Jump to content

GH: March 2024 Discussion Thread


Recommended Posts

  • Members

I was real impressed with those scenes at the conclusion of Friday and throughout Monday's episodes, despite having zero use for Hat Daddy myself. And I found it an honest conversation between the Ashfords & Kevin, and it felt like Patrick Mulcahey all-over it, which is why I believe he was credited first in yesterday's episode over Elizabeth Korte (which is how it always should be, TBFH). I'm happy with the hospital-centric storylines, and they're happening in the hospital ⏤ which seems... populated for once? Plus, I also enjoyed Stella vs. Tracy in those very limited scenes, and after the previous scenes it just worked. There was a flow and some intention of the scenes. Brilliantly done.

I completely agree! I got that sense, and I am loving it. But, unlike Michelle Stafford, I think Cynthia Watros will be able to root Nina into some emotional reality.

Link to comment
Share on other sites

  • Replies 1.4k
  • Created
  • Last Reply

Top Posters In This Topic

  • Members

I know everyone wants Dex to get the axe, whether through hate or mostly indifference, but superficially I'll be sad not to see his pretty self. Turning casting conjecture into story speculation, if he does go, I had the thought that Joss might get pregnant with them recently sleeping together, but when she can't find him after he's left, and not wanting to be a single mother, she decides to have an abortion. Probably won't happen, but it's fun to care enough again.

 

Link to comment
Share on other sites

  • Members

I still don't exactly get what Nina's plan is.  Like Ava said, should she just harass Sonny while Dante's shot lol?  I want to see unhinged Nina harass Sonny while Dante is shot!  I get it's a plot point to bring Sonny/Ava together, but I don't see Nina's logic at all.  Maybe that is the point.

This might be unpopular, but I'd recast Cam.  I like WL and maybe he'll be able to commit to something in the summer and that's what the show is counting on.  If not, I would just find someone else.   It worked fine with Trina and it really does feel like Cam's missing especially with Spencer gone.

Link to comment
Share on other sites

  • Members

I know what you mean, although I bet you're right about recasting being unpopular, as ideas go. Last year when WL did not return in the summer, I was disappointed. A LOT. When we had that group of Cam, Joss, Trina, Spencer, it was such a good YA group. If they did that we'd be looking at almost 100% recasts! Because soon we're going to have a recast Spencer, already have a wonderfully recast Trina, etc. For the moment I'm personally in a mode of thinking "too many children". Sonny, Maxie, Liz, ... there just seem to be too many kids. I really love Leo & James & am adding a fondness for this new Danny. When WL returned for Spencer's Memorial service it was so danged good to see him. 

This is something I am seeing fans speculate about, Joss having an abortion. GH hasn't touched that in a while. Also there's a persistent idea among fans about making Sexy Dexy an EMT. That would be taking him from potential life-taker to life-giver which has a kind of nice reverse symmetry. 

Link to comment
Share on other sites

  • Members

I wouldn’t mind Heather being restored to a semblance of the character she was. It feels more like classic GH to me when we have a big bad for an umbrella storyline, and then a couple of smaller scale schemers that aren’t as evil per se. Characters like Tracy, Lucy, Scotty, Katherine, og Heather, even Nina.

Link to comment
Share on other sites

  • Members

It's thrilling to know Anna says 'I see Sonny Corinthos clearly now,' but showing up at Wagger's could potentially leave her the fool depending on how he is actually involved here. Though again, I don't think a black ops kill squad would meet at FBI HQ in Quantico which is explicitly where Wagger met Jason in the flashback.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I feel like the lawsuit storyline was resolved quickly because the show didn’t want to spring for more sets.
    • It's been a while, but we have seen the foyer to Bill and Hayley's house as well as the exterior entrance to their house. The foyer was first seen in the premiere episode when Hayley met Vanessa at the house.
    • There's still a year or two before Larkin arrives. Joel is there already. EON does noticeably youthify, although I think they carry it off. Admittedly I haven't seen most of the Jody stories, which from what people here have said aren't great.
    • I don't mind the actor who plays Brian. He's fine. The problem for me is that Paige seems so wishy wishy. She doesn't seem to have much of a personality at this point so I don't see why Brian would be so besotted with her. She just lurches from one trauma to the next. Granted, it's only been a month, but she's not as vibrant as April or even Deborah who has had minimal screen time by this point.  I do worry about the influence of GH on the show since I'm in fall of 1979 and characters have conversations and there's not the drive to "youthify" the show. However, I think Marceau (sp?) is gone. He was given a rather tame sendoff. How long was the actor on the show? I hope this is not a sign of things to come. I worry the show is setting up a murder mystery around one of my favorite characters and I will be mightily annoyed. I also noticed in recent Search for Tomorrow episodes uploaded to YT that the actors playing Logan and Eliot showed up. I don't watch the show but they were in the screencaps. When does Larkin Malloy show up or has he already left? Joel Crothers hasn't shown up either unless I've blinked and missed him.
    • Dr Linden. She treated Vanessa's drug addiction (although Vanessa seemed to forget that by Henry's suicide attempt) , and she's mentioned during Reva's PPD. Although I can't recall if she's actually shown right off the top of my head. She probably was temporarily shelved when Sonni was a therapist (between her crazy times) And I think Billy sees her after he falls off the wagon after Reva's death.
    • Kinda agree. I have some issues with the sets. Nicole's living room is bland-looks like a display home. Bill and Hayley's is too small and basically hideous. And neither of them have a front door/entrance or staircase. People just appear from the corridor. Those green accents  at Uptown are way too much. Also,Naomi and Vanessa not having an office or a home .
    • Thanks @Paul Raven  That Grainger story always reads like hog-wild melodrama, not very similar to the more subtle stories for Rita in her last few years. I wonder how Lenore played the material.
    • More from 1976 Lynn, apparently making every effort to overcome her alcoholism, accepts a baby-sitting job. However, when the baby starts crying, Lynn begins to get nervous and takes one drink, then another. By the time Bruce and Van arrive home, Lynn is on the floor, ineffectually trying to find the doctor’s number, sure the baby is ill. When the mother arrives; she vows to let everyone know what goes on in the mayor’s house.Bruce insists that Lynn has to go, but Van, learning that Lynn can’t remember drinking the cooking sherry, calls Joe to report Lynn’s blackouts. Joe wants her institutionalized but gives in to Van’ s pleas that Lynn needs loving attention. Eddie has sent some of Felicia’s work to a New |York gallery owner and reports to Charles that Lisa Cooper wants to exhibit Felicia’s work. Charles refuses to tell her this and later admits he feels he has “cowed”her attention because of his being confined to a wheelchair. What Charles doesn’t say is: that he’s plagued with fears she’ll leave him for another man. Felicia is exuberant as she starts painting again. She tells Charles how she feels about it, but, jealous of anyone or anything that takes attention from him, Charles tries to undermine her confidence. Eddie finally professes his love for her. He will be happy to step forward if she will only let Be and admit that they belong together. Charles tries to stop Felicia’s ‘trip to New York by making her doubt her own work, and when that fails, he finds business reasons at his bookshop to keep Di, his ex-wife, who is running it for him, from accompanying her. Felicia finally decides it’s not going to work and tells Eddie they might as well call it off. Instead, he arranges for Lisa Cooper to come to Rosehill. Charles is rude and insulting to Lisa when she arrives at the house to view Felicia’s work, and his derogatory remarks about shady gallery dealings prompt Lisa to tell Eddie that living in such an atmosphere could permanently stunt an artist’s development; if Felicia is subjected to this indefinitely, it’s not even worth Lisa’s while to take her on as a client. Felicia finally decides she can’t be torn apart any longer and must accede to Charles’s demands. She tells Eddie her career is over and she won’t paint any more, breaks down in his arms, crying bitterly, then pulls away, unwilling to acknowledge that her feelings for him are deeper than she dare face. Charles is delighted when she prepares to dispose of her art supplies, insisting everything will be fine once she has accepted that this part of her life is over. But she cannot do it. She promises him that he can set the limits and terms, but she must paint. Arlene discovers that her mother is planning to avoid the surgery she needs, and the accompanying medical bills, by leaving Rosehill and moving in with her sister Dorothy out west. Arlene manages to prevent this by calling her aunt and telling her the truth about Carrie’s condition. Dr. Tom Crawford has been footing the costs of Carrie’s presurgery tests, but Arlene knows that Carrie won’t like this. So she tells Carrie that David Hart, the son of Meg’s late husband, the former mayor, has heard about their plight and forwarded the money as a gesture of friendship, to be repaid when possible. To convince Carrie that she does indeed have the money, Arlene asks Ray to just lend it to her for a few hours, so she can convince Carrie and then immediately return it. Ray instructs her to get dressed for a night on the town and takes her, out implying that the money will be waiting at the end of the evening. When Ian Russell happens to join them, Arlene doesn’t suspect anything is afoot, but when e Ray suddenly leaves, she becomes furious, realizing what he’s done. But she finds Mr: Russell a distinguished and cultured man, and decides there’s no harm in having a drink. After cocktails and stimulating conversation, Ian suggests that they go to his place, and Arlene agrees. But when they get there, Ian matter of factly suggests that they skip the preliminaries and get on with it. Ian is embarrassed and annoyed to discover that Arlene is not a professional call girl and that Ray didn’t explain to her the purpose of their |meeting. He is apologetic and solicitous, until Arlene, explaining why Ray felt he could pull this on her, mentions her sick mother in need of an operation. Ian starts to laugh at this overworked standard line, and a livid Arlene storms out of his apartment. Thinking it over, Ian decides he’s more intrigued with Arlene than he is annoyed at Ray, and calls Ray for her telephone number. But Arlene is not delighted to hear from him, and he has to use a good deal of soothing charm before she agrees to have dinner with him at one of the better local restaurants.During dinner Ian again apologizes for his mistake, and he gives Arlene a diamond pendant as a token of his gratitude for her forgiving him. Ray arrives to interrupt an otherwise enjoyable evening with a business matter, and quietly reminds Arlene that Ian is his customer and she’s not to cut herself in with him. At home, Arlene examines the pendant and is convinced that it’s genuine. She hides it in her dresser drawer, unable to bring herself to show it to her mother.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy