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OLTL Shelved


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If PP wasn't paying attention to what ABC was doing with those characters, that's their own damn fault. Then again, given the mistakes they'd made before then and the mistakes they've made since then, I have no trouble believing they didn't bother to follow up until the shows had already aired.

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For God's sake Vee! This was just my view/speculation on the whole thing. It isn't like I am going to use this as a base for my Masters Thesis. My comment wasn't going to end the world or change it in any way. My comment was just part of the discussion. I wasn't even trying to imply this lawsuit is a bad idea or a good idea. I think PP has a good case on there hands.

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PP knew in, at least, September what was going on with the 3 characters when they decided to relaunch the shows (of course, I'm more than willing to believe they launched the shows the weekend after they thought about it with no real insight into what really needed to be done). They had ample time to ask GH/ABC to re-direct THE CHARACTERS so that they can be recast for OLTL. Instead, they chose to waste time and bargain [to share the "actors"] with the ABC dirty birdies. Too bad so sad!

Of course, I think PP knew long before September, but I'm willing to cut a little slack.

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Disagreeing with you does not equal insulting you. Please calm down. No one stated or assumed that you were making a master's level thesis argument out of anything.

That said, yes, it's possible that Jen Pepperman complaint to TPTB at PP, but at the end of the day, she does not have the legal authority to sue anyone on PP's behalf. Did she complain? Maybe, but if she had enough pull with TPTB to push them into a lawsuit and public fight with ABC, then she should have had enough clout to keep them from shelving OLTL - and clearly she doesn't.

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I really didn't read anyone acting as if the OLTL reboot was the worst soap ever produced. The show earned a good deal of positive buzz at first. I just witnessed over time fewer and fewer were willing to overlook major flaws and then left off posting and watching. Apathy set in and that's the kiss of death for a soap. Personally, I'm sad I'm so apathetic over losing OLTL, and I see some others expressing that same sadness. That's all.

As for the general consensus? It's all perception really.

The growing disinterest in OLTL discussion threads here and on other boards was noted more than a few times the last couple of months. But, those voices who expressed frustrations or boredom were drowned out by a few who a) felt complaints were disloyal or b ) sincerely believed the show was improving.

When I read the SOD spread praising the writing for Todd with Blair, I found it matched a few posts I read here. But I was struck by how SOD obsessed over one small slice and largely ignored the bigger story disappointed many general fans. The most posts generated across the OLTL boards by far, was the criminal waste the writers made of Victor's reveal, Todd vs Victor, and the disjointed tattoo mystery. That story was really OLTL's A story and PP blew that potential big time. So you have the soap mag selectively praising one small thread while ignoring its A story failed, and that mirrored what happened here. In contrast, I don't even watch AMC but kept hearing positive buzz over their sex trade A story.

Also, OLTL received more early praise for its younger cast than AMC. But PP misused RG who was frank his character was a hot mess he couldn't quite figure out. PP stuck him on a cliche fatal attraction story with a newbie no one cared about. Michelle could turn out to be Allison's daughter down the line, I don't care. PP wasted the organic drama of Destiny/Matt/Dani with the added Jeffrey complication. CB was excellent as newcomer Jeffrey, but by the time of his tattoo reveal and villainous mentor entered the picture, it was too little and too late for many. In contrast again, I heard AMC's sex trade was well-paced and well-written. KM's talents were wasted the last half month with that creepy Arturo plot. PP failed to follow through on her drug addiction and Dani & Todd's conflicts. PP should have kept AT focused on Jack vs Todd instead of trying to drive a separate story that he simply was not up to.

As for Dorian. her initial story battling Viki over the black ops story held soapy good potential. I expected vengeful fireworks and instead PP wrote that insipid Pellegrino scam. Worse, PP followed in RC's footsteps by assuming fans care more about David than Dorian. Dorian and Dorian vs Viki faded into the background while David's stupid reality series took center stage.

I won't even get into how PP wasted HBS, MA and FL's talents. JVD alone was given meaty material and from what I saw he inspired the only positive general consensus across the boards the last weeks.

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Wrong. ABC never bought it or The City. Check out the credits (though she has mentioned this, in I think that long youtube interview) http://www.youtube.com/watch?v=49koaI_hu5g

For AMC and OLTL she used her company Creative Horizons. She felt that after five years they were secure enough that selling to ABC would make sense since they promised a much larger budget and to keep her on as a writer and/or consultant (and that did work well--for a good while anyway.) Notice how this AMC episode http://www.youtube.com/watch?v=49koaI_hu5g from 1970 has its final copyright as Creative Horizons--the episodes online from '78 on list ABC as the copyright owner

She wanted to do the same for Loving so created Dramatic Creations, as Creative Horizons was closed after the sale--again creating it with her husband. Probably either both because Agnes Nixon never felt that Loving was in a comfortable place creative and ratings wise, and because ABC was not super interested in the soap she NEVER sold it. Here is the closing credits showing Dramatic Creations for Loving in its second year http://www.youtube.com/watch?v=V6I5qjwKSrE and here you see the same in The City's credits http://www.youtube.com/watch?v=49koaI_hu5g Rumour was that besides low numbers and apparently the expense of its great groundbreaking filming technique, ABC gave up on The City so soon because they would own outright PC.

If ABC had owned Loving perhaps we would have been so lucky to get it on SoapNet back when they briefly aired classic soaps--they did own Ryan's Hope and while they didn't know AW of course that was a better known soap.

So in theory, Agnes could retaliate I suppose with GH using even photos of characters from her Loving--but she's classy tongue.png (And, like much of this lawsuit it woul dbe silly) plus Loving/The City has no viable future anyway.

(Sorry for the long rant but I had to prove John wrong wink.pngwink.png

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OLTL started off very strongly, but mid-way through the season.. it seemed to run out of steam. I'm not sure if it's cause SBH left the writing team mid-way through, if the episode cut from 4x/wk to 2x/wk affected things.. who is to say. I'm also wondering which stories were SBH's idea and which were TR ideas? The Tattoo story seems TR idea, but it seems like the Dorian/Vicki feud/ Pellegrino fund scheme seemed to end suddenly with no real payoff (other then Clint/Vicki breaking up).

AMC, on the other hand, kind of struggled at the start. Major character/stars didn't return (i.e. Erica, Tad, kendall, Greenlee/Ryan to a lesser extent), plus the head-writing team had never written the show.. which is most likely why the vet characters were used as props for the young characters at first. However, as time moved forward.. it seemed like there were plots with decent pacing.. and it appeared that as the head-writers were getting an idea of the history/connections.. so did things improve (i.e. Colby/Cassandra scenes, Dixie/Cara finally interacting..Angie/Jesse finally starting to act like themselves again, and Brooke/Dixie having underlying tension that existed between them due to the past.). The human trafficking story did kind of drag a bit at the start.. but 1/3 of the way.. the pacing picked up. and so many story beats were hit (Jesse making deal with the devil, Cassandra being rescued then having an abortion, Jesse being found out by FBI agent Lea then giving up his position as Chief of Police.. so we are left with the next threads of the story. which is Cassandra trying to get back to normal living again, Jesse and possibly Tad going rogue to find the head of the human trafficking story.. Jesse possibly lying to Angie while David is close by to take advantage..and Zach/Lea are inching toward being a couple).

I think if OLTL does resume production, they need to not put so many eggs into one basket.. and perhaps look back into their past to generate story... AMC did that with Dimitri and Billy Clyde Tuggle.

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This is very nearly the type of thing I would've posted a year ago. Well, technically, it would've had more paragraph breaks, parentheticals and metaphors but the sentiment mirrors where my head was after PP washed out the first time around.

I don't feel that way anymore.

I think that no matter how many mistakes PP has made - and they've made plenty - they showed that there is still a vibrant, engaged, viable audience for soaps. There's still a lot to figure out about content and logistics but the audience is there. And just like Broadway was declared dead before RENT and the sitcom was dead before The Cosby Show in the 80s and Friends in the 90s, and YA fiction was dead before Harry Potter and Twilight it's just a matter of time before there is a perfect combination of talent, funding, luck and timing to kick soaps into their next phase. I'd give anything for it to be this new version of AMC but that's just me being a Pine Valley/Agnes Nixon fangurl and I know it.

It's ironic that I used to pride myself on being one of SON's biggest cynics. I guess that I need to officially pass that crown on to ChitHappens. The Queen is dead. Long live the Queen.

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