Jump to content

DAYS: R.I.P. Drake Hogestyn (John Black, Days of our Lives)


Errol

Recommended Posts

  • Members

Fans should be grateful they didn't totally destroy his character.  They tried from 2006-2015.

They should have always kept his character decent and heroic. When they tried to make him angry and dark, it didn't work. It was always like the real John wouldn't be angry, or he wouldn't treat Marlena that way, etc; it always felt false. If making him dark was a matter of trying to distinguish John from the other heroic characters, like what Roman was supposed to be, then instead of going dark, I would have rather seen them make John Roman again. 

At least in the last few years, they did make John heroic and decent, so he did feel like the same guy from the 80s and 90s; that was a positive.

Edited by Jdee43
Link to comment
Share on other sites

  • Replies 394
  • Created
  • Last Reply

Top Posters In This Topic

  • Members

I was never quite sold on Stefano’s obsession with Marlena but John? Absolutely.

And fine, I’ll say it some of my earliest memories watching Days involved a hairy, glistening, shirtless John saving…someone from something or other? He and the show fully got my attention.

Beyond his good looks he was drowning in charisma. Drake just radiated heroism and kindness and a pure love of what he was doing. There wasn’t a scene he phoned in.

His chemistry with Deidre was unparalleled. I don’t think there’s actually been a sexier couple on daytime than these two and they were still bringing it well into their 60s. 
 

This loss is leaving a huge hole on the daytime landscape. John was the type of hero that simply doesn’t exist anymore and most of that affability came from Drake, an actor who was equally parts sexy leading man and loving dad. He’ll be missed.

 

Link to comment
Share on other sites

  • Members

Stephen Nichols via Instagram:

My dear friend, Drake Hogestyn has passed. This loss is overwhelming.

Drake was a man's man with a huge heart. He was kind, respectful and honest. I never heard him speak a negative word about anyone. He was on a very short list of exceptional people I have known in my lifetime. He was a mentor without knowing it. I learned so much from Drake by his example. Humility, perseverance, forgiveness. We had long talks in his dressing room after working on our scenes. He spoke so lovingly about his beautiful family who he cherished above all else. Drake would tell me about his history, playing baseball, coming to Hollywood, getting into acting. He also shared triumphs and a few heartaches having to do with his long career on Days with such honesty. I felt privileged to be a sounding board, to have his trust. And he had mine. I could tell him anything; and recently when I was going through a rough time when I lost my sister to cancer, he was there for me and he listened and asked how I was doing daily.

Drake was a storyteller. Ask anyone around the studio. He could spin a tale, and he remembered his adventures in such detail and always throwing in baseball metaphors whenever he could. Drake loved his time as a ballplayer. And on our Days softball team he was, of course, our star player.

Drake and I began our working relationship in 1986. No one hit the stage with more commitment and enthusiasm than Drake. He inspired and energized me and everyone around him. He loved coming to work and showed up early to workout in the wee hours of the morning. I'll miss hearing the whirring of his stationary bike and the clanging of dumbbells-we were dressing room neighbors.

Just being in Drake's presence was enough to get a jolt of positivity. He was one of those special souls who exuded joy and love for life. The Days of Our Lives cast, crew, and tans (who he was always so kind to) have suffered a great loss. It has been palpable how much Drake was loved and has been missed during these months without him at the studio.

I kept in close touch with Drake throughout his illness and even through his darkest times he always threw in an optimistic phrase like ... "not much positive to report, but I still believe in Santa." Drake fought hard. That's who he was. A man with an iron will, who would not give up. In the fictional town of Salem, we were partners in Black Patch Private Investigations. In life we were good buddies who always had each other's backs. I'm at a loss without you, Drake. I will always remember our long talks about our families and our "out of body experiences." I'll miss your sweet smile and your greeting, "Hey, partner, come on in" when I knocked on your door to run our scenes, and your strong shoulder squeezes and pats on the back. And God knows, I will miss sharing the stage with you. You worked hard and left us a legacy of beautiful work. Rest easy, partner. I'' always love you and I'l never forget what a positive impact you've had on my life. That's a fact. My love and condolences to Victoria and his beloved family.

Link to comment
Share on other sites

  • Members

This one really stings. I don't think I realized until just now that this actor, that John Black, somehow epitomize soap opera to me, as a concept. The character's ever-shifting backstory, the actor with the amazing over-the-top eyebrow raise (I say that with admiration and love)...the feeling like he'd always just be there (as soaps never end, mostly). Dude wasn't just Days to me, it seems. He was Soap Opera in the best way. 

Related, it's nice to read so many detailed tributes highlighting what a good guy he was. It's nice of him as he passes to help show that there still are good people out there. 

Link to comment
Share on other sites

  • Members

A Martinez 
https://www.instagram.com/p/DAihlZCxZIR/


abonemartinez (A Martinez)
|||||||
It was a perfect weekend. I’d scored a well-paying PR gig somewhere in Appalachia, and my partner for the trip was gonna be Drake Hogestyn. He was an actor I greatly admired, and even though we worked on the same studio lot in Burbank –– Drake on the legendary Days of Our Lives and me on the upstart Santa Barbara –– we’d never met. I expected we’d be comparing notes and telling stories about the fun and challenges of Daytime TV –– a particular kind of job that not too many people get to talk shop about.

What I didn’t know was that Drake carried a serious history as a ball player –– having attended the University of South Florida on a baseball scholarship, been drafted by the St. Louis Cardinals and the New York Yankees, and played professionally in the Yanks organization until an injury stopped him. His path was a path I had dreamed of, and his generosity in recounting the details of it was a treasure. The dude had the receipts.

When we got to the venue and met the fans, he conducted a masterclass at how to light up a crowd. He was warm and quick and funny and cool and did one-armed pushups on the spot without warming up because someone dared him to. I watched and wondered at his ease, and it extended to the quieter moments in the autograph lines, when he offered himself genuinely to people. Drake was born to connect.

We ended up living in the same town and watching our children dance together and grow up gracefully. (Drake and Victoria have created a wonderful family.) And finally, we got to work on DOOL together for a while. He’d become a full-on sage by then, and like many, I considered it an honor to be in his presence. We’d meet up in his dressing room to work on our scenes, but usually default to the roles we played on that first plane ride decades before: Drake would tell stories and I would listen.

I wept today when I heard he’d crossed over. It’s the season of so many losses now for us OGs –– some seen coming, some like bolts from the blue. But losing Drake Hogestyn was a whole other level of shock. He was strong as a rock and an extraordinary human being.

Warm wind forever at your back, brother.

Edited by janea4old
Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I know Daphnee's back hurts, because she was carrying Maurice through those scenes! Still not loving the idea of replacing the actor, but he was giving very little.  Brandon's scenes with Leslie did not hit the way they were supposed to because I was busting out laughing.  One thing I enjoy about this soap is how it plays with the nuance of good and evil. Kat vs Eva and Anita vs Leslie. There are some things that Kat and Anita said that makes it hard to root for them and how the Duprees can be family over everything to a fault. It almost makes them come across as entitled and unlikely at times. And while what Lesile and Eva have done is wrong in different ways, you can see that hurt and sympathize.  Now, what I don't get is what Lesile thought she was doing expecting the Duprees to accept Eva with open arms. Honey, Eva is a Richardson not a Dupree. In the Dupree world, she's Ted's problem unless they choose otherwise, because there ain't a drop of Dupree blood coursing throught her veins (unless we learn otherwise in some twist). Ted is lucky if they don't disown his ass.   
    • I think maybe viewers needed a break from Aaron Spelling by 1985 or 1986. He had a series, Macgruder and Loud, which I recall, even as a young teen, getting TONS of promotion with even a post-Super Bowl slot, and it failed. Viewers probably were - as said here - tired of soapy fare and went elsewhere. But they must have missed him since, as we know, Spelling rose from the TV ashes in the '90s with Beverly Hills 90210 and Melrose Place!
    • I’ve been enjoying the pace the show has taken recently. Things don’t languish as long as they have and if they are drawing something out, like Gio’s adoption, it’s hasn’t been as excruciating. Also, my nosey nature would appreciate less interaction with posters I have on ignore so I don’t have to click on “options”.

      Please register in order to view this content

    • Okay...I'm just going to call it. Ambyr Michelle is the breakout star of this show with the young set hands down! There is no character like Eva that pulls my heart strings, and she's playing it perfectly. If Eva and Leslie are on, it's a good episode! If written properly, Eva and Kat's rivalry is one that could go on for YEARS. Of course, it's fun to speculate about who is really whom, but I could see them developing as frenemies after some time. They really need a guy to tussle over to amp it up. Tomas is pretty, but the actor has got to loosen up some in his scenes, I think. He is improving though. It would be good to introduce a new young man in that story for a foursome.  Martin and Smitty finally feel like a real couple to me, too. Hopefully, they locked them into four year contracts.
    • I'll be that guy and say I don't think TMG is a fool. This is a popular contract role on a year-round soap opera for a woman of a certain age (to say nothing of a woman of color). If I'm her I pull a Kimberlin Brown and ride this til the wheels fall off.
    • Tbf it's not unusual for a family when they are dealing with some bad news that changes a life to use song to give out hope.Especially black families. I personally had to deal with that very thing this weekend. Partly off putting, but at the same time, I did get the point and it gave me a bit of hope in the moment.      MM is definitely acting. But Smitty is just so passive. It could turn into quiet strength at some point, but for now...passive IMO. 
    • Am I remembering correctly that the Madison's lived in a Spanish revival-style house? I have a vague recollection of the fireplace looking especially Spanish in style. It is unusual that Montecello had so many architectural styles.  Obviously, that might occur IRL.  But, look at other east coast soaps and there is a definitive style that is throughout (because it was styled by a set decorator) regardless of the income of the occupants.
    • @kalbir MSW was a powerhouse for CBS. Angela Lansbury was a superb actress. In 1985, TV viewers were tiring of the primetime soaps and the like. People wanted storytelling and MSW was great at that and had great guest stars. Storytelling -- an amazing and novel concept. CBS Daytime by 1985 was beating ABC so CBS was on the upswing.
    • I'd say just the opposite - conflict means they will find out and then be at odds. For the limited amount of time people on this show have conflict (if they aren't named Nina or Ric, I guess).
    • Totes mcgoats (aka I agree). But, now the character needs to move forward.  Clyde's exit was 12/11/24.  It is May.  She and Chad have been on one date. I don't think they've slept together. And she was only planning on sticking around for a year.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy