Jump to content

GH Actress Now NOT Leaving?


Wendy

Recommended Posts

  • Replies 96
  • Created
  • Last Reply
  • Members
Posted

+1.

I have mixed feelings about this. On one hand I am EXTREMELY thrilled that all of us rabid Becky fans hounded them like we did. It obviously made a difference. And I'm glad the A-Holes behind this decision finally have to admit they've made a mistake.

Part of me is thrilled Liz is staying. But another part of me knows she won't be given any treatment and I wouldn't be surprised if she gets the true-vet treatment now. I do want better than that for Becky.

Oh and as for Becky "phoning it in"...No. Becky has been given some SHITTY material over the last few years, but she's acted the hell out of it.

Mixed bag. But good for Becky. As a mother of three, I'm sure she needs the steady income.

  • Members
Posted

Give them time. I admit that I'm very curious what the after effects of this will be especially since we know that GH is the soap that had it's budget slashed. (That's been confirmed right?) I assume she's taking a pay cut because it's pretty obvious that everybody at ABC is.

I was trying to think of the last time a fan campaign worked to reverse a firing and the only one I can think of was Nathaniel Marston on OLTL.

  • Members
Posted

I wonder if they will take RH and others off contract with the understanding that they will get steady work. There is only so much salary that GH can cut from salaries and production values.

  • Members
Posted

I think under a capable and truly talented writer, Liz could be much more than she is right now under Guza. She is a Weber for christ sake.

Awww.....I was awaiting to hear that Herbst had been cast on DAYS as the new Taylor :lol:

  • Members
Posted

Liz has always gotten on my nerves, aside from a year or two in the late 90s, but you can do a lot with her as a character. She can be a plot agitator, she can play romance, she can play feuds, she can be the mother, she has ties to all of the show's "heroes."

There are many characters GH could write out with no real impact. Nik being #1 on my list. Spinelli. Jax. Ethan. Lucky. Siobhan. Lulu. The sad joke that has become Maxie. Alexis, although NLG is great. I don't think that Kristina or Molly would be a big loss either.

That's just counting people on contract - although if Sonny's annoying bodyguard is on contract I would like him to go too.

(I would also be happy to see Luke, Jason, and Brenda/Sonny go, but that's not happening).

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.


  • Recent Posts

    • I still am baffled by why Monty brought back stunt hire Gerald Gordon in the early '80s out of nowhere for like a year. I haven't found anyone who can come up with a thing he did in that second stint of note.
    • It's interesting to watch this having watched The Doctors. I'm not sure I'm seeing that much of a difference in the characters Gerald Gordon and Anna Stuart played on The Doctors and what they're playing here.
    • I keep forgetting a huge chunk of that year was written by scabs. You're probably right, because by the time the strike was over, they were likely planning an exit for Alan's character as it must have been obvious by then that Bernau was not going to return. If he was still there, it's also doubtful they would have approached MZ and MG about coming back. Wild.
    • And to think the original plan was for David and Lesley to have an affair.  Not only would that have made no sense - Lesley wasn't THAT stupid, lol - but it also would've ruined her and GH.
    • Please register in order to view this content

       
    • Week ending March 5 1978 Second season shows are tested CBS finishes first week in March with stronger than usual 1 9.5, but not enough to beat ABC The prime -time ratings pattern continued to hold steady for the week ended March 5, and attention increasingly turns to second season entries as the networks probe one another's weaknesses or cover their own. As usual, ABC -TV won the week, scoring a 20.5 average rating. But CBS -TV was closer than usual with a 19.5 average garnered with the help of several strong specials and movies in addition to some of its dependable series regulars. NBC followed its habit of plummeting when its "évent "entries failed. In this case it was the miniseries, Loose Change, which scored only 24 and 22 shares on Monday and Tuesday, leaving the network with a 16.9 average rating for the week. Looking at new series and new time slots, ABC's Six Million Dollar Man on Monday (8 -9 p.m. NYT) continued to falter with a 22 share, while What's Happening, in its new slot on Saturday (8 -9 p.m.), also remained shaky with a 23 share. Starsky and Hutch is still healthy with a 38 share in its new slot following Charlie's Angels on Wednesday, and How the West Was Won also had a 38 on Sunday (8 -9 p.m.). Against West CBS's Rhoda and On Our Own came in poorly for the second week in a row of face to face competition, with each pulling 25 shares after a 41 share lead in from 60 Minutes. ABC's special two -hour presentation of the upcoming series tryout, Having Babies, scored a 27 share on Friday (9 -11 p.m.) against strong competition from both the other networks (the movie "Ski Lift to Death" on CBS and Rockford Files and Quincy on NBC). For CBS, its new Monday night leadoffs, Good Times and Baby I'm Back, scored so -so 27 and 28 shares respectively. But the second half of the night had its best performance since the new line -up came in- M *A*S *Hwith a 45, One Day at a Time with a 41 and Lou Grant with a 36. Celebrity Challenge of the Sexes and Shields and Yarnell showed no signs of reviving on Tuesday, with 16 shares each, but the new Tuesday movie slot held up with a 41 share from Clint Eastwood's "Magnum Force." The network's entire Saturday line up continued to limp in, as Bob Newhart Tony Randall, The Jeffersons, Maude and Kojak all scored sub 30 shares (with the exception of Newhart's 29, in fact, all scored sub -25 shares). NBC premiered its new Chuck Barris Rah Rah Show on Tuesday (8 -9 p.m.),when it pulled a 24 share. The second episode of Quark had a 27, three points down from its premiere. There might be the temptation to conclude that the 29 share turned in by the National Love, Sex and Marriage Test on Sunday (9:30 -10 p.m.) proves the appetite for "sophisticated" subject matter is not insatiable after all, except that its competition was not only CBS's strong comedy block but also ABC's rerun of "The Way We Were," which pulled a 35 share. Of NBC's other midseason entries -CPO Sharkey, Black Sheep Squadron, James at 16 and Class of '65 -CPO Sharkey turned in the highest score of the week, a 27.   *NBC were in dire straits at this point relying on movies and specials which could hit or bomb in equal measure.  Fred Silverman had his work cut out for him when he arrived that Summer. He favored sitcoms and series as the schedule's foundation and NBC had no sitcoms to build on and few solid series. He also had a big backlog of specials/mini series that had been committed to air. Also NBC had a long standing relationship with Universal so he was forced to work with that studio. He struggled to get quality producers on board as they were either tied into deals with ABC/CBS or were wary of having their shows on the 3rd rated network. He still felt variety had a place on the schedule however and that lead to duds like Susan Anton, The Big Show and Pink Lady and Jeff.
    • Please register in order to view this content

       
    • I spent years hoping we would get an oral history like the OLTL book, but it’s too late now with so many having passed away.
    • It’s also strange that it was Monica! I just don’t think of her as the staring off into space type of woman! I watched a bunch of other clips and stuff from random 1978 and 1979 episodes. I’m so used to seeing movement from Monty’s era, especially the early part, that this really is a cool relic. Pretty soon you have scenes start at the new nurses station, the elevators opening and doctors walking to the desk to get their messages from Jessie or Bobbie. People often walk towards doors while taking coats on or off, many Webber house scenes start or end with someone walking up the stairs. This episode is even more static than some of the way earlier ones I have seen, where you would have Steve or Jessie at least going from the old school nurses desk to the medicine room, Steve’s office, etc. That bland dialogue is very much like what they have now. The show picks up a lot of personality. Knowing what we know about David Hamilton and how that really started to get the ball rolling as far as viewers you really see just how vital Lesley and especially Laura were to get things moving for them. They focused on the right characters to get fast results. The show now could learn a thing or two from this.
    • It won't allow me to watch it via the link; I am only able to watch it with the app.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy