Jump to content

Y&R: Week of January 26, 2008


Recommended Posts

  • Replies 121
  • Created
  • Last Reply
  • Members

OH I'm totally with ALL of you. SHRAD forever! Seriously though, DD & SC had oodles of chemistry, dating back to their sudden friendship when Cassie died. She should have never ended up with Jack, just like Brad should have never married Victoria. The opportunist in him would have gotten to have his cake and eat it too with the huge divorce settlement I'm sure Sharon got due to Nick's indiscretion. What a shame and a missed opportunity.

I hope beyond all hopes that my Brad shows up in Genoa City again someday, or even on B&B. Can you imagine the chemistry he'd have with KKL and Leslie Kay? DY-NO-MITE!

Link to comment
Share on other sites

  • Members

Well, there are lots of ways to play it.

(1) He was so depressed, so at a crossroads, he thought his daughters would be better off if he started over...built up his base of support. (Or, he could surreptitiously let at least Colleen know he is alive).

(2) His car died because it had been tampered with ... by Nazis ... by Jana's Czech relatives ... by Lisa Mansfield (is she still alive?) ... and these people have taken him

(3) Plain and simple....exposure....reduced blood flow...history of heart attack....he has a cerebrovascular incident that affects his memory. He starts a new life with his rescuer. (Think Carl Willliams).

I don't reall care :-). I just don't want this character wiped out permanently. Or else we'll get his Scottish actor lookalike some day...and I'm not so thrilled about that.

Link to comment
Share on other sites

  • Members

Uh. Who? Ian Buchanan comes to mind and now I'm confused.

RIP, Bradski. :(

P.S.: I was disappointed by the whole Noah-falls-through-the-ice sequence. Brad crawling towards him was quite tensely (and well) done, but when we didn't see the fall through the ice itself, you knew that Y&R's budget cuts were hitting deep. Five years ago on GH, Carly (then played by Tamara Braun) fell through the ice and the viewers saw the whole thing. I did like light of the lamp going out at the every end of the epiosde, though.

Link to comment
Share on other sites

  • Members

Sorry to bump up last week's thread, but something has been weighing on me... I also apologize for the length. Rather than get p*ssed of by it, just skip it, okay :).

Now, it is funny, because in one press interview, Morrow almost agreed with all of you. At the very least, in a self-deprecating fashion, he said that Nick could be played by "any guy with abs".

But here is the thing: You're all wrong :).

Full disclosure: I LOATHED Joshua Morrow's Nick almost from the beginning, and I thought he was a horrible actor. Recent flashbacks (like when he proposed to Sharon, or carried her over the threshold of their cottage) affirmed that for me. He was all dimples and sappy line readings...but there was no genuine emotion underneath the performance. I also hated that (newly-revealed) pickup-truck driving Nick was such a far cry from what I believe would actually have emerged from a Swiss boarding school education. where was the class and the culture?

Second full disclosure: After totally digging Nick these past few years, I also am very angry with the character right now. I think the way he is treating Phyllis is AWFUL. He married her! He should have put on the brakes with Sharon. But even beyond that, he should not have gone STRAIGHT HOME and PLANNED TO LEAVE! Just how little commitment does this donkey have anyway??? One f*ck, and he's off??? Argh!

But, even with those acknowledgments, I honestly believe that Morrow is one of the best actors on the show, within a certain context.

Said differently, Y&R has (among its capable performers) two kinds of actors. It has the "genuine thespians", who give naunced performances and for whom every single line reading is obviously a carefully thought out set of choices. Peter Bergman and Christian Leblanc are obvious examples. I like them both...but they are mannered actors whose process is, for me, very much at the forefront. In that sense, I view them as performers...not characters or flesh-and-blood living creatures.

Then we have actors who basically just play themselves. Eric Braeden is the quintessential example. When I watch Victor, I lose the sense that this is a performance. I realize that discredits Eric's process and work, but really, I just see the character. For me this is the highest mark of a performance...when I can't tell that someone is acting.

So it has become with Joshua. He used to be nothing but a line reader...but there were flashes in the mid-to-late 90s when I started to notice a chance. The first scene that sticks in my head was when little Cassie had a slumber party, and the girls were all shrieking over the Spice Girls Movie. Morrow played that he was in hell, but also that he loved his girls. It was a rare bit of humor for the then-staid Y&R, and it was one of the first times I felt Morrow's natural 'cut up' personality was allowed to seep through. And in that moment, there was an instant likeability for me. It felt real.

Then, when Noah was born, and he was premature, and Nick and Sharon felt he had died, and they fled the hospital to grieve with one another. Morrow let himself go in that scene, and he was good. That scene had some personal resonance for me at that time...and I'm here to say, it was a genuine performance.

Somewhere around the time of Cassie's death, and with LML's transition, Morrow got the instruction (or the inclination) to start playing himself. Suddenly, we heard the "dudes" and "chicks" and all the Morrow-isms that have come to infuse Nick. Rather than view that as "can't act", I viewed it as "beginning to BE rather than PRETENDING TO BE". As soon as that happened, Nick felt real and relatable and honest...not a performance. And I have loved Morrow ever since.

I really think Morrow deserves a second look from all of you detractors. I really think he brings a verisimilitude...an absence of artifice...that many daytime males would be wise to emulate.

I close with the master, Eric Braeden's, own views on this topic:

Link to comment
Share on other sites

  • Members

I'm glad someone likes Joshua for something besides the abs. Although, I could literally watch that classic reveal twenty times a day...

This week, though, he wasn't as expressive as I would've liked. I mean, Sharon tells him that he's the love of her life and he didn't react in a way that I thought not only he should've but he could've. Then when he faced Phyllis, it was the same blank expression on his face. Very unfortunate.

My favorite scenes of Joshua's definitely revolve around Cassie's death. Her final hospital scene and the scenes when he lost his memory and he finds out she died again. There was something so real about those moments. I wish he could express those emotions of anguish as well as he would guilt or fear or relief or confusion or disgust. Like when he found Victor on the ground from suffering an epilepsy spell last summer. I wish he was more torn about it than he expressed. He definitely doesn't have a range. But he's not the absolute worst on Y&R.

And I'd rather watching him nowadays than the habitual performances from LeBlanc and Bergman.

Actors are supposed to breathe life into their characters and those two have stifled them to death. I agree MarkH, Morrow has breathed life into his character. But he has a long way to go still.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Oh wow that’s pretty awesome! I wish I had  approached him but there was so many people 
    • In the current environment, while it's small, there is a crumb of good news: Apparently, San Antonio voted for a DEMOCRATIC mayor, Gina Ortiz, beating the "right-hand man" of Gov. Greg Abbott, former Texas Secretary of State Rolando Pablos. https://thehill.com/homenews/campaign/5337199-gina-ortiz-jones-wins-san-antonio/
    • Love this! You are both adorable. Wow
    • I have not gone back to watch much of 1987, but from what I've seen lately, it doesn't feel like the writers or producers had any sort of plan. The show feels as if it's constantly in flux.  I will give it credit for this. It's watchable for the most part minus Lisa/Jamie which I find nearly unwatchable now.   I don't find Cheryl mousy. I think she has a lot of quiet strength, but she was saddled with the Scott romance which the writers did not invest in. She had a good friendship with Julie (also criminally underused), and her interactions with Ada were enjoyable as well. I also like Layman, but Spencer was extremely talented and when Cass returns, Schnetzer and Spencer have some wonderful scenes. Spencer also fits in with Alexander, Hogan, and Marie.  I'd forgotten just how much I missed seeing Wallingford. IT was so good to see him again. Even when they didn't have a major plot, Felicia/Cass/Wallingford/Mitch always brings a smile to my face.  
    •   Dani’s cute ass party planner. He gave me some tea but I was so drunk I don’t remember it.
    • NBC must have been grateful to have LHOTP, it's only hit and still strong after several seasons. Their next established show was Rockford Files at 45th. They didn't develop any comedies and relied on movies and mini series  which didnt establish viewer loyalty and habits. Their only new hit was mid season's Project UFO which debuted Feb up against Rhoda/On Our Own on CBS and How the West Was Won on ABC. It opened with a strong 36 share beating CBS and close to ABC as HTWWW had a 36 share over 3 hours. The next week UFO saw a respectable 32 share, then a 31 so it was slipping. A 28 share followed but a few weeks later it jumped back up to a 34. So no blockbuster but compared to what else they had, there was potential, So next season NBC sent it to Thursday up against Mork and The Waltons and it bombed.  They were smart to see potential in Chips, which took off on Saturdaysnext season. ABC was on a roll with Love Boat, 3's Company, Taxi, Eight is Enough adding to their hits. Their only real flops were Redd Foxx and San Pedro Beach Bums, an Aaron Spelling misfire. Like Redd Foxx, Harvey Korman was lured to ABC but his series was a filler that did well but was considered a time slot hit. Nancy Walker and Rob Reiner were also given series on the philosophy that not only were they popular names, their absence from popular shows like Sanford, Rhoda and All in the Family might weaken those shows. CBS were relying on old favorites. Betty White was strong the first few weeks then faded. Incredible Hulk was their strongest newbie. It was lucky for CBS that NBC was doing so badly or else some of their weaker shows would have really suffered.
    • That outfit looks like something Martin would wear lol.
    • Omg not we both ran into people from the show this weekend!
    • I guess he was let out the gates, because he's outside. 
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy