Jump to content

One Life to Live Tribute Thread


Toups

Recommended Posts

  • Members

Dorian may not have been the eldest, but she certainly was the strongest, and most capable to helm the Cramer clan. Her two sisters suffered with mental illness and were institutionalized for decades. And while Todd got that $20+ million inheritance, Todd's money was not necessarily Blair's money. She did use her newfound wealth to launch Melador and the later company, but I wouldn't venture that her account balance rivaled her aunt's. Dorian had been left her own hefty share of Victor's money and assets. 

 

Dorian had that memorable line to Blair about there being two kinds of Cramer women: the fighters and the feelers. Addie, Melinda, and Cassie were the feelers who depended on the fighters, Blair, Kelly, and especially Dorian.

Link to comment
Share on other sites

  • Replies 7.8k
  • Created
  • Last Reply

Top Posters In This Topic

Top Posters In This Topic

Posted Images

  • Members

That's a great answer and really explains the connection - they were all involved in a lot of bullshit but it was always for the survival of their sisters.  It's hard not to think of them as narcissists because they were always focused on winning their part of a love triangle, and yet, obviously they were motivated by trying to maintain their family's care. 

 

There's also the interesting contrast that Vicky is beholden to a family that abused her and stole her child while Dorian is maintaining a sister and daughter who only want her to be a better person. 

 

However, I prefer the earlier part of their history when their motives were more subtle, and we didn't suffer through David and Addie's marriage. 

Edited by j swift
Link to comment
Share on other sites

  • 2 weeks later...
  • Members

I'm sure you have already all seen these but I hadn't ever seen them up on Youtube aside from some clips maybe. This is when Dorian is arrested for Victor's murder and when Cassie loses River. 

 

I would have loved to have seen that prison scene with Dorian in the second clip set to the '95 theme, not the soft porn one.

 

(not posting every video as I know it clogs up the thread)

 

@SFK @Vee

 

Please register in order to view this content

 

 

Link to comment
Share on other sites

  • Members

Watching the above episodes I'm reminded of how well-crafted this period of the show was before Linda Gottlieb left. Everything is so smooth and feels connected. 

 

While I generally prefer what I've seen of '80s Dorian, I think this time period was Robin Strasser's best work in the role (especially once she got over some of her overacting early in her return). You can see so many different emotions flashing through Dorian - fear, pride, rage. 

 

I also like getting to see more of Beth and Jason. I don't know if Beth was always just there to die (I assume she was) but she's a very sympathetic and grounded character. It's great to finally see Jason getting more of a role. Mark Brettschneider had such a natural connection with his co-stars, it's a shame nothing was ever done with it. 

Link to comment
Share on other sites

  • Members

Robin Strasser didn't do the super over-acting bit until she was on Passions (and you had to over-act on that show). and than when she returned in 2003.  I had seen her in a few roles outside soaps where she was more subtle, she played against type in the tv movie Baby M where she was subdued and low key.. and wished she would have played more roles like that to show the public her range.

Link to comment
Share on other sites

  • Members

Watching that promo and another Loving promo from the 80s the other day where two characters say "abortion" in the space of 10 seconds reminds me of how puritanical soaps have become. We don't even get love scenes between two consenting adults, hot ones anyway. Today's soaps are completely static. There's no vibrancy to any of the scenes, no one TALKS about anything, every reaction to any event is lethargic. All of the actors look tired and bored out of their minds. There was more authenticity and emotion in that 5 second clip of Karen and Larry on the couch than 39 minutes of Y&R.

Link to comment
Share on other sites

  • Members

You betta preach. I watch DAYS sometimes, which is supposedly the “best” we’ve got right now, and everyone seems xanned out. A lot of it is probably the speed of production and lack of rehearsal time due to budget restraints but still.

 

I sometimes overpraise an interesting stretch of dialogue on today’s soaps, but then I go back and watch earlier episodes of OLTL or GL or Ryan’s Hope and think, “Wow. How far things have fallen.”

 

They’ve essentially surrendered to their fate. There’s no fight left.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • 1976 Pt 12 Final part Laurie agrees with Stuart that Peggy is rushing into marriage to prove that the rape didn’t ruin her life.  She points out that the only way Peg can be sure is to make love with Jack before the wedding. Stuart admits she’s right but points out that he can’t suggest that to Peggy. As the wedding approaches, Peg seems happy that Jack’s become close to the family. However, her happiness is shattered by a nightmare in which her loving bridegroom turns into a leering Ron Becker, forcing her to cancel the wedding. Jack reassures her he’ll wait as long as it takes, and Chris confides that she and Snapper didn’t consummate their marriage on their wedding night because of her own rape experience, but Peggy tells Chris she might never be ready.  Despite her desire to keep Karen as her own daughter, Chris helps a police artist create a sketch of Nancy so it can be printed in the newspaper as part of a search for her. When the attempt proves fruitless, however, Chris asks Greg to file application for permanent custody of the child. Greg points out that adoption is the only way to prevent Ron from returning and claiming the child, and that it will take quite a while. Meanwhile, a nurse in the psychiatric ward sees a resemblance  between the newspaper drawing and her autistic patient, Mrs. Jackson, but since “Fran” doesn’t respond to the name Nancy and no one else sees the similarity, she fears she’s mistaken. Jill is horrified to overhear Kay, when brihging baby Phillip a Christmas gift, telling the child she remembers the night he was conceived. Kay has to then admit to Jill she saw her with Phillip in the bunkhouse that night. Jill is aghast to realize that Kay new the truth all along and put her through such agony in spite of it, denying her baby his father’s name. Lance tells Laurie they’ll marry on Valentine’s Day. He laughs that it’s corny but agrees, secretly wishing it were sooner, as Vanessa has vowed to prevent it. Indeed, Vanessa makes an unprecedented venture out of the house to visit Brad, telling him to rebuff any advance Leslie might make to him, as she’s reaching out to him only from a sense of duty. But Laurie then makes a concerted effort to reach Vanessa. Without being sure why she’s trying so hard, she tries to assure the woman she’s not losing Lance and she, Laurie, will help her find a plastic surgeon somewhere who can help her. Grudgingly, Vanessa seems to be reconsidering her view of Laurie, and Laurie is delighted when Lance offers her a choice between two diamond necklaces, explaining that her preference will be Vanessa’s Christmas gift. Learning from Les about Brad’s blindness, Stuart tells Brad he could have turned Leslie away only out of great love. Knowing that Les is going to see Brad again, Laurie warns him not to bring the baby into their discussion, as Leslie will come back only she’s convinced he loves her, not for the babies sake. Leslie finds Brad disheveled and sloppy, and proceeds to straighten the apartment, stating that she can't respect him if he lets himself go. Realizing that neither Brad nor Les will make the first move, Laurie hurries things along by refusing to help Brad with his grooming, saying he should ask his wife. Then, having learned  that Brad offered Les the use of their piano, Laurie untunes the Brooks' piano forcing Leslie to accept his offer. By refusing to cater to his  blindness, Les manages to get Brad to stop wallowing in pity, and by the time Leslie’s Christmas braille message of her love and her need for him arrives, they are husband and wife again Lance takes Laurie on a business trip on New Year's Eve, and tells her, on board his plane, she won't be  won't be able to call him “Mr. All Talk and No action” after tonight. When Laurie protests that waited this long and will continue to wait until married, Lance delights her by instructing his pilot to land in Las Vegas, where they are married immediately.
    • Yeah, not sure why Jack and Jen didn’t rush to Marlena - or even Carrie - to offer their condolences. A few flashbacks would've been a nice touch too. Instead, we got a whole episode of them talking about Chad and Abby? Come on. On the bright side, I loved Anna’s scenes with Marlena and Carrie - sweet and heartfelt, felt like a real 80s throwback.
    • Martin and Smitty were designed to avoid the stereotype of gay men sleeping around (which to an extent is true). If you recall Martin had a line about them not being open when Chelsea came to talk to him. The producers are walking a very fine line right now and it might not be popular to say but I can understand it. Establishing enough footing to ward off complaints will let them showcase gay characters more openly later.
    • The week was decent. They have started to rotate their stories and finally got a rhythm going. I disagree about them allowing every character to have a moment to shine though. Nicole really hasn't been given anything to do. I completely agree with all this. I adore Doug and hope he makes it through.
    • https://www.instagram.com/p/DKlE4GrJQHs/ michelevaljean When I Was Shelly #Prism #Funtimes #Chicksinger #Rockband #BTG #BeyondTheGates              
    • https://x.com/greg_vaughan/status/1930648376724336852  
    • There was the one appearance in '96, but otherwise, that's correct as far as I know.
    •   It's working fine now.

      Please register in order to view this content

        Question for the B&B group: I see @rsclassicfanforever has uploaded multiple seasons from Videoland  (in the folders that are to be put away). They are huge folders and difficult to download so I started breaking them down into months but I realized they are by season so for example, Season 4 spans from March 1990 to March 1991. Now I'm wondering where to actually place them, since we have the Full Episodes section divided by year, not seasons. And most of these seasons we already have in full, so these are duplicates. Not sure if it's necessary to keep the older versions. I could just make another new section for Seasons, so the main folders would be "Behind the Scenes and Interviews," "Clips," "Full Episodes," "Full Seasons," "Music CDs," and "photo archive Marquise" but I'm not sure that really makes sense. Also wondering since we have almost every full episode now if "Clips" can be deleted in its entirety, as it's nearly 300GB.
    • CBS moving Murder, She Wrote from Sunday to Thursday was straight up sabotage. Les Moonves knew exactly what he was doing.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy