It's because with the arrivals of Frank Valentini and Ron Carlivati, they seemed to bring with them the non-HD camera quality that One Life to Live had. Both mirrored each other. By 2015/2016, it began to shift, but they appeared to be using 4K lights and non-4K cameras.
When the 4K cameras were introduced in 2018, it definitely looked better than it does in 2025/2026. Since COVID, things have shifted in how production has looked, and it's very disappointing. This is from the debut of the new cameras, and while it is bright, the post is much more complimentary in comparison to now where it is beyond cold and dull:
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Liberty City ·
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