Jump to content

Another World Discussion Thread


Recommended Posts

  • Members

 

It's not that they thought that no one would want to see the episodes as much as the cost to them was much more in the short term than even the long term benefit. We live in a time when data storage is relatively cheap and there are a lot of options. But back then it was significantly more expensive and they would have had to be able to see how to make money from choosing to preserve the shows. 

Link to comment
Share on other sites

  • Replies 13.8k
  • Created
  • Last Reply

Top Posters In This Topic

  • Members

 

Wasn't there an issue of having to convert them to a new format or something - a time-consuming expansive process - or something? I seem to vaguely remember something like this.
Still hard to believe they thought it made more business sense for that content to be lost forever.

Link to comment
Share on other sites

  • Members

 

I remember reading that some old shows were lost because production reused the same tapes. Not sure about conversion issues. 

 

Back when they were making these decisions there were also a lot fewer distribution options. Before home video, cable channels, YouTube, streaming services ... where could they broadcast such a long form? The soap serial form has no real internal start and end points -- and some of the storylines might be too dated to attract a general audience. 

 

Edited by Xanthe
Fixed typo
Link to comment
Share on other sites

  • Members

I recalled that back in October this promo caused some debate about whether or not Steve Frame was the richest man in Bay City (specifically if he was richer than Mac).

 

Well, I was reading the 1981 weekly summaries (really enjoyed the Jordan Scott mystery, Jamie's drug addiction, and the Pat/Cecile rivalry - really disliked Jerry's sudden psychosis, Leigh & Sally, Rick & Marianne, and Mitch's inexplicably sudden exit).

 

Anyway here's a detail that caught my eye

NOVEMBER 16-20, 1981
James accepted Steve after Steve revealed his identity to all at a posh wingding.  Steve purchased Blaine's house

 

Blaine's house had been Jordan Scott's house, which while it was referred to as a mansion, and coveted by Cecile, never seemed as palatial as the Cory estate, nor did it have a stable.  However, from a practical stand point, it was a lovely set and deserved a second life

 

DECEMBER 28, 1981 - JANUARY 1, 1982
 Rachel supported Steve in his competition with Mac to be the most powerful man in Bay City.

 

So, I guess that was a thing...

Edited by j swift
Link to comment
Share on other sites

  • Members

 

The house Steve bought from Blaine had originally been Iris's mansion -- the house she built when she was engaged to Russ Matthews.  Her mansion had been designed by Robert Delany (before she married him), and built by Frame Enterprises (the original Steve's company). Iris lived there for a few years, before she moved into the penthouse.  I believe Iris sold her house to Elena, who sold it to Miranda Bishop.  The house had several owners possibly including Reena Cook, then Blaine, then Steve, before the set was finally retired.    

 

Edited by Neil Johnson
Link to comment
Share on other sites

  • Members

 

Was that where Cass was living after Cecile left in 1984, until she sent an emissary to evict him in early 1985? The AWHP has an address for that place as 30 Meadow Lane. (Not that addresses are mentioned often enough to be sure whether there is accurate continuity.)

Edited by Xanthe
Link to comment
Share on other sites

  • Members

 

You are probably right, because I was thinking Mac owned it too, briefly during one of his divorces from Rachel.   Wow, that house really got around.  Undoubtedly holds AW's record for house owned by the most different characters.  

 

I remember when Walter and Lenore moved into Bill and Missy Matthews' former house, and I thought that was a big deal.  Later, Lenore lived in the same house with Robert Delany.   That was the house with the sunken living room.    

Link to comment
Share on other sites

  • Members

About the only thing Corrine Jacker did correctly at AW in 1982 was integrate Bay City with African American characters.   While their storylines were standard soap fare, the casting of the African American characters was top notch from 1982-84:

 

Quinn Harding (Petronia Paley) and her brother Ed (Howard Rollins, Jr.)

 

The Morgan Family- Bob (Robert Christian), his estranged wife Henrietta (Michelle Shay), and children RJ (Reggie Rock Bythewood) and Mary Sue (Tisha Ford)

 

Architect Roy Bingham (Morgan Freeman)

 

Dr. Abel Marsh and his rock star twin brother, Leo Mars (Joe Morton)

 

former prostitue turned good girl Lily Mason (Jackee Harry) and her niece Thomasina (Sheila Spencer and Pamela Kay) who was adopted by Quinn

 

Grant Todd (John Dewey Carter) and his son,  Carter (Russell Curry)

 


I wholeheartedly agree with you @watson71

 

I really enjoyed reading, then re-watching, the Bob/Henrietta/Quinn triangle.  It was so modern for its time because it referenced their culture, but it was also a story about a marriage just like Pat & John or Clarice & Larry.  Neither of the women were forced in stereotypical roles, there was no sassiness or neck rolling.  Both women had higher earning potential than Bob, which seems revolutionary for soaps both then and now.  But, also Bob wasn't just indecisive, he was actually understandably stuck between his devotion to his family, the fact that he couldn't maintain a physical/sexual relationship with Henrietta, and the perception that Quinn's independence meant that she didn't prioritize Bob's commitment.

 

It contrasted well with the adolescent games being played in the Sandy/Blaine/Cecile triangle.  Having just read 1981-1984, Sandy had to lie to his significant other about his job for her protection three times in a row.  One would think by the third time Blaine would at least start to question his motives.

 

The one other odd thing that I noticed about both the Brown (12/80 - 11/81) and Jacker (11/81-11/82) eras was that regular characters would take long breaks out of town.  Pat left for weeks before her return and final exit.  Steve left for a few weeks before his exit, and Mac left town as well.  I would guess it written to explain the actors' vacations, but it seemed odd that with such a big cast they couldn't just have someone off screen without explanation.

 

Also in that period, Brian was so good during Blaine's trial that it is a true shame that Cass's introduction made his legal expertise redundant.  I didn't like how Brian reacted to Iris, so I never appreciated the character until his defense of Blaine and relationship with Pat.  Paul Stevens (who played Brian) reminded me of Cary Grant with his distinguished nature and charisma. 

 

Most of the younger male characters really suffer during the writing change.  Rick Halloway was never appealing to me but, one day he is gung-ho at becoming a psychiatrist, then a few months later he abandons that plan to be a community health specialist.  Joey pivots from Eileen to Kit without much mourning, Jerry gets sudden onset brain injury induced psychosis which causes him to make prank calls, and Jamey, now James, gets four different love interests (Christine, Marianne, Susan, and Julia).

 

Finally, I found it odd that in 1982 not only was there no mention of AIDS (although I guess it is similar to today's pandemic that it was deemed too political), but Marianne and Cecile both think they are impregnated by James, which means that both women slept with a drug addict before AIDS tests were publicly available, without condoms, and nobody discusses it as an issue.  Hindsight is 20/20, and those were obviously different times in daytime TV, but I can't imagine watching a soap produced in New York in the early 80's and not immediately thinking that was huge oversight.

Edited by j swift
Link to comment
Share on other sites

  • Members

Yeah, that was the place. I think after that was when the set disappeared

And the interesting thing about it was that it never a reused set (like the way Ada's house became the Shea house). All those characters all were supposed to have lived at the same place, which I was think was supposed to be near the Cory estate

Link to comment
Share on other sites

  • Members

 

I went back to look at the Cass and Steve iterations of the house.  It is amusing that wall color and fabric prints changed, but none of the subsequent owners ever rearranged the furniture.  Blaine, Jordan, Steve, and Cass all kept their respective sofas in exactly the same place.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • How did I never notice how tall Colton was?

      Please register in order to view this content

    • They didn't need to have some slutty gay dude as their representation. Just a 'normal' guy getting involved with another guy or two (or three). Just like the straight characters. Thinking about it, they missed the boat by not having a few other single charcters at the beginning. Maybe Naomi or Ashley could be shown meeting Derek/Jacob and  we could follow their romance. Too many characters were coupled up at the start. As a tattoo hater I was surprised to see Tomas so inked. Don't find it attractive or sexy. I'm surprised an actor would do that as it's definitely a statement and may not be appropriate for some roles. Suppose they can cover if necessary. I didn't buy Kat being all girly and then paying off Darius to get into Eva's room. Way too cliche. She should have just come along when the housekeeping was leaving and breezed in saying it was her room. And her smug looks in the hotel room and 'Now I've got you!!' talks to herself at Orphey Gene's...no.  
    • Omg I was so annoyed. Like girl calm down. Coming on way too strong. Omg I forgot about this

      Please register in order to view this content

    • I thought it got stale before Jocks death lol. His death picked things back up for me.
    • 1976 Pt 5 Tony is summoned to the reading of the will in the Llanfair library,as he’s a principal in the will. He tells Joe there’s not a chance of coming to terms with Dorian, as he is sure she brought about Victor’s death by torturing him emotionally when he was her helpless prisoner after his stroke. Ironically, Chapin hand delivers to Viki a letter her father wrote before his stroke, praising Dorian and asking Viki to befriend and support his widow when he was no longer there. Viki feels a responsibility to her father’s wishes and vows to try with Dorian. Victor’s will leaves the expected amounts to members of his family and staff, with the lion’s share of his stock and property going to Dorian. Victor’s will explains that his son Tony expressed the desire that he not be “bought from the grave,” and, in keeping with his son’s wishes, the only bequest to him is the knowledge of his father’s love and respect. Tony is deeply moved. Dorian’s first attempt to use her new power is the recommendation of Peter as head of the Merideth Lord Wolek hospital wing, claiming that naming Larry would be virtual nepotism. Peter, who has devoted considerable time and effort to helping Jenny get over Tim’s death with gentle, affectionate support, is happy at this suggestion, but Jenny points out Dorian is merely using him to hurt Larry. Viki disregards Dorian’s ingenuous assurances that she’s not trying to wield her new power but is merely putting Peter up for consideration for a future opportunity, if not this one, and tells her she won’t be able to fulfill her father’s desire that they be friends unless Dorian stops interfering. Larry, fully understanding Dorian’s personal motives, warns her he’s going to fight for the appointment no matter what. Realizing that she has made a tactical error, Dorian announces that she won’t even attend the board meeting but will give her proxy to Jim. She admits to Matt McAllister, still her confidant, that this was humiliating, but it was a necessary protective tactic. Dorian manages to win her next round at Joe’s office when, after he praises her decision to yield on appointing Peter, she expresses concern for Viki “at a time like this.” Joe, of course, jumps on her words, and Dorian, pretending great distress at having mentioned something she shouldn’t have, is “forced” to explain that she knew about the congenital heart condition Megan had and that any child of Joe’s is likely to inherit it. She overheard the doctors discussing it at the time of the accident, she continues, and naturally assumed that Joe already knew.  Joe arranges a meeting at home with Viki and asks her how she could live a lie like this; how she could go through their lives as if everything were fine while every moment was a lie. He is further upset when, in trying to explain that it was out of her love for him that she kept the truth from him, she mentions that Jim and Larry also know but Cathy still hasn’t been told. Viki tells Joe that Dorian deliberately told him this way to hurt their marriage, and she is very upset when he starts toward the door, pleading that they have always talked things out in the past. Joe coolly points out that she didn’t do that when she learned about Megan and continues out the door.  A tearful Viki is shaken and when Joe later returns, having spent several hours in a bar drinking only soft drinks,she breaks down, crying that she was convinced he’d left her. Joe assures her they can get through this despite everything, because their relation is based on love and mutual respect. 
    • If you think about it, DALLAS and DYNASTY grew stale right about the same time, even if the ratings were slow to reflect that.  FC and KL, on the other hand, tried to stay fresh, but KL was way more successful at it, I think, than FC.  (That [!@#$%^&*] with The Thirteen does not hold up well, lol).
    • GH 1976 Pt 8 Heather takes advantage of the situation by asking Jeff to come and look at Tommy. She uses sympathy, compassion, and her own feminine wiles, together with his misery and his pills, to lure him into bed. Later, sober, he apologizes. Learning from Pearson that Monica has seen a divorce lawyer, Jeff confronts her, and she insists it’s a lie. Avoiding his attempts to kiss her, she musses her hair and tears her blouse, then rushes to Rick’s, claiming that she can’t stay with that maniac any longer. They wind up in Rick’s bed, and after making love he confesses he always loved her. Rick replies to her question of whether he wants to marry her by saying he has to talk to Jeff. Monica insists that Jeff not bear any pressure from their problems. As she leaves, Rick gives her a key to his apartment. Jeff, having spent the night drinking, misses his surgical assignment, and Steve, informing him that his personal life can’t interfere with his profession, puts him on suspension. Rick can’t persuade Steve to reverse his decision, but Mark, sensing what’s at the heart of Jeff’s problem, convinces Steve to lift Jeff’s suspension and transfer him to Mark’s service. Rick asks for his key back, telling Monica they can’t do anything as long as she’s under Jeff’s roof. So she has a duplicate made and moves into intern’s quarters, explaining that Jeff’s violence drove her out. She tells Jeff she needs privacy to work things out, and tells Rick Jeff wanted her out. Thinking that this is the preliminary to a divorce, Rick tells her she can come to his place. In New York, Leslie’s abortion is delayed by a mix-up in scheduling, and she calls Terri to commiserate. Rick overhears Terri’s conversation and forces the whole story from her. He flies to New York to stop Leslie, feeling responsible for pointing out how evil Cam was, and arrives to find that she has decided she can’t deny her child the right to live. Monica, meanwhile, expecting that Rick will be home, uses her key to let herself into his apartment and is shocked to find Mark there; knowing that Mark was uncomfortable at the hotel, Rick offered Mark use of the apartment in his absence. Monica is upset to learn that Rick is in New York with Leslie, and Mark doesn’t know why. Mark does advise Monica to play fair with Jeff, but she resents his interference. The next day, while covering for Leslie at the clinic, Monica discovers Leslie’s lab test report and jumps to the conclusion that the baby is Rick’s. When Rick and Leslie return, Monica wastes no time in accusing him. He is dismayed to see that she is still as suspicious and possessive as she was before he went to Africa, and points out that her making a duplicate  key proves she hasn’t changed. Terri encourages Leslie to see Rick in a romantic light and then suggests to Rick that Leslie is interested in him. Rick likes this idea and tells Mark he’s growing ‘unwilling to cope with Monica’s unreasonable demands. But Monica immediately recognizes the threat Leslie represents and decides to attack. She goes to Leslie and tells her flatly that she and Rick are having an affair and he’s her exclusive property. Leslie, who realizes she has been falling in love with Rick, is hurt, and Rick is mystified when he feels Leslie pulling away from him. Monica’s big moment comes when she brings Rick a housewarming gift and seduces him into letting her stay overnight. She is in the bedroom when Leslie stops by to apologize for refusing his dates, and makes a dramatic entrance into the living room draped in Rick’s bathrobe. Leslie turns and runs out. Rick later informs her he’s disappointed in her, because she prejudged Monica and him rather than giving him the benefit of the doubt. Heather tries to arrange another tryst with Jeff, but he replies that he still loves his wife. Heather decides there’s only one way to get Jeff to be pregnant with his child. She manages to overhear Monica putting Jeff down by telling him he no longer turns her on and should look for someone he does. Heather goes to Jeff and tells him that she heard Monica and that she is the one he’s looking for. She manages to get him into bed again, and sweetly assures him this is right. She then sets the stage for future meetings. Steve, meanwhile, offers to help Monica and Jeff work out their problems. Jeff is willing, but Monica turns the idea down. Instead, she presses Terri to convince Jeff to end the marriage. Terri now knows that Monica isn’t a good wife for Jeff and promises to try. But Jeff makes it clear to Monica that he still loves her and won’t let her go. She is bitter and upset, as she has already implied to Rick that she will soon be free. Audrey is upset to find that Florence Andrews has been inquiring about Tommy and herself. She goes to Florence’s home and finds she’s away now. Florence has gone down to Mexico to sign a sworn statement that she purchased a false death certificate for Tom, to protect his son after his wrongful conviction. Tom, learning from her that Steve and Audrey are to be married and Steve is planning to adopt Tommy, tells  Florence not to do anything, as there’s still no assurance that he’ll ever get out. But the judge does accept the statement, and, ironically, on the day that Steve  and Audrey are married, Tom is released from prison.
    • 1976 Pt 12 Final part Laurie agrees with Stuart that Peggy is rushing into marriage to prove that the rape didn’t ruin her life.  She points out that the only way Peg can be sure is to make love with Jack before the wedding. Stuart admits she’s right but points out that he can’t suggest that to Peggy. As the wedding approaches, Peg seems happy that Jack’s become close to the family. However, her happiness is shattered by a nightmare in which her loving bridegroom turns into a leering Ron Becker, forcing her to cancel the wedding. Jack reassures her he’ll wait as long as it takes, and Chris confides that she and Snapper didn’t consummate their marriage on their wedding night because of her own rape experience, but Peggy tells Chris she might never be ready.  Despite her desire to keep Karen as her own daughter, Chris helps a police artist create a sketch of Nancy so it can be printed in the newspaper as part of a search for her. When the attempt proves fruitless, however, Chris asks Greg to file application for permanent custody of the child. Greg points out that adoption is the only way to prevent Ron from returning and claiming the child, and that it will take quite a while. Meanwhile, a nurse in the psychiatric ward sees a resemblance  between the newspaper drawing and her autistic patient, Mrs. Jackson, but since “Fran” doesn’t respond to the name Nancy and no one else sees the similarity, she fears she’s mistaken. Jill is horrified to overhear Kay, when brihging baby Phillip a Christmas gift, telling the child she remembers the night he was conceived. Kay has to then admit to Jill she saw her with Phillip in the bunkhouse that night. Jill is aghast to realize that Kay new the truth all along and put her through such agony in spite of it, denying her baby his father’s name. Lance tells Laurie they’ll marry on Valentine’s Day. He laughs that it’s corny but agrees, secretly wishing it were sooner, as Vanessa has vowed to prevent it. Indeed, Vanessa makes an unprecedented venture out of the house to visit Brad, telling him to rebuff any advance Leslie might make to him, as she’s reaching out to him only from a sense of duty. But Laurie then makes a concerted effort to reach Vanessa. Without being sure why she’s trying so hard, she tries to assure the woman she’s not losing Lance and she, Laurie, will help her find a plastic surgeon somewhere who can help her. Grudgingly, Vanessa seems to be reconsidering her view of Laurie, and Laurie is delighted when Lance offers her a choice between two diamond necklaces, explaining that her preference will be Vanessa’s Christmas gift. Learning from Les about Brad’s blindness, Stuart tells Brad he could have turned Leslie away only out of great love. Knowing that Les is going to see Brad again, Laurie warns him not to bring the baby into their discussion, as Leslie will come back only she’s convinced he loves her, not for the babies sake. Leslie finds Brad disheveled and sloppy, and proceeds to straighten the apartment, stating that she can't respect him if he lets himself go. Realizing that neither Brad nor Les will make the first move, Laurie hurries things along by refusing to help Brad with his grooming, saying he should ask his wife. Then, having learned  that Brad offered Les the use of their piano, Laurie untunes the Brooks' piano forcing Leslie to accept his offer. By refusing to cater to his  blindness, Les manages to get Brad to stop wallowing in pity, and by the time Leslie’s Christmas braille message of her love and her need for him arrives, they are husband and wife again Lance takes Laurie on a business trip on New Year's Eve, and tells her, on board his plane, she won't be  won't be able to call him “Mr. All Talk and No action” after tonight. When Laurie protests that waited this long and will continue to wait until married, Lance delights her by instructing his pilot to land in Las Vegas, where they are married immediately.
    • Yeah, not sure why Jack and Jen didn’t rush to Marlena - or even Carrie - to offer their condolences. A few flashbacks would've been a nice touch too. Instead, we got a whole episode of them talking about Chad and Abby? Come on. On the bright side, I loved Anna’s scenes with Marlena and Carrie - sweet and heartfelt, felt like a real 80s throwback.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy