Jump to content

Edge of Night (EON) (No spoilers please)


cct

Recommended Posts

  • Replies 2.2k
  • Created
  • Last Reply

Top Posters In This Topic

  • 1 month later...
  • Members

Given that it is the 36th anniversary of the final episode, let's discuss our memories of the finale. 

 

Many cite the finale as the best soap ending in the genre, which is admittedly a lot to live up to upon repeat viewing. I just rewatched it and I was left as excited by the cliffhanger as I was upon my initial viewing.  It is remarkable that they built entire new sets for Miles's Honeymoon Suite and Wonderland Lane as the show was ending.  I always loved the EON score, so to hear the music cue at the end of episode sent chills up my spine. However, I was left with a few questions: Was Laurie Karr brought back once they knew the show was cancelled or were there larger plans for the character?  Why wasn't she in the final episode? And how would Jody know who she was when Mike mentioned her at the wedding?  Regardless of those nitpicks, I still enjoy the episode and I think it deserves its iconic status.

 

Please register in order to view this content

   

Edited by j swift
Link to comment
Share on other sites

  • Members

I had mentioned in the thread for The Doctors that Retro TV had reached out to Procter & Gamble about acquiring the rights to their soaps.  P&G advised that they were no longer licensing their shows.  More recently, the person from Retro who was involved in this said that EON was the soap they were interested in acquiring. 

Link to comment
Share on other sites

  • Members

Eh - it’s likely not “easy money.” Those shows may have issues with residuals. They haven’t been rerun in over 30 years and the original tapes likely need to be reformatted/digitized, and someone needs to review the episodes to make sure all the elements are cleared for broadcast. And P&G doesn’t produce much/any TV right now, so they’d have to hire people to do this. Retro is a small outfit and they’re not going to pay a lot. It may not be worth P&G’s time, from a business standpoint.

Link to comment
Share on other sites

  • Members

Retro didn’t do anything but license “The Doctors.” SFM, a syndicator that has been around for years, distributes the show and did all the heavy lifting in terms of digitizing and clearing those episodes. This is SFM’s business model; they distribute a lot of older TV shows, and they have a staff in place to do all of this.

 

P&G, on the other hand, doesn’t have a distribution arm for its back library and likely doesn’t have an in-house staff to prep and clear the shows. They are focused on their higher-margin consumer goods business. On top of all of that, most if not all episodes of “The Doctors” were made before residuals were built into the actors’ contracts. The available episodes of EON were mostly made after residuals became standard, so that further decreases the potential upside. Different situation.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I know Passions used this trope with Ethan and Sam to drag out the paternity, but GH seems to speed through certain stories while dragging others.
    • For any other soap, I think I’d agree, but GH, I don’t know

      Please register in order to view this content

    • Agreed, that there was some strange choices in the episode, especially at the end, but overall, that was some great drama that opens up the potential for so much future storyline. Kat vs. Eva having the most potential, especially over Tomas. I have mixed feelings about Martin/BC though. I thought he did pretty well in scenes with Smitty/MM, but the scenes of him confronting Leslie and of him throwing the books were bad lol she acted circles around him.  It’s similar to what Harding Lemay said about George Reinholt at AW; he could be brilliant in one scene, but then mediocre in the next. 
    • I know some of y'all really like Brooke Kerr, and so I've tried to give her a shot, despite her frequent flat line readings and distracted "did I leave the front door unlocked?" facial expressions. But lord, she is so bad at playing a tough-talking badass that I was actually rooting for Brad today to spill the beans to Drew. 
    • Googling does tend to ruin it.  For those of us who were teens in the late 1970s and early 1980s, you can't imagine how much fun it was to watch the show in the afternoons.  (It came on right after school.)  There weren't any "spoilers" at the time.  We would always try to anticipate how each crime and each mystery would be resolved, and we were ALWAYS wrong, because the stories are filled with so many weird twists and turns.   The head writer (Henry Slesar) and his dialogue writer (Steve Lehrman) invariably toss genuine clues directly into your face in the most unlikely ways, but then they provide a host of "red herrings" to completely confuse you and send you off on the wrong path.  Once the story reaches its conclusion, all you can think is Why didn't I figure that out weeks ago?  lol
    • Does the vault have the original scene and not the short flashback?
    • I appreciate that you are using AI with the knowledge of it's limitations. Some posters take everything it produces as fact.
    • And of course Mama Ru herself appeared on All My Children.
    • The Saturday 8pm slot usually had the lowest rating of the NBC 4 sitcom lineup for some reason. NBC let Saturday night fizzle, They used 9.30 pm to launch 227 and Amen, both of which moved to earlier in the evening but they  kept Empty Nest following GG for several seasons.  Empty Nest should have moved to 8pm with their strongest new sitcom at 9.30, anticipating that GG would eventually falter. Instead they left them there and stretching the sitcom pool too thinly on other nights. When Grand talk over at 9.30 Thurs maybe Night Court and Wings could have been used on Saturday.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy