Jump to content

Actors & Actresses who were Divas/Difficult on their soap sets


Recommended Posts

  • Replies 166
  • Created
  • Last Reply

Top Posters In This Topic

  • Members

Well, he showed up high on coke to the set before Jane (rightly) reprimanded him. He was in a serious crash on a racecar track, despite the producers warning him not to race cars. He had a relationship with Kathleen Kinmont, the real life daughter of his FC mom Abby Dalton. He got another woman pregnant, dumped Kathleen and married his son's mother (the first of upteen wives), divorced her and eventually married and divorced Kathleen.

 

I think that's the jist of it. I read some of this in the book Soap Opera Babylon by Jason Bonderoff, published in 1987.

Link to comment
Share on other sites

  • 2 months later...
  • Members

 

Then you're the last person left online who hasn't. Not only did Ehlers flame out at AMC after publicly disrespecting a war veteran who upstaged her, Kim Zimmer all but named BE in her memoir, basically confirming the many, many rumors about BE and her relationship issues with some of her costars. You should know them since they started circulating over 20 years ago and continued until she quit GL.

Edited by Vee
Link to comment
Share on other sites

  • Members

Re Susan S Hayes - portion of 1987 SOD interview,talking about them working on separate shows (DOOL/Y&R)

 

SSH -But there is less tension now,absolutely less tension for me.i had a tendency to be more protective and concerned about  Bill than myself. No particular reason to be, he can take care of himself. it probably has a lot to do with the fact that i was an only child and Bill was the first family of my own. I wanted everything perfect for his working conditions. So I'd magnify everything by 50 per cent. If  something was wrong for me or, even worse if I thought something was wrong for you...

 

BH ... and usually I wasn't even aware of it...

 

SSH...I'd get  upset because there were two people involved. Mostly this was my own fantasy. I can admit that now. But Y&R is a show for me. And my first promise to myself was that I would never be that...concerned again. I would do my own work. i would not make judgements on how the script was going, how my character was going, how I looked, whether or not I was getting my quota of shots, whether the shots were from the right angle, whether the director knew what he was doing or whether anybody was paying attention to the integrity of my character

 

BH (teasing) Whew! That was a lot of tension.

 

SSH (touche) Fortunately, I'm working on what is probably the best soap opera in production today with a staff that's outstanding, professionally and a man (Bill Bell) whose  brains and integrity could never be questioned....

... There's something else I want to say. When I signed on to Y&R I made a vow. I was determined to go in with a smile and a happy expression and say 'Good morning' to everyone. It's no secret that our last few years on Days weren't our favorites. I wasn't doing a lot of smiling back then...

 

Link to comment
Share on other sites

  • 4 months later...
  • Members

 According to Mary's autobiography, Both of Me, the blowup happened during the summer of 1974.  Mary walked into rehearsal one morning and Tony was already upset about the script. She said she would fix it,  He flew into a rage and threw the script at her.  It lasted ten or fifteen minutes.  They could not rehearse.  She stated she was so upset, she cried all morning.  And he called her an ugly name as they were walking into the scene on air.  She felt a few word changes would shift emphasis, making Tony the strong one.  She had done so in the past and it had worked for both of them.  Tony and Mary according to her did not have anymore cross words, but the situation destroyed the chemistry they had.  I have read that passage many times and have read about Tony having diva like behavior when he was in Hollywood.  Tony wanted out of SFT by that time and this was probably the straw that broke the camel's back.

 

Edited by hendersonite
misspelled words and emphasis
Link to comment
Share on other sites

  • Members

The more I have read in recent years about behind the scenes of Dallas, a lot of people seem to not care much for Victoria Principal. I read an interview with John Beck (Mark Graison) from a few years ago and he came out and said point blank he preferred working with Linda Gray more than Victoria. He had good things to say about most of the cast.

 

 

Link to comment
Share on other sites

  • Members

Omg, yes! I had a feeling and it may be completely wrong that there was some unspoken tension between Linda Gray and Victoria Principal. VP never reprised her role in the films or reboot even though she was offered the role. The two never acknowledge each other on their insta accounts on any of their flashback posts even though both have acknowledged other cast members. Also, other things I've read gave off that impression but it wasnt anything concrete. I did read that BTS LG was much friendlier than VP, not that VP was rude but she was more standoffish. 

Edited by GLATWT88
Link to comment
Share on other sites

  • Members

Linda, Patrick and Larry were tight. They were very close offscreen. There were rumors that Larry couldn't stand Victoria. After Victoria left in 1987 she only showed up for one of the reunions and I think she only did as a favor to Patrick. She didn't do the series final episode because VP said she hated the script. I hadn't heard about John Beck but I assume she missed Patrick and that's why the less than friendly attitude towards him.

Edited by Soapsuds
Link to comment
Share on other sites

  • Members

Speaking of Dallas, I think I’ve read Susan Howard really got “extra” during her later years on the show to the point most of the cast said good riddance. I’m not sure if it was the religious/politics activism she was engaged in but didn’t she quit calling her storylines immoral or something? I think it’s only been recent she’s even gotten involved in doing a couple Dallas related reunions.

Link to comment
Share on other sites

  • Members

I remember it being storylines she refused to do. After the dream season the writers had lots of story for her but she refused all of them. One of them I believe was cheating on Ray. She basically did nothing her last season. She was in Washington most of time doing nothing. Since the writers couldn't come up with a story for her they let her go. But the writers implyed that she was leaving Ray for the senator...lol

 

I believe she did get along with cast that wasn't the problem.

 

Edited by Soapsuds
Link to comment
Share on other sites

  • Members

I've always assumed Susan Howard was "let go," because she defended Philip Capice, whom Larry Hagman held responsible for the show's sagging ratings during the "dream year."

Link to comment
Share on other sites

  • Members

I ran across a 1979 interview with Linda Gray. She mentioned the rumors of jealousy between her, Victoria and Charlene. It was implied the tension was because the Sue Ellen character was dominating storyline. She denied the rumors, but mentioned she threw a big party at her ranch and invited the Dallas cast. Victoria and Charlene did not attend, but later phoned apologizing and giving excuses. 

 

I assume Charlene was part of the tight knit group of Linda/Larry/Patrick. Larry became kind of a surrogate father to Charlene since she was in and out of foster care most of her life. 

 

Victoria is a mystery. Some people have nice things to say about her, but a lot of people describe her as cold, aloof, distant etc...Joan Rivers hated her guts and ripped her apart every chance she got. The Gibb family blamed her for Andy's troubles after he and Victoria broke up. There were also domestic violence stories with her ex husband and the story of her pulling a gun on her maid. Patrick Duffy once did an interview where he told Sheree J. Wilson that Bobby & April were a true love story and that Bobby/Pam was a mess.....LOL I laughed at that John Beck interview. He said he wished he had worked with Linda more and they were both hoping that would happen. He just described Victoria as professional. I don't think Morgan Brittany has ever described her working relationship with VP. 

 

 

 

 

Link to comment
Share on other sites

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Thanks @Paul Raven  That Grainger story always reads like hog-wild melodrama, not very similar to the more subtle stories for Rita in her last few years. I wonder how Lenore played the material.
    • More from 1976 Lynn, apparently making every effort to overcome her alcoholism, accepts a baby-sitting job. However, when the baby starts crying, Lynn begins to get nervous and takes one drink, then another. By the time Bruce and Van arrive home, Lynn is on the floor, ineffectually trying to find the doctor’s number, sure the baby is ill. When the mother arrives; she vows to let everyone know what goes on in the mayor’s house.Bruce insists that Lynn has to go, but Van, learning that Lynn can’t remember drinking the cooking sherry, calls Joe to report Lynn’s blackouts. Joe wants her institutionalized but gives in to Van’ s pleas that Lynn needs loving attention. Eddie has sent some of Felicia’s work to a New |York gallery owner and reports to Charles that Lisa Cooper wants to exhibit Felicia’s work. Charles refuses to tell her this and later admits he feels he has “cowed”her attention because of his being confined to a wheelchair. What Charles doesn’t say is: that he’s plagued with fears she’ll leave him for another man. Felicia is exuberant as she starts painting again. She tells Charles how she feels about it, but, jealous of anyone or anything that takes attention from him, Charles tries to undermine her confidence. Eddie finally professes his love for her. He will be happy to step forward if she will only let Be and admit that they belong together. Charles tries to stop Felicia’s ‘trip to New York by making her doubt her own work, and when that fails, he finds business reasons at his bookshop to keep Di, his ex-wife, who is running it for him, from accompanying her. Felicia finally decides it’s not going to work and tells Eddie they might as well call it off. Instead, he arranges for Lisa Cooper to come to Rosehill. Charles is rude and insulting to Lisa when she arrives at the house to view Felicia’s work, and his derogatory remarks about shady gallery dealings prompt Lisa to tell Eddie that living in such an atmosphere could permanently stunt an artist’s development; if Felicia is subjected to this indefinitely, it’s not even worth Lisa’s while to take her on as a client. Felicia finally decides she can’t be torn apart any longer and must accede to Charles’s demands. She tells Eddie her career is over and she won’t paint any more, breaks down in his arms, crying bitterly, then pulls away, unwilling to acknowledge that her feelings for him are deeper than she dare face. Charles is delighted when she prepares to dispose of her art supplies, insisting everything will be fine once she has accepted that this part of her life is over. But she cannot do it. She promises him that he can set the limits and terms, but she must paint. Arlene discovers that her mother is planning to avoid the surgery she needs, and the accompanying medical bills, by leaving Rosehill and moving in with her sister Dorothy out west. Arlene manages to prevent this by calling her aunt and telling her the truth about Carrie’s condition. Dr. Tom Crawford has been footing the costs of Carrie’s presurgery tests, but Arlene knows that Carrie won’t like this. So she tells Carrie that David Hart, the son of Meg’s late husband, the former mayor, has heard about their plight and forwarded the money as a gesture of friendship, to be repaid when possible. To convince Carrie that she does indeed have the money, Arlene asks Ray to just lend it to her for a few hours, so she can convince Carrie and then immediately return it. Ray instructs her to get dressed for a night on the town and takes her, out implying that the money will be waiting at the end of the evening. When Ian Russell happens to join them, Arlene doesn’t suspect anything is afoot, but when e Ray suddenly leaves, she becomes furious, realizing what he’s done. But she finds Mr: Russell a distinguished and cultured man, and decides there’s no harm in having a drink. After cocktails and stimulating conversation, Ian suggests that they go to his place, and Arlene agrees. But when they get there, Ian matter of factly suggests that they skip the preliminaries and get on with it. Ian is embarrassed and annoyed to discover that Arlene is not a professional call girl and that Ray didn’t explain to her the purpose of their |meeting. He is apologetic and solicitous, until Arlene, explaining why Ray felt he could pull this on her, mentions her sick mother in need of an operation. Ian starts to laugh at this overworked standard line, and a livid Arlene storms out of his apartment. Thinking it over, Ian decides he’s more intrigued with Arlene than he is annoyed at Ray, and calls Ray for her telephone number. But Arlene is not delighted to hear from him, and he has to use a good deal of soothing charm before she agrees to have dinner with him at one of the better local restaurants.During dinner Ian again apologizes for his mistake, and he gives Arlene a diamond pendant as a token of his gratitude for her forgiving him. Ray arrives to interrupt an otherwise enjoyable evening with a business matter, and quietly reminds Arlene that Ian is his customer and she’s not to cut herself in with him. At home, Arlene examines the pendant and is convinced that it’s genuine. She hides it in her dresser drawer, unable to bring herself to show it to her mother.
    • LOL!! That's funny.  I actually thought he got a little better.

      Please register in order to view this content

    • Oh God, she's back? I thought those first scenes were well-intentioned but hysterical.
    • More Guiding Light 1976 At dinner the next evening, Grainger tells Rita he still can’t understand why she inherited from his father and he’s hired a lawyer to help him discover what her role was in his father’s death. Telling her he knows she lied to him, he again warns that he will destroy her reputation in this town. As Rita insists she’s done nothing wrong, Grainger, growing even more angry, lashes out, “Ill see you charged with m—”. Suddenly he clutches his head and collapses to the floor. As people rush to help him, Rita quickly slips out of the restaurant. Grainger is rushed to Cedars and treated for stroke. Rita is even more frightened and upset when it appears that he’s going to recover under the excellent treatment and care of Ed, who is assigned as his attending physician, and Peggy, who is a fine specialty nurse. Rita, drawn by an unseen force to his door, is further shaken when Peggy, seeing her, presses her into temporarily spelling her so she can take a short break. Ed is determined to come to Rita’s aid, as she did his, and brings a big steak for dinner to her apartment. But Rita is too unnerved and shaky to even be with Ed, and disappoints him by asking him to leave before dinner, explaining that she’s extremely tired. Ed knows it’s more than that, and is doubly determined to help her out of this depression, but when she starts to cry, he leaves her, as she wishes. Roger, remembering how Grainger fired him from the oil fields for- being a friend of Rita’s, is disappointed to learn that Grainger has come out of his coma and that Ed feels Grainger’s paralysis and inability to talk may just be temporary. Rita is pressed to assist Tim with a spinal tap on Grainger, and is frightened when her presence causes Malcolm’s pulse rate to rise rapidly. His doctors are unable to understand his rapid pulse changes. Rita tells Roger why Grainger is so hateful toward her. While she was his father’s special nurse, Malcolm made physical advances toward her and she fought him off. His father noticed her bruises~and instantly guessed his son had manhandled her. The old man then swore to her he’d never forgive Malcolm for this cruelty. Roger again warns Rita that nobody is to know about his connection with her and with the Graingers. He fears that if Peggy learns about it, she will leave him.  Ed continues to press his concern and support on Rita, and while it helps to a certain degree and she’s grateful, Rita can’t bring herself to tell him what the source of her worry is. Each day, as Grainger rallies a bit more, her fear and tension increase. Finally, Grainger is able to barely murmur, “Lie... father ... Rita,” to Peggy and manages to crudely letter “RITA S” on a pad of paper. Peggy, assuming that Rita has somehow managed to get Grainger to respond, summons her to the hospital in the hope that she can further stimulate him and thus hasten his recovery. But a major catastrophe, a train derailment, - has immobilized the entire area, and Cedars, as well as all local hospitals, is being overrun with patients. Even though she’s off duty, having served her full shift, Rita is pressed into distributing the patients’ medication. Peggy, explaining that Grainger has already had an accidental delay of medication, which could have caused a major setback, must receive his dosage exactly on schedule. The sight of Rita again agitates Grainger, but she finishes her extra duty and returns home, drained and oversensitive as well as exhausted. When the regular nurse does her usual check, she finds Grainger lying over the side of his bed, unconscious. She issues a “Code Blue” call for the emergency team, and Steve, there almost immediately, starts resuscitation and then gives adrenalin, right into the heart, but Grainger is dead. As soon as he hears, Ed rushes to Cedars in amazement. This is all impossible to him, as he saw Grainger’s recovery as a certainty. He immediately institutes an investigation to determine the cause of death. Roger, told by Peggy what has happened, notifies a stunned Rita just before Ed arrives to question her about everything she can remember about the last time she was in Grainger’s room. Rita, unable to understand what’s happening around her, breaks down in tears, crying that she could be responsible for his death. Ed comforts her, assuring her that he’s not blaming her, just trying to find out what happened.    
    • Carly, considering Robin's daughter as a possible daughter-in-law .... I think the technical term for it would be "plotz"! Or to put it another way, the top of her head would explode!  

      Please register in order to view this content

    • What AW stories do you think of as DOOLish? I mean AW, in a very positive way was KNOWN for its comedic elements. From Iris's maid, Vivian, to the naming of plants, to highjinks with Cass, Felicia, Wally & even Lily, plus remember Dee Evans & Tony the Tuna? In a way at one time DAYS had similar with Caliope & Eugene. 
    • Were those reasons to do with having younger children on set? Other shows seem to manage. The ageing up of the kids has been one of the mistakes the show has made.
    • I agree.  Lemay was supposed to start in early 88 and we saw some of the writing on the wall with character reference from the past.  Notably, the core families Frames, Cory, Matthews.  The stupid Reginald Love was wrapped up.  Not even a year later Mary was written out of the show along with Vince and the McKinnons who came and left .  The previous writers tried to introduce a new family that never aspired with the viewers.  1988 was focused on the 25th anniversary of show in 1989 and suspect why Lemay was asked to come back in 88.  Prior to 1988, the storylines were so DOOL stupid.
    • That's true. He may have ended up keeping her on a recurring basis, like Dr. Michaels on ATWT. I'm trying to remember if GL had a similar long-running therapist.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy