Jump to content

Guiding Light Discussion Thread


Paul Raven

Recommended Posts

  • Members

This is it..you can work 24/7 but if you aren't capable and you make wrong choice (putting JVD on recurring) after wrong choice (thinking that weird assassin guy and Hillbilly Bonnie would make a super couple) there are no kudos for you. I am also sick of hearing that Peapack saved GL for a couple of years...who cares...it sucked and should have gone off the air if the net and P & G didn't give a damn anymore.  Hey she could have ended up filming people having sex in roadside park restrooms who wants to see it..oh yes, she did film people have sex in park restrooms..so..no..just enough with Wheeler, she is where she belongs right now.

 

No..he truly was as if Bernau had a kid..but that was the problem...Phillip wasn't Alan's bio kid!

 

 

Link to comment
Share on other sites

  • Replies 17.5k
  • Created
  • Last Reply

Top Posters In This Topic

Top Posters In This Topic

Posted Images

  • Members

That is why they should have cast him as someone else and just had Phillip skip town to go looking for Alan when Alex tells him she thinks he is actually alive.  Here comes this new hungry exec at Spaulding (is there any other at the factory or evil) who conspires with and against India.  I mean, India chasing after that feathered haired blond bore Simon????

Link to comment
Share on other sites

  • Members

There was an amazingly respectful tribute to Guiding Light and soap operas in general on today's episode of the NPR radio show, 1-A. The segment is approximately 15-minutes long, and I would encourage any soap historians and fans to find it online and listen to it. It's ironic that the national tv networks can't show any reverence to the soap operas that sustained them for generations, but NPR took 15-minutes on national radio today to reflect on the importance of the genre. I've always loved NPR, but even more so now.

Link to comment
Share on other sites

  • Members

 

You're welcome.

It's like you said, people have no idea what they have missed. I blame P&G/PGP for this.

Something that I have been saying for years was mentioned in this podcast segment- the devaluing of the impact and artistic value of the soap opera because it was perceived as a genre directed at women. That is a massive part of why the archives have been so poorly preserved, if preserved at all.

It's also why I have been saying for years that the genre needs a very thorough, scholarly and entertaining documentary series (a la Ken Burns' "Jazz", "Baseball" or the recent one on Country music for the History Of the Daytime Drama. And a big part of that should be a "warts and all" examination of Irna Phillips, on all her genius, faults and foibles, the sexism she undoubtedly faced as well as the actions she took in its wake to build thos genre. Until we get something of that level, with that sort of gravitas and scholarly examination, the likes of P&G will continue to devalue parts of their entertainment legacy, because they can and aren't facing pressure to do otherwise.

Link to comment
Share on other sites

  • Members

Is there a good place, since that documentary is not close to being made :), for someone to read about Irna in more details, including some of the things you mention? I always learn bits and pieces on this forum and it sounds so fascinating but I could enjoy a more comprehensive story of hers.

Link to comment
Share on other sites

  • Members

 

 

Yeah, but any truly well-made documentary will appeal to an audience beyond those fans. 

A thoroughly researched, well done documentary will garner attention and interest in the subject. And I am not talking about reboots or anything, just enough regard for the genre to look at preservation efforts (or lack thereof).

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • https://www.instagram.com/p/DJnOpDWJX7b/ 1996 Daytime Emmys GH Best Show, their 4th win, Wendy Riche EP accepting she calls out 3 lost to death - Lee Mathis, Rosalind Cash & John Beradino. She concludes with Claire Labine's words, delivered by Mary Mae to Stone who was near death. It's famous now, "Every moment of my life, whether filled with joy or with pain has potential for grace realized. ... These are gifts from god. ..."
    • Please register in order to view this content

       
    • If I'm being 

      Please register in order to view this content

       about it I think Jan is a fine supporting part for a solid daytime vet (probably someone from the P&G soaps), as opposed to someone from the production location who is clearly cheaper. Which seems to govern some casting. I get the rationale, but I would start going through the ATWT/GL, etc. rolodex myself.
    • I dont mind Jan. She's good in the minor capacity she is used. 
    • tbqh I don't care about Jan, I don't care about Ashley and I think Jon Lindstrom as Joey is an acquired taste. Jon is a great actor but certain things are in his zone and then some are not. Some days I find Joey credible and compelling, but the stuff with him hanging around the Golden Corral, grumbling about Doug and bitching at Randy is not amazing. If he had material on par with what MVJ wrote for Ryan/Kevin on GH back in the day it'd be a different story. I do think he has real chemistry with Vanessa, which is in large part due to MVJ clearly molding that character (and hiring an appropriate actor) in the Lucy Coe vein when she reinvented Lucy in the '90s as well. But I am not here to spend 6+ months watching Jon glower a lot (which is what he's doing half the time to carry weak story) and make more vague dire pronouncements while Jen Jacob gets flustered and weepy over "Daddy" or whatever would come of that storyline. Putting them together sounds like a recipe for doom to me. But I may be in the minority on that.
    • I know this will never happen. But... Halle Berry as Dani Dupree(BTG). She would rock this role, it's in her wheelhouse.
    • When I see how bad the Ashley/Derek scenes are, I know there must be a larger purpose and Joey being her father is the thing that makes the most sense.  My take on it is that Ashley knows Joey is her father but doesn't know Joey. Maybe he was there when she was a child or just not around at all but I believe Jan when she says she didn't lie to her daughter about who her father was. Maybe she left him when she discovered his dangerous lifestyle.  I do think they could really jump start the character of Ashley if they hurry and do this. Jan is a great character and her scenes with Ashley have been helpful. This would further integrate Ashley into the canvas and give her something dramatic to do. With her working at the hospital along with Doug, it could lead to complications if she learns Doug is involved with her father. I just need is sooner rather than later because Derek is tanking her character. I need a distraction.
    • Please register in order to view this content

       
    • The stories are awful. I'm not enjoying any of them. All I'm left with is Sally in a plastic dress.
    • Please register in order to view this content

×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy