AMC often seemed to be the most immune out of the top soaps to these trends, although as you mentioned that wasn't entirely true, and as I've mentioned ad nauseum it often is forgotten how much Agnes Nixon loved Gothic story touches or full on references to Gothic lit--with AMC I guess this only really showed up first in 79/80 with the Cortland stuff (which included a staged seance and hints that there might be a ghost--of course there wasn't, etc.) And then went full force in the early 90s when Nixon was writing all the Wildwind stuff (to huge ratings using classic Gothic and sensation novel elements like someone trapped in a well, a forgotten wife kept in the attic, etc) and then (to not so huge ratings) her 93-94 Loving stint.
But I know from talking to one of the main writers during the 95-97 AMC stint under Lorraine Broderick, there was definite network interference to go more DAYS. This was when suddenly AMC was not in the top 2 or even 3 anymore, and DAYS suddenly shot right up (and of course was its competitor in some markets.) And is most obvious in the Noah and Julia on the run in Jamaica storyline which involved voodoo and zombies (they were careful to never go full supernatural and give it an explanation, but...) And I suspect when McTavish was rehired in 98-99 for her pretty disastrous run, why she was allowed to do storylines like Hayley's psychic bleeding tattoo, etc...
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EricMontreal22 ·
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