Jump to content

Y&R April 2022 Discussion Thread


Recommended Posts

  • Members

No arguments here!

And count me as another who thinks it's way past time for Y&R to do the damn thing and reunite Nick and Sharon permanently.  I mean, a few days ago, I suggested a Paul/Sharon hookup, which should tell you how much I'm at a loss over what to do with her.

Of course, I suspect JM is the reason why the show keeps teasing a reunion and then backs off, as he likely still sees himself as a stud and viable, romantic lead.  But you know what?  If a Nick/Sharon reunion just ain't gonna happen, then maybe it's time we talk about sending one or the other to that Great Backburner in the Sky (...or at least out of GC indefinitely).

(Personally, I'd nominate Nick, but I doubt Y&R would ever consider letting JM go under any circumstances - so, fine, let it be Sharon instead.)

Well, I would have at least let them marry on his deathbed, lol.

Yes.

Edited by Khan
Link to comment
Share on other sites

  • Replies 221
  • Created
  • Last Reply

Top Posters In This Topic

  • Members

4-19

 

Well, you know you have good adversary energy when I want to see someone slap another. And at least I can say that for Sharon and Chelesa. It does make me wonder if it being abruptly brought and from what glance here if Sharon might go vengeful widow on her. 

 

Le sigh. I felt the Ashland story finally got some traction to it finally. But you all are right. The reveal of Victoria finding out Ashland faked his cancer was so...lifeless. I was actually shocked since over the last week I had actually started to engage with the storyline more if only because I knew AH can give good bitca when the writers allow her to. It did get some energy leading up to the car crash (THANK YOU, NIKKI!!!), but I cannot believe after building to this...it landed with a THUD.

 

There isn't anything about Diane's return that I'm not loving right now. ESPECIALLY her sitting in her hotel room after being confronted by Phyllis. Getting up to date on everyone (hehe her reaction to Nikki). The marks of a good schemer. Good knows this show needs one. 

 

And I see Nikki's about to FINALLY find out. Can't wait.

 

 

Link to comment
Share on other sites

  • Members

I'm freaking out a little bit because the score at the end of this scene sounds sweeping and epic, which is the first time I've felt this way about Y&R in damn near a decade. The camera work when Nikki first sees Diane is also the most interesting choice they've made in YEARS.

Please register in order to view this content

Also everyone looks great in this clip. Older but still themselves. Susan Walters is just a gorgeous woman, with her beautiful untouched face.

Edited by Darn
Link to comment
Share on other sites

  • Members

Mealor’s only facial expressions were usually just him smirking/looking smug all the time. Here he looked like a student of Drake Hogestyn’s acting school as if he just reacted to the news like as if he was smelling bad gas from Jack instead. 
 

And was there even a need for Victoria and Chelsea to interact? 

Link to comment
Share on other sites

  • Members

 

It's from the Y&R youtube channel which I think works only in the US.  It's the scene at the end of Monday April 25 US episode when Jack brings Nikki to Diane's hotel room. The very last one minute and 8 seconds of the episode.

The first 30-35 seconds are Phyllis and Nikki arguing in the hotel room, and then there's  a knock . Phyllis answers the door, and Jack is there and says "Change of plans" and then he steps aside and you see Nikki is with him.  Nikki enters the hotel  room and she and Diane stare.

But as Darn said, it's *how* it was filmed.

Edited by janea4old
Link to comment
Share on other sites

  • Members

Soaps need to turn down the lighting alot! Ultra HD is not their friend. I miss the dark and shadowy mood lighting of yesteryear. It set the tone for the show and helped disguise any cheap aesthetics (even though production was A1 back then). Moreover, why are the frames per second slower than usual in some shots?

Now that we have Diane back, and this is extremely unlikely, can we revive Drucilla!

Edited by ironlion
Link to comment
Share on other sites

  • Members

People used to refer to it as the “soap opera effect” with derision, but it worked well for decades. The same effect that people will look on in derision with soaps, will look on it with affection and appreciation in classic films.  That gauzy effect of the 1970s “Great Gatsby” is looked on with great affection but had that been a soap opera, it would have been talked about as a laughing stock.

Soaps need to realize that many of their main characters are over 50s and many most have not defied age, most look good for their age but most look their age, so these soaps need to have better, kinder lighting for their stars, especially since they center most of their stories around their elder characters.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • IMDb is definitely incorrect, because the final week of episodes in 1974 is uploaded to Youtube in audio form, and Mark and Laurie are there until the very end. The last episode shows Mark going back to the priesthood. I looked at the newspaper and the earliest reference to their house being haunted by Georgina is in December of 1973. This is dated Dec 14, but this same synopsis ran in the papers until the end of December in other publications. So it must have been within those last three months or so. I think Stephanie Braxton joined around 1969-1970. I saw it stated in other newspapers that David Gale joined around September 1972.

      Please register in order to view this content

    • Opal having siblings could add to the story. However, it raises questions about Tad's adoption. Why were the Martins allowed to adopt him if Tad had aunts or uncles who could have cared for him?  Logic limited the number of possible Gardner's (and whatever Opal's maiden name was).  Even though Linda Thorson would have been a hysterical choice given her British accent.  Especially because SOD often published questions by readers who wondered why Tad and Jenny didn't speak like their mother.   All of which is still not an excuse for Tad's evil doppelgänger Ted. 
    • And if I remember correctly, at one point, they were considering having Linda Thorson play Opal's sister.
    • Interesting. Makes me wonder how the day to day looked for Secret Storm at this point in the run. This seems very to deal with the psychological aspect, I guess the "inner storm", and the music is almost sinister. If this is from 1974 there's not much room for dates it could've been from as it ended on February 8th.  It's hard to tell from an edit featuring just one storyline, but if this was the day to day it might've been heavy for the casual viewers.   ETA: Stephanie Braxton is credited to have appeared as Laurie from 1970-1973. David Gale is credited only in 1973 and Alexander Scourby from 1972-1973. I know IMDB isn't always right, but I'd say this is likely 1973 - I'm guessing all these characters exited before 1974 and this might be a part of their final storyline. 
    • Well, they were both involved with Ray Gardner.  Then, the actress left in 1980, only to return as a somewhat broader interpretation of the character after Dottie was SORASed.  By that time, Opal had left in 1983.  So, while they serve the same story function,(verbally abusive/neglectful mothers who make you feel sorry for their daughters), one could argue that Edna was the carbon copy.
    • Okay, now it's my turn to ask about the Thorntons, namely Edna. Did she and Opal have any scenes together? I ask because I was familiar with Opal first, so when I found out about Edna, my biased mind saw her as the first try for that type of character.
    • There is no dispute that Jill Farren Phelps had a successful career in daytime based on longevity, but that does not preclude discussion and dislike of her decisions at various shows. Sure there may have been some misogyny involved BITD(we don't know as I don't recall JFP ever mentioning that) but the head of CBS Daytime at that point was a woman and there were other women involved BTS. I think that so long as an EP could deliver, or at least talk a good game they would be respected.  
    • It surprises/disappoints me too that GL's ratings during '89-'93 don't reflect the quality of the show. But when I call it great soap, I'm not defining that by ratings either.  I'm probably in the minority, but I think Reilly takes something intangible with him when he goes. There's a sense of humor that just disappears in '93. 
    • Ok, I know nothing about Another World except their catchy intro song from long ago, but this makes me want to catch!  That crazy mother keeping her son's girlfriend or wife hostage, wow! 
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy