Jump to content

Y&R June 2021 Discussion Thread


Recommended Posts

  • Members

 

The dragging out back in the day would have worked largely because there was a much larger cast that allowed for 8-10 stories being told at once with characters circles mainly in their own bubbles which allowed for more time to cycle between stories, so the storytelling was very spaced out but didn't feel repetitive. These days Y&R only tells like 3.5 stories at best (usually about Adam, if not, then Billy) where most of the characters are intertwined, and a lot of the scenes are repetitive. The other problem that has plagued Y&R for years is that the storytelling has been very imbalanced in favor of certain characters (I'm going to use Skyle as an example for this) whereas back then, there were enough characters on the canvas to address different points of views on certain characters that would validate a large variety of users. Where Skyle is concerned, everyone is dogpiling on Sally when nobody else beyond her on the canvas would call Skyle out on how spoon fed their lives have been. Back in the day, Bell would write 2 or 3 more characters that also had an axe to grind with them.

 

Another problem is that Kyle and Summer suffer from Michael Corinthos syndrome where they are still written as if they're 18-19, particularly with the heavy involvement of their parents in their stories. They're not characters that stand well on their own and should have been established by now given how long they've been on the show for.

Edited by ChickenNuggetz92
Link to comment
Share on other sites

  • Replies 188
  • Created
  • Last Reply

Top Posters In This Topic

  • Members

Not sure why the week's episodes were all on the one day but as discussed above, it didn't make for good viewing. It made some of the story beats in the Kyle/tara saga seem rushed.

There didn't seem to be any sense of progression throughout the day. People just randomly showed up at places. Nikki was at Society twice,the first time for seemingly no reason as later she met Victoria there for her birthday. Maybe this is an editing issue as perhaps she was supposed to be at Society to meet Victoria but then  there was scene in between where she visited Victor so why was she at Society the first time? 

 Summer was  at Crimson Lights, episodes apart.

 Jack just turned up at Society to talk to Ashland.

And all these places are EMPTY.

 Only Victor and Adam were shown at work, although for some reason they earlier met at the Grey Pimple Everyone else was at home or visiting each other.

In the Bell days, there would be an Abbott breakfast scene and then people would be at work, maybe lunching out and so on till the evening.

I know sets are limited but something needs to be done.

 

 

 

Link to comment
Share on other sites

  • Members

I agree with Paul on the location and sets issues. When you notice them, it’s bad.

 

Speaking of sets, why was Jack looking up in the air as he surveyed Lily and Billy’s new apartment? What was on the damn ceiling? Because he looked at it — all around the cramped room — for a long time. Glad Jack wore his suit there, though.

 

And Chance Comm....How desperate is this media company when Billy has no stories except about his own family?

Link to comment
Share on other sites

  • Members

Why? Why all of this hullabaloo over the on-off-on-off Skyle wedding? No one gives a sh!t at this point. Even their stans are bored, I’m sure.

 

This Amanda story doesn’t work at all. Everything is off screen. Sutton needed to be more involved with this story.

Link to comment
Share on other sites

  • Members

I noticed Jack admiring the air or whatever. I felt like they were trying to make viewers feel like the apartment has gorgeous high ceilings that we can’t see. Probably to make us forget that tiny kitchen that we did get a glimpse of. 
I also noticed at the small Society Bar where Abby and Summer sat, there was a dish of olives on the bar. I’ve not been to a bar where they put out a communal dish of olives. A vase with uncut lemons would look a little better.

Link to comment
Share on other sites

  • Members

You are the only one.  No one needs quarterly hostage situations at Phyllis's Grand Penis er Phoenix.

 

The show definitely needs much better stories  (Billy's interrogation of Jack over dinner was beyond  cringeworthy). Pratt and Mal Young's visions of the show went against everything the show had been.

 

Elizabeth Leiner would be fine if her story was just in Kyle's orbit.  They appear to want more from Tara.  A stronger actress (or one with more daytime/theater experience for her to go toe to toe with Peter Bergman, the Staff, etc.

 

Looks like Elena may be on her way out.  I could think of five ways to keep her in story...

Link to comment
Share on other sites

  • Members

So Harrison gets a bedroom set but no one else does??

 

Victoria meets with Nikki at Society and then goes back there for dinner with Harrison?

 

If they're going to have these meeting places then there needs to be at least one other choice.

 

Has Lily made any references to her children or past marriages, or are we to treat her like a new character?

Link to comment
Share on other sites

  • Members

I want stories, but definitely not so far gone that Pratt or Mal or MAB would be a step up. Yet the writing is… puzzling, both on a longterm story and a day-to-day script level. I would love be a fly on the wall in BTS meetings or story pitches. 
 

Y&R hasn’t been able to find that balance. It’s either the batsh!t-crazy sensationalism of Pratt or the wheel-spinning of late.

 

CBS continues to promote the show as an unfunny sitcom, which is telling. It also doesn’t feel like a show for adults. Like I know Y&R aspired to be more ABC-ish in the past couple of decades, but it’s beyond that. The tone feels like some cheap, chirpy Canadian soap opera that got cancelled in the mid-‘90s and no one remembers.

Edited by Faulkner
Link to comment
Share on other sites

  • Members

I think Lily mentioned Charlie is in film school in New York and Mattie was still in college. Though I wouldn't mind if they had de-aged them to be teens since their adolescence wasn't shown properly on screen. i.e. better stories not written from a 1985 sitcom. 

Link to comment
Share on other sites

  • Members

Like I also said on Twitter this weekend when I first saw that promo with Summer/Kyle/Jack/Phyllis/Nick. Is this Bill and Lee Phillip Bell's The Young and The Restless. Or a Nicholl Ross West production? 

 

This show is unbalanced in terms of drama which is bad. Not to mention most of the genesis of these stories took place off-screen. Such as Amanda's bio father who used to work at Newman 30 years ago, who was looking for her, and Victor knowing him. We know what Victor was doing 30 years ago, which was being married to Ashley, dealing with a brashy Victoria, and fighting his feelings for Nikki who was drinking, 

Link to comment
Share on other sites

  • Members

 

If characters can be SORASed and be accepted, fans should definitely accept the possibility of de-aged characters to right/write the ship, so to speak. My only concern is that some rabid fan base would try to use it to weasel in, well...you know who, back to the show and nobody needs that. I'm not watching Y&R and even I don't want to see that, lol.

Link to comment
Share on other sites

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • This is a effin shame. Eff Trump and eff the bastards that enable him.
    • I 100% agree but I think this is due to how the show is structured. It's a one family show which means there are no people in her age range that could be used as friends or contemporaries of her. The show definitely needs a second main family. I am glad someone finally said this. Especially now that the cast is gelling in their roles, he stands out like a sore thumb. No energy, no chemistry with anybody. He is just there.  I thought that was odd as well! The previous scene would've worked better as a tag for the credits.
    • That's the one and only Carrie Nye (Mrs. Dick Cavett) as Susan Piper, a deadly realtor. I don't want to spoil a lot if you ever want to see those episodes. She returns as another character in 2003. I think Grant has aged well and he always did a good job at being ripped without going too far, but he was never entirely my cup of tea either. I did think John Bolger was hot.
    • Totally agree. KKL looks great! It makes the Widge groveling so bizarre. Brooke needs to leave FC and with $B's/Liam's funding launch a rival fashion house with Hope, Rick, Katie and a secret designer. The best scenario is that Rick has been absent because he's been with very much alive C2, who is revealed on the runway as the secret designer. It'll never happen because B&B is comfortable just focusing on FC and the Forresters Marones v. Logans. But it'd been so much more interesting if the Spencers/Logans united.
    • Please register in order to view this content

       
    • Haha that scarf thing did go on a bit too long, very odd. And what a young Rick!  I know this is an unpopular opinion, but I just never got the physical appeal of Grant Aleksander, but he's definitely a great actor. Who is the older lady around the 8:30 mark, and also ends the episode, alone and in pain? She seems like a really interesting character. I love the smoky voice and sultry, snaky vibe she seems to have.
    • I can't remember exactly but I think she lives in or is part of the cottage story with Carrie. Carrie poisons her in this episode.  I forgot Teresa was on the show. (I see that AI is insisting she wasn't - well they're wrong) Poor Maeve. I can how even she had her limits. 
    • It pisses me off that the other Duprees are making this incident all about them as well. They are playing a family of victims, acting as if Ted cheated on all of them. They should be supportive, but not like this. I have a family that makes anything that happens to me personally all about them, and seeing the same thing on TV is rage-inducing.
    • There are the makings of good Emmy reels in these past couple of episodes, but the industry is still going to favor even the most mediocre stories and performances on the older soaps. And with the pressure from the government over race I can see the academy shutting out Beyond The Gates to avoid criticism from the administration and the far right media.
    • oh, definitely! It's too bad she hit the start of a rough transition period for the show. She shines, but she's stuck with bad story and some (if not exactly bad) not great co-stars.  Uh, who did Maureen O'Sullivan play? (Sigh--and only if I'd understood exactly who and how wonderful Teresa Wright was in '86) God, the summer of '84 was literally one event after another. Kim's outfit alone must've been worth a small fortune. And poor Maeve. She looks so uncomfortable. Rebecca Hollen told a story on Locher Room where Maeve dropped the f-bomb during the shooting of it. For some reason, she wasn't being listened to, and had just had enough. As a producer, I would've been holding my breath as my pregnant actress kept walking around strange and undoubtably uneven sets in that long skirt.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy