing how difficult it is to get a foothold. I like the idea of having a server at Orphey's being a wise 'talk to' for various characters. Just more effective use of the characters... What are your thoughts after several months of shows? -
Finally, Days is a soap opera about drama. Wednesday's episode is soapy goodness.
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By Contessa Donatella · Posted
https://www.vulture.com/2018/06/day-of-compassion-aids-tv-special-history.html In the spring of 1992, One Life to Live sent two of its newest characters on a collision course. The small fictional town of Llanview could be a tough place to be queer, and as rumors began to circulate about young Billy Douglas (Ryan Phillippe, in his first-ever screen role), Reverend Andrew Carpenter (Wortham Krimmer) was a rare sympathetic ear for the teenager. Some Llanview residents eventually opened their minds and put aside their bigotries, though Billy’s father wouldn’t do the same, and the story line culminated in Reverend Carpenter bringing a portion of the Names Project AIDS Memorial Quilt to Llanview, to which he added a panel for his brother, a gay man who died from AIDS-related complications. Watching from home, a young actor named Neil Tadken was inspired. HIV had been decimating marginalized populations (particularly queer people of color, trans people, and sex workers) for over a decade, but it was still mostly taboo in scripted television. If One Life to Live could bring the AIDS crisis to the airwaves, why couldn’t more shows? And why not all at once? Tadken began writing letters and making phone calls, and a year later, on June 21, 1993, the Day of Compassion was born: a day where AIDS and HIV-related programming could be found on multiple daytime TV shows across multiple channels. This Pride month marks the 25th anniversary of the project. [See the link for the rest. Too long to paste in.]
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