Sorry if this was already posted. Some channel has been uploading various material from 1992, with commercials. These never stay up long:

 

1 hour ago, DRW50 said:

Sorry if this was already posted. Some channel has been uploading various material from 1992, with commercials. These never stay up long:

 

Great find! Looks like the episode is mislabeled (this and the AW episode are actually April 14, 1993). But GREAT quality!

36 minutes ago, beebs said:

Great find! Looks like the episode is mislabeled (this and the AW episode are actually April 14, 1993). But GREAT quality!

Good catch. 

They have a few others too.

Some rare clips of Julie from the 60s and 70s are included in this interview, including one of Julie with Addie at the hospital just after Hope was born.  All brief but it's good to know they're available.

 

54 minutes ago, jam6242 said:

Some rare clips of Julie from the 60s and 70s are included in this interview, including one of Julie with Addie at the hospital just after Hope was born.  All brief but it's good to know they're available.

That was great! So much of that was new to me. I'm always fascinated by seeing early split screen tech from those years. And all those lovely Horton family scenes. You are reminded of what good, natural, yet emotionally intuitive acting those times had.

I loved getting to see some of her reactions to stories, especially her deadpan at them choosing to have Doug stabbed in the throat.

Edited March 31, 20223 yr by DRW50

36 minutes ago, DRW50 said:

That was great! So much of that was new to me. I'm always fascinated by seeing early split screen tech from those years. And all those lovely Horton family scenes. You are reminded of what good, natural, yet emotionally intuitive acting those times had.

I loved getting to see some of her reactions to stories, especially her deadpan at them choosing to have Doug stabbed in the throat.

The oven fire scene. I knew they'd had a double for Julie, but didn't know that Suzanne Rogers actually had to roll the double into the rug/blanket. 

wow it was great seeing those old clips of the fire in Maggie's farmhouse and Julie visiting Addie in the hospital.. come on days, show us more of those precious old clips. treasure!!! 

Imagine the pressure on Suzanne Rogers to get the scene right

15 hours ago, jam6242 said:

Some rare clips of Julie from the 60s and 70s are included in this interview

Thanks, I loved this and the earlier video with Susan interviewing Suzanne. I've long given up on any hope of decent storylines on this show, but I still tune in to see actors/characters -- and these two are at the top of my list. No matter what the writers have done to Julie and Maggie over the years, I still see them as the complex, compelling and emotionally rich characters they once were. Kudos to both ladies. 

16 hours ago, jam6242 said:

Some rare clips of Julie from the 60s and 70s are included in this interview, including one of Julie with Addie at the hospital just after Hope was born.  All brief but it's good to know they're available.

By all accounts most, if not all, of the run is available and frustratingly, they keep proving it by throwing these scraps at us.

FIRST "DAYS" PERSON SPOTTED IN 1950 CENSUS...

The 1950 census was released to the public yesterday. It's too early to easily search names (it will take awhile for the names to be correctly typed in by humans to make it easier to search), but in the meantime, early results have found "Days" co-creator Irna Phillips. If you search and find any "Days" actors or crew in the coming months, let me know! Here's Irna living with her family in Chicago. Her job in 1950 is listed as author for an advertising agency.

 

 

1950 CENSUS: TED & BETTY CORDAY...

With the 1950 census released to the public yesterday, here's a look at "Days" legends Ted & Betty Corday living with their son Christopher in New York. With the census being done in April 1950, "Days" executive producer Ken Corday (who was born in June 1950) just missed out on being included in the census.

 

 

I love what I call the "beautiful downtown Burbank" lighting in those scenes from the '60's and '70's.  It's so artificial, and yet, it doesn't feel like vintage NBC without it.  (See also: "Sanford and Son.")

 

  

"I couldn't love you anymore or any less than I do at this moment, Will.  I'm so proud to be your grandma.  Now, let's go shopping for some blazers and pastel-colored jumpsuits!"