Jump to content

As The World Turns Discussion Thread


edgeofnik

Recommended Posts

  • Members

 

If you're talking about the Angus and Margaret McKechnie haunting story, that storyline was already underway by this episode.

 

I'm not sure if the actual storyboard for how that Hal/Barbara scene lays out visually is  a writer's choice or is it something the director would push.  Remember this is mostly editing that makes the scene look like this visually, which means it was done in post production. Someone could've easily been someone's 'bright idea' to try something new, there have been other times before Marland where someone tinkered with special effects and you look at it now and it looks goofy. Back then, someone probably thought it was cool but in '88, this looks more like a home movie that got 'tinkered with'.

 

Someone needs to ask Colleen Zenk about this!

Please register in order to view this content

Edited by DramatistDreamer
Link to comment
Share on other sites

  • Replies 17.1k
  • Created
  • Last Reply

Top Posters In This Topic

  • DRW50

    2971

  • DramatistDreamer

    1958

  • Soapsuds

    1716

  • P.J.

    823

Top Posters In This Topic

Posted Images

  • Members

Does anyone know where/how ATWT archives their scripts?  I know that as a student, I use to have access to Primetime TV and movie scripts and I used to go to the New York Public Library and get access to plays very easily but I have always wondered how P&G/ATWT archived their scripts, especially from the past 35 years.

 

I'm so curious about the scripts written during the strike in 88. I just wonder how much of the material was going according to Marland's outline and within that material were any new ideas added in by the scab writers?

 

I guess because daytime was five days a week, unlike weekly Primetime scripts so perhaps they weren't archived with as much care? I know that many old plays are in the public domain and can be accessed digitally. So can movie scripts and many TV shows that are no long on the air are easy to access digitally (not all are free, though).

 

For now, I'd settle for reading a few of those scab scripts because I'm curious. I mean, would P&G really be protective of those?

Link to comment
Share on other sites

  • Members

Didn't someone on here awhile back say that a school in California possibly had some? Or was that old footage of the show? It's either or. 

 

I think the only script most people will have access to is the one they offered fans with the DVD sale of CarJack's wedding. Luckily, I have that. 

 

I doubt this show kept archives of scripts. It'd be better going to the actors and asking if they have any old ones. Just like how Martha Byrne (I think) gave WLS access to her copy of the show's rough draft story bible she got. 

Link to comment
Share on other sites

  • Members

@Nothin'ButAttitude Such a shame.

 

I know that Bill Bell likely archived every single one of his scripts from Day 1. He did have the advantage of starting in the early 70s and not in the late 50s or 60s like other soaps. He most likely saw what others did and marked their mistakes and learned from them. He treated his show with value from the very start.

 

I wonder whether anyone has bothered to ask Don Hastings, Eileen Fulton, Karthryn Hays or any of the veterans who were on the show during the 70s and 80s whether they kept any scripts. 

What about the writers? Union and scab? 

 

Susan Bedsow Horgan was on the writing staff during some pretty great years in the 80s. She strikes me as may have even kept some scripts.

Link to comment
Share on other sites

  • Members

 

There could be archived scripts that P&G kept, but we'll never know. P&G has basically wrapped up tight anything involving their soaps. If anything pops up it is b/c fans got their hands on it and released it, or actors did.

 

I do know that a few years back that some soaps scripts were on Amazon and Ebay being sold, but I am sure they've been bought by now. 

 

I love how EastEnders have a small little archive for aspiring writers to look at on their writer's website even though they aren't episodes from the show's start (from about '05). Something is better than nothing. There is a B&B script on SimplyScripts though. 

Link to comment
Share on other sites

  • Members

Where's my Hillary Bailey Smith?

Please register in order to view this content

 

 

Thanks for posting @DRW50 I wish it were longer. I need Roger Newcomb to start doing some roundtable discussions with these ATWT alums.  I bet a Kickstarter would be pretty successful, fans could get a longer form discussion with some "meat".  

 

Really Colleen? That was her favorite ATWT story?!  

Both Ellen and Martha cited their favorite times being during the Marland years. Martha just put it out there "We were a team...we had fun".  Speaking to the heart of the matter.

 

This really makes me crave more of something like this-- no major network show, just some ATWT actors on a couple of sofas talking about their characters and the show, discussing specific storylines with a single camera, uploaded on the Internet. 

I'd love to hear from some writers, especially from those Marland years and maybe Maria Wagner who directed for many years.

 

I feel like after all this time, the actors, writers and directors would be more forthcoming. Serve wine, it'd be even better.

Edited by DramatistDreamer
Link to comment
Share on other sites

  • Members

I can sort of see why she chose it, as she worked a lot that year and had some varied writing after lengthy periods of bad camp or meddling mother. 

 

I'd definitely love to see interviews with more cast members. If anyone is able to get in touch with actors on Facebook maybe they could ask. 

Link to comment
Share on other sites

  • Members

Martha is looking good..she was always so frumpy on ATWT. I liked what she said about everyone working together and can see why TPTB at a certain point considered her the morale booster of the show (I read somewhere that she got the twin storyline for reward for helping to keep everyone's morale up during post Marland, etc.) I like that Brygman called it "The factory" and I am sure he didn't mean it as a compliment. I think Colleen did like the last year as it was lighter stuff, she got to play Babs as more of a real person...and having some fun.

 

 

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Kobe/Long had their own template and pretty much gutted the cast. As soon as contracts were up established characters were dropped. They needed to free the budget for the new characters. Going back to Ann,I wonder why the Dobsons renewed her contract around 78? After her initial story she became supporting and they didn't seem to want to pursue a romance with Mike. Maybe the feedback was that viewers blamed her indirectly for Leslie's death. If Mike hadn't taken on her case etc. Did she decide not to disrupt her son's life? Seems odd after everything she didn't claim him back. 1976 continues... Joe Werner is just not bouncing back after his recovery as he should, and Sarah, concerned about his sometimes morbid-seeming depression, consults Justin Marler. They agree that Joe is becoming a “cardiac cripple,” and know this kind of overcompensation for illness and overprecaution can not only be a permanently depressed condition but can actually cause a setback for him physically.  Marler releases Joe into Sarah’s care, but it’s soon apparent that just being out of the hospital hasn’t done anything to boost Joe’s spirits about his return to a normal existence. Marler finally lays it out to Joe—the choice has to be his. He can choose to lead a normal, productive life as a doctor and as a husband to the best wife he could have, or he can choose to become an invalid and live on the outside looking in for the rest of his days, sentencing Sarah to the same fate. Realizing the selfishness of what he’s doing to —Sarah as well as the narrowness of the confinement he’s set for himself, Joe begins to see his preoccupation with his illness as the self-pity it really is and decides he’s ready to return to the hospital for a one hour shift each day. Sarah is overjoyed by his turnabout, but full happiness is hers on the day she overhears Joe telling a fearful patient that the world is beautiful and worth any. effort to get back into it. Steve and Adam are thrilled to learn that Cedars has been the recipient of the Levy Grant for expansion of hospital property. But they have learned, as they report to Ed, that the land they were hoping to build the new research facility on, the land immediately adjacent to the hospital, has been purchased by Dr. Justin Marler. Both Adam and Steve feel that Justin is expanding a power base at Cedars and the land purchase is just one more block in Justin’s power play. When Ed asks Marler why he purchased this particular parcel of land, Marler explains that he bought it with the express intention of someday building his own offices and facilities convenient to the major facilities of Cedars. When the subject of the hospital’s needing the land arises, Marler meets with Adam, and they agree that he should realize a fair profit from his property and that an unbiased assessor should be engaged to evaluate the market value of the land so they can agree on a selling price. When Sarah comments on the fact that Marler is to realize a profit on the land, he bitterly replies that no matter what he’s done since coming to Cedars to prove that he has changed. since she last knew him, she refuses to see him as anything but what he was all those years ago. Sarah insists this isn’t true. But Marler then calls Adam for a meeting and informs him that the land is not for sale at any price. As Adam begins to grow alarmed, Marler continues that the site for the new building will be his personal donation to the hospital. As Adam expresses profuse thanks and appreciation, Marler wryly notes that the tax deductions he’ll realize on this contribution to a charitable institution will benefit himself almost as much as Cedars. When Steve Jackson learns that Marler is to be elected head of the research wing that will be built on his property, he expresses the conviction that this was the exact intention of the gift. Adam, however, assures Steve that the donation wasn’t a factor in the hospital  board’s decision, they were concerned only with Dr. Marler’s reputation as a doctor. | After lengthy consultations and meetings. with the hospital  staff, Ed assured by the head nurse that her nurses performed commendably despite the added pressure of the train wreck, presents his findings to the hospital review board. Steve arrives at two possible explanations for the facts. Either Grainger, more active than usual due to the previously delayed medication, reached for the writing pad and inadvertently disconnected the breathing tubes, or he was in a state of extreme upset because of the delayed medication and.in the excitement a surge of adrenalin within his system caused his brain aneurism to start hemorrhaging. " Upon learning that the review board has ruled out negligence in Grainger’s death, Ed tells Rita, who takes her first free breath in a long time. But Ed hasn’t thought to tell Rita that he’s been in touch with Grainger’s attorney, Mr. Schafer, who, knowing that a woman was at the base of Grainger’s investigation, is coming to Springfield to try to find out who the woman - was who walked out on Grainger when he collapsed —in the restaurant. Peggy, learning that Rita’s “forgetting” to deliver Holly’s message was instrumental in their divorce ‘being finalized, tells Ed that Holly wanted to reach him to stop the divorce. Immediately after, Peggy is torn by doubts, wondering if she did the right thing.She confides in Barbara, who then discusses the situation with Ed. He tells her he and Holly have discovered a new closeness now that they are building their separate lives. Barbara quickly contradicts him: Holly is not building a new life. Barbara gently cautions Ed, saying, “People change, feelings change, and what seems right now may not be right a year from now. No decision is irrevocable.” Ed agrees with this. Now that Ben has declared his love for her, Hope finds herself apprehensive, fearing that she might be making a mistake, as she did a few years ago, when she was sure she was in love with her college professor. Explaining that she doesn’t want to make another mistake, she asks Ben to be patient, and he agrees. When Mike expresses his disapproval of Ben’s overstated independence, his need to be beholden to no one, Hope quickly jumps to Ben’s defense, and Mike apologizes. But Ben, surprisingly, accepts Mike’s assessment as constructive criticism. Later Hope, examining her feelings and desires, tells Ben she does love him and wants to belong to him. Later that evening, after they’ve made love, Ben asks Hope to marry him.And, delighted, she replies that she will. At Hope’s instigation, Bert has a family dinner to which Ben is invited, and Hope announces their intention to marry over glasses of wine. Mike politely offers best wishes while Bert thrills the couple with her offer to' make a Christmas wedding for them. Bert later tells Mike he must accept this engagement with good spirits for Hope, and later, seeing the joy she’s feeling, he gives his daughter his approval. But Ben finds another problem on his very own doorstep: his brother Jerry, who announces he’s left home after several bad fights with their parents. He refuses to tell Ben what they were fighting about. As Ben is showering, Jerry borrows his car and goes out for an hour. The phone rings, but Ben can’t hear it. Shortly after, two uniformed officers visit Mike at home to tell him that his late wife’s car has been involved in a delicatessen robbery earlier in the evening. Since Ben bought Leslie’s car, Mike accompanies the officers to Ben’s apartment. Ben curtly informs the police that he had nothing to do with the robbery and makes it clear that he feels they wouldn’t be there if he didn’t have a record and that his exoneration doesn’t prevent his being hassled like any ex-con,as they tell him he has to go to the police station for questioning. Hope tells Ben she called him earlier, and when he replies that he must have been in the shower, she accepts his word unhesitatingly.Jerry finally returns to Ben’s place and under questioning from Ben admits that he robbed the store,explaining that he has debts. Ben is now in a quandary,as he feels he must protect his brother but doesn’t want to be unfair to Hope. He tries to ease the situation by withdrawing $185 from the joint checking account he opened with Hope and repaying the delicatessen owner. He then sends Jerry out of town to stay with a friend. His relief at having solved the problem is short-lived, however, when Mike informs him that, despite the reparations, the robbery was a felony and the police will continue to investigate. Hope is badly upset to learn while making a deposit that Ben withdrew’a sum which Mike tells her is equal to the amount stolen. This shakes her belief that he _was really home when she called, and she goes to him, asking for an answer to put her mind at rest. Ben can’t betray Jerry and asks Hope to trust him, promising she will have the whole story eventually. But Hope can’t accept this; she needs complete honesty and openness in her relationship and without it cannot goon. She painfully tells her father that the wedding is off despite her love for Ben, and tells Bert to stop preparations. Mike goes to Ben, reminding him that half the money in the account is Hope’s and she has the right to an answer. But Ben won’t say any more and refuses Mike’s offer to represent him legally, again stating that he doesn’t need a lawyer, because he’s done nothing wrong.     
    • And not since. I recall it was quite small for a house that size. And I don't know why you would walk down a narrow corridor to get to the main living area. I hate when the sets on soaps don't have a logical layout! As for Andre his clothing is fashion forward and suitable for his character.He ain't gonna wear no blazer!
    • The last I remember seeing Ben, he was divorcing Amanda. He came to tell Evie that he still loved her, but was leaving town so that Amanda wouldn't blame Evie for his divorcing her. I'm not exactly sure when, but Evie doesn't leave town until sometime after Nola and Quint's engagement ball. I'm not sure if she leaves before or after Justin leaves in Sept(?) of '83. I grew to like Helena when she became friends with Vanessa, once she's edging her way out of Quint's life.
    • Please register in order to view this content

    • Please register in order to view this content

       
    • It sure was!  With respect, how does that make sense?  These men are young, I don't see that. 
    • I hope this played better than it sounds, because I'm imagining two separate scenes (the attack by Arnie, and later Charles getting shot). In my mind, it should have been a fluid single sequence. I wonder if or how often "bastard" was uttered in this scene. Fare thee well, Christopher Reeve. I've said it before, but pop culture's gain was daytime's definite loss. Imagine seeing HIM day after day, year after year, decade after decade, conceivably until they stopped producing soaps in NYC.   Well, that answers my "bastard" question. Good lord, the roads of Rosehill are packed with high-strung drivers and/or pedestrians. More sequences that I hope played better than they sound.

      Please register in order to view this content

    • I think Ben had already left while under Marland and only returned briefly to reconcile with Eve. The whole thing confuses me as I thought for a long time that Eve left the show to go be with him and that was when they reconciled, but it seems like he returned, they got back together, then he left and maybe they were still together until she left to join him? I have no idea.  It does seem like the interim writers were using some characters like Justin and Helena who were quickly dumped under Kobe/Long, which is a shame. Helena is one of those characters who likely always had a shelf life but Rose Alaio was such a vibrant screen presence, if Kobe/Long had just been patient, she likely would have fit in well in the Reva era.
    • Also, the lawsuit story was not the right story to bring Naomi and Bill into a court battle since those types of lawsuits are usually resolved via settlements.
    • I know that Sara did eventually become Carrie's therapist, but I was curious if the show had her make comments regarding Carrie's stunts of making it seem as though Justin was cheating on Jackie.  Given that Justin cheated on Sara with both Jackie and Brandy, I wondered if it was wise of her to counsel Carrie given the conflict of interest involved. @DRW50I think once Adam/Sara end up married.. Marland didn't see any reason to explore Sara's personal life after the actor playing Adam was released.  I know that Sara lasts until at least Christmas 1982 on the show.. but I don't think she ended up staying on for very long into 1983. The period between Marland quitting and Pam Long starting was the perfect time to clean house on characters that had outgrown their usefulness  (i.e. Ben, Evie, Sara, Jennifer, Morgan).. and tying up stories started by Marland that were too complex (Mona Enright, Mark/Jennifer/Amanda triangle).
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy