DEADLINE: Days of our Lives Misconduct Investigation Against Co-EP Albert Alarr
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Not to ramble too far off topic but it happens a lot with comics too, especially only wanting to keep cheap talent around and pushing out creative voices. There are some patches where creatives can go to start their own worlds...wish that was true with soaps, but who knows, maybe it can happen someday. I never thought we'd get a new soap this year. -
By Contessa Donatella · Posted
Very true & also at least in the case of stand-out HWs, it is fraught with exhaustion & burnout. -
Plus we are never going to have a Shonda Rhimes, a Dick Wolf, or a Chuck Lorre of daytime -- a single brilliant person who could come in and change the genre -- because Shonda, Dick, or Chuck would only be able to work on one soap opera at a time, not three or four at the same time as they do in primetime. As long as TPTB insist on the 60-minute format, we will never have another super influential individual like Phillips, Nixon, or Bell. They simply would never have time to do more than one soap opera at a time and that would stifle their influence overall. Thanks. So maybe this is happening to some degree in other entertainment genres. I don't keep up with the particular franchises you mentioned, so I was unaware. I appreciate your perspective. -
I think it's become more common in other genres in recent decades, as the industry as a whole has collapsed - these are complaints that have been made about creative talents in the MCU, Star Wars, Doctor Who, etc. The MCU is in that place now as they burnt so much goodwill that even when their new movie got strong reviews, the audience didn't show up - similar to how AW got some praise for their 89-93 material compared to some of the barren years beforehand, but viewers just weren't coming back. (I know they did return, somewhat, in the JFP run, but not enough to make up for the big budget she used)
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By Contessa Donatella · Posted
I mean I really hope so. Still kinda amazed though that it would get by Standards & Practices. A pair that was talked about that I could see it was Jacob Young & that guy who kept changing what name he went by Someone Martines at least part of the time, but at any rate Jacob was playing Lucky & this other guy was playing Nikolas. -
By Contessa Donatella · Posted
Excellent explication. That doing it in these two examples, is not like doing it in other similar genres or franchises, so one could easily postulate that the people who hire do not generally consider "newbies" but instead insist upon experienced people, which leads to rehiring rather than hiring from "outside" which is what your closed system is all about. When you think about it how many people can you name who did soaps who came from outside? I can only think of 3 HWs : Pete Lemay, Hogan Sheffer & Michael Malone. For EPs only 2: Wendy Riche & Linda Gottlieb -
I saw some people mentioning this and I was curious too - did Bo already know Caroline was dead? Maybe they decided it was too much for Bo to process losing Caroline along with Victor and Doug.
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@asafi Thanks for sharing. A nice milestone. I'm not sure if she is referring to just DAYS, as otherwise she isn't alone (Ken Barlow and Rita Fairclough on Corrie are two others).
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Someone making that must have had a laugh. I have to admit I never saw any chemistry between them.
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That'a an interesting comparison, and might be a parallel. But i also know too little about sports to really comment on it's accuracy. It might have something to do with a "closed" system, and the consuming nature of producing or writing a daytime drama and coaching. Both in football and daytime, those factors make it hard for new talent to break into the system. And even a very talented coach or daytime writer or executive producer can only do one team (or one show) at a time, limiting that person's impact on the entire system.
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