Jump to content

Y&R Debuts New Opening Credits


Recommended Posts

  • Replies 110
  • Created
  • Last Reply
  • Members

LOVE most of it! The diamonds falling in the background of Nikki's shot, the champagne glasses clinking in the background of Ashley's shot (ironic since the bish can't get a love interest), it's giving me LIFE. I like the paint stroke effects and the background shots related to the character posing. My only criticism is the very generic font used throughout and the fact the "The Young and the Restless" text is so high up for the title card instead of being centred on the screen, And the reuse of the headless woman, if that was a motif they wanted to keep they could have easily reshot with one of their countless female starlets rather than use a shot of Michelle Stafford from over a decade ago.

Link to comment
Share on other sites

  • Members

I don't understand why Mal has turned up the harsh white light. This show is about glamour and wrinkle/bag free.  The close ups of all the actors (except Eileen) are terrible.  They all look like they drank and smoked pot all night before the shoot.  Give us some filters.  I've complained about the lighting for a few months.  It's antithetical to the fictional Bell/Genoa City world.  Everything was glitzy, sparkly, soft, moody, wood paneled, Wisconsin and grand mansion style.  I hate the Santa Barbara/Sunset Beach look and feel the show has taken.  

Link to comment
Share on other sites

  • Members

The transitions between the actors is not well done. They're too quick, there's no fluidity. 

 

The lighting (and I noticed this when these shots were just used during the interstitials) sucks. Makes everyone over 40 (and Melissa Ordway) look run down.

 

And Mishael Morgan's section is obviously a video that's been reversed. Bad, bad work.

 

Other than that I liked the very beginning and it's not the old opening which is something.

 

Please register in order to view this content

 

As much as people hate this opening there's no question that real conscious effort was put into it. It came out in 1999 but looks like something from 1990 but at least they tried.

 

Link to comment
Share on other sites

  • Members

@RavenWhitney Speaking of lighting, to me, it seems like the exterior shots look better than the interior shots now, on the show, I mean.

 

Remember when the exteriors used to look like really bad CGI?  The scenes with Sharon in her car or Devon being transported to the emergency room have better lighting than most interior scenes now.

Link to comment
Share on other sites

  • Members

 

Darn, you always take the words out of my mouth!

 

The new opening is so bland. The editing is really bad. Don't get me started on the lighting. It looks like it belongs to a Crystal Chappell web soap!

 

I floved the late 90s 'p0rn red' opening credits. 

 

Does this mean Melissa Ordway is here to stay?...

Link to comment
Share on other sites

  • Members

I like it more than their last opening. The only thing that gets me is, as others have said, it feels very web-soap. It also feels like something fan-edited. And given that MTS has actually aged pretty well, they make her look ancient, like a First Lady from 1953. 

Link to comment
Share on other sites

  • Members

I still like the sax/red/p*rn opening. How hilarious to see CG there as a child - I forgot she 'made' it on the opening credits.

I like the new credits in that they've added more actors to the opening - nine, compared to previous version, which usually had six. Plus, all the actors look good - a welcome change. Now, let's work on those stories.... 

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • 1976 Pt 3 Jenny has now left the order, but her recuperation  at the Craig home is hampered by pain and dizziness. Jenny admits to Larry it may be fear of her future that’s hampering her recovery, and she and Tim to put off the wedding. But suddenly she’s overcome by a presentiment of fear and anxiously tells Tim they must be married right away. They arrange a wedding for the following week and rent an apartment. Celebrating there with champagne, Jenny gently refuses Tim’s suggestion that they fulfill their love there by explaining that she wants to bring perfect love, without guilt, to their marriage, to give herself to him without guilt and as a gift of married love. But the following day, while she is making plans for the ceremony, Jenny’s world crashes as Vince, desperate to stop what he feels will be sacrilege, argues  with Tim, shouting again that God will seek revenge. Tim, at the top of the stair landing, turns to swing at Vinnie and falls the entire flight of stairs. Jenny insists that their marriage take place immediately upon his return to consciousness, and they are married in his hospital room. Tim’s condition worsens - shortly, and just before he’s to be taken to surgery, as he and Jenny talk about the love they share, he tells her, “If I don’t make it, you go on. I don’t want you sitting around grieving over me, because I love you too much. Live a good full life.” Jenny assures him they'll live that life together, telling him he must believe that. Tim replies, “Oh God, I want to,” and then he dies. Vince is going through hell, feeling that he killed Tim, and his pain only begins to be assuaged when Jenny compassionately and honestly tells him she doesn’t blame him and she’s sure God doesn’t either. Tim’s sister Julie flies from Florida for the funeral, then asks her mother if she wants her to stay, saying that they need each other. Ellen, however, tells, her  daughter she must go back to the new life she has made for herself; to delay would only make the goodbyes harder. Ellen offers Jenny some of Tim’s personal possessions, but Jenny gently declines, explaining  that Tim will always be with her and she doesn’t need his material things Viki was planning to tell Joe about the medical problem when news of Tim’s death came, and after the funeral Joe suggests that if the baby is a boy, they could name him Tim, and this Tim would live a long, full life. That decides Viki once and for all. She tells Larry she just won’t risk telling Joe after everything that has happened, and that’s final. Since her refusal of his marriage proposal, things have been strained between Tony and Cathy, and Pat, wanting to see Tony happy, pushes Cathy to make the first move—if not a phone call, then at least attendance at the opening of his club, Tony’s Place. The Opening is a great success, but Pat, hearing Tony sing “I’ve Been Alone Too Long,” remembers only that Tony sang that song to her so many years ago in Rio. Dorian manages to leave early with Victor by telling him she’s suffering a headache, and then tells Tony, when he calls the following morning, that their noticeably early departure was Victor’s decision, as he had business meetings the following day. When Tony follows up his call with a visit to his father, Dorian, who worked her way into her preferred position as lady of the house by treating Victor during his heart attack, turns Tony away, claiming that Victor has had too much stress lately and can’t hold up under a visit from Tony. Concerned, Tony leaves a note for his father, which Chapin, Victor’s butler, sees Dorian destroy. Dorian then instructs Chapin that Tony is not to be admitted to see Victor, and when Chapin replies that Victor has ordered that Tony’s visits and calls go through immediately, Dorian countermands those instructions, citing Victor’s health as the reason. When Victor asks Dorian to ease up on Chapin, as Viki has mentioned that Chapin is unhappy, Dorian makes it clear to the faithful retainer that unless he follows her orders explicitly, his years of service to the Lords will be over.  Dorian and Victor give a dinner in honor of successful enabling legislation licensing Peter Jansson to practice medicine, and Tony later learns from Jenny that Victor is fine. Realizing that Dorian stands between them, Tony races out to Llanfair to tell his father what he’s married to.  Tony confronts his father with Dorian’s schemes, concluding with the revelation that Dorian and her accomplice Matt McAllister knew Tony was Victor Lord’s son but kept the knowledge from him for personal gain. Victor adamantly refuses to believe’ Dorian could betray him this way, but after Tony’s gone Chapin confirms many of Tony’s accusations. When Victor faces Dorian with Tony’s accusations, she evades by insisting that this isn’t rational and she won’t discuss any of it.But, hearing Victor calling his lawyer, Dorian angrily accuses her husband of having judged her and found her guilty. When he concurs, saying he believes his son, Dorian bitterly  snaps, “All right. Yes. I knew Tony was your son!” She then pours out the entire plan of how, when she  was fired from the hospital, she vowed to get enough money and power to control Llanview and everyone in it. When Tony came along, he was a threat to her plan, and she tried to get rid of him. But, she reminds Victor, she saved his life medically and has given him something to live for; she has been a good wife and hostess. Because of that, she deserves what she has; she has paid for it! Victor, her words hitting upon him like tidal waves, pleads, “Dorian, don’t say any more,” as .he moves to the sofa, where he collapses, suffering a massive stroke.
    • I have had a semi-obsession with end credits. Back in the early '90's, I would copy ATWT's cast list. That was fascinating (at the time) because they were listed by length of time on the show. And in the '00's I would keep track of the scriptwriters/directors. Now I catch GL's and realize how many names stayed with P&G for years in different capacities. And I obsess over Maeve's credits, whether it's Vanessa Chamberlain or Lewis. I just caught an episode during the Infinity story where she's back to Chamberlain. I swear, someone in the production office (or whoever handled updating the credits) loved the sound of the name Chamberlain and were determined not to let it die.
    • I'm not sure they ever had a clear vision on Hart. Other than being the only real instrument that could make Roger pay for his actions.
    • Just an actress that truly knows her own character and plays it so real.
    • Thanks for posting. Is any of her soap stuff, especially from OLTL, available?
    • Lol.  Even if the writing has been slightly better I am not going to claim it 

      Please register in order to view this content

      When NuArianna said "OMG, my cousin and uncle are right there" when talking to Doug 3 I had to pause and remember if it checks out.   It did.  Gabi also hilariously said Ari doesn't know any man in this town she isn't related to so they did acknowledge the log jam of Horton/Brady/Kiriakis blend kids.
    • In my fanfic reboot, this would've all foreshadowed Viki finding her daughter Megan.  They could've saved money on all that Eterna mishegoss.  And, given justice to Cathy Craig for being gaslighted by Tony and Joe.  She wasn't always unstable, but the guys she liked always lied to her as if she couldn't cope with the slightest bit of stress.  Meanwhile, she was probably a much more talented writer than Joe.

      Please register in order to view this content

      Side note: It is ironic that Dr. Danny and Megan Gordon were on screen at the same time.  He dated, her lover's younger sister. But, if she was born when Viki was 17, and Danny was born in 1971, she would've been at least five to ten years older than him.
    •   New headshots of felon Haley Pullos (ex-Molly, GH)
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy