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She told Vanessa to "DOUBLE her offer" on the Jarvis house. The Jarvis family accepted the doubled price. Assuming the house has an appraised value of $2,000,000, she's theoretically paid the Jarvis family $4,000,000 for the house. The bank would loan Leslie 80% of the appraised value ($1,600,000), and Leslie had to pay the balance with cash at closing --- $2,200,000. She only had ONE million. Where the hell did she get the rest?! And now she's got contractors working on the house all day & half the night. Who's paying THEM? I keep thinking all this will crash around her. Either that or the writers have absolutely no idea the limits of a million dollars. Sounds like a "lot of money", but it obviously ain't when we look at Leslie's spending since she got that million dollar check in August. -
By slick jones · Posted
Maree Cheatham pg. 403Please register in order to view this content
MATLOCK Sister Peggy (1) 2025 Ray Wise pg. 428 movie THE WOLF IN THE WELL Roland Carmel 2024 THE NAPA BOYS Officer Toland 2025 PodCast HAVOC TOWN Josiah Abbess 2025 -
Vernon is an idiot. Why would he have Sharon in the same hotel that Leslie is staying at? -
By Paul Raven · Posted
Yes, that out of the blue return was odd. Maybe GG found a forgotten clause in the contract he signed when he was wooed to ABC and they were forced to take him back! Like George Reinholt he talked about the contract that promised him primetime roles. But it was loaded in the networks favor. I think it was Gloria Loring that re-signed at Days on the promise of primetime opportunities, but that was all it was- she was put up for guest spots and TV movies but not necessarily guaranteed that she get the role. -
I still am baffled by why Monty brought back stunt hire Gerald Gordon in the early '80s out of nowhere for like a year. I haven't found anyone who can come up with a thing he did in that second stint of note. -
It's interesting to watch this having watched The Doctors. I'm not sure I'm seeing that much of a difference in the characters Gerald Gordon and Anna Stuart played on The Doctors and what they're playing here. -
I keep forgetting a huge chunk of that year was written by scabs. You're probably right, because by the time the strike was over, they were likely planning an exit for Alan's character as it must have been obvious by then that Bernau was not going to return. If he was still there, it's also doubtful they would have approached MZ and MG about coming back. Wild. -
And to think the original plan was for David and Lesley to have an affair. Not only would that have made no sense - Lesley wasn't THAT stupid, lol - but it also would've ruined her and GH. -
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By Paul Raven · Posted
Week ending March 5 1978 Second season shows are tested CBS finishes first week in March with stronger than usual 1 9.5, but not enough to beat ABC The prime -time ratings pattern continued to hold steady for the week ended March 5, and attention increasingly turns to second season entries as the networks probe one another's weaknesses or cover their own. As usual, ABC -TV won the week, scoring a 20.5 average rating. But CBS -TV was closer than usual with a 19.5 average garnered with the help of several strong specials and movies in addition to some of its dependable series regulars. NBC followed its habit of plummeting when its "évent "entries failed. In this case it was the miniseries, Loose Change, which scored only 24 and 22 shares on Monday and Tuesday, leaving the network with a 16.9 average rating for the week. Looking at new series and new time slots, ABC's Six Million Dollar Man on Monday (8 -9 p.m. NYT) continued to falter with a 22 share, while What's Happening, in its new slot on Saturday (8 -9 p.m.), also remained shaky with a 23 share. Starsky and Hutch is still healthy with a 38 share in its new slot following Charlie's Angels on Wednesday, and How the West Was Won also had a 38 on Sunday (8 -9 p.m.). Against West CBS's Rhoda and On Our Own came in poorly for the second week in a row of face to face competition, with each pulling 25 shares after a 41 share lead in from 60 Minutes. ABC's special two -hour presentation of the upcoming series tryout, Having Babies, scored a 27 share on Friday (9 -11 p.m.) against strong competition from both the other networks (the movie "Ski Lift to Death" on CBS and Rockford Files and Quincy on NBC). For CBS, its new Monday night leadoffs, Good Times and Baby I'm Back, scored so -so 27 and 28 shares respectively. But the second half of the night had its best performance since the new line -up came in- M *A*S *Hwith a 45, One Day at a Time with a 41 and Lou Grant with a 36. Celebrity Challenge of the Sexes and Shields and Yarnell showed no signs of reviving on Tuesday, with 16 shares each, but the new Tuesday movie slot held up with a 41 share from Clint Eastwood's "Magnum Force." The network's entire Saturday line up continued to limp in, as Bob Newhart Tony Randall, The Jeffersons, Maude and Kojak all scored sub 30 shares (with the exception of Newhart's 29, in fact, all scored sub -25 shares). NBC premiered its new Chuck Barris Rah Rah Show on Tuesday (8 -9 p.m.),when it pulled a 24 share. The second episode of Quark had a 27, three points down from its premiere. There might be the temptation to conclude that the 29 share turned in by the National Love, Sex and Marriage Test on Sunday (9:30 -10 p.m.) proves the appetite for "sophisticated" subject matter is not insatiable after all, except that its competition was not only CBS's strong comedy block but also ABC's rerun of "The Way We Were," which pulled a 35 share. Of NBC's other midseason entries -CPO Sharkey, Black Sheep Squadron, James at 16 and Class of '65 -CPO Sharkey turned in the highest score of the week, a 27. *NBC were in dire straits at this point relying on movies and specials which could hit or bomb in equal measure. Fred Silverman had his work cut out for him when he arrived that Summer. He favored sitcoms and series as the schedule's foundation and NBC had no sitcoms to build on and few solid series. He also had a big backlog of specials/mini series that had been committed to air. Also NBC had a long standing relationship with Universal so he was forced to work with that studio. He struggled to get quality producers on board as they were either tied into deals with ABC/CBS or were wary of having their shows on the 3rd rated network. He still felt variety had a place on the schedule however and that lead to duds like Susan Anton, The Big Show and Pink Lady and Jeff.
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