Jump to content

Recommended Posts

  • Members
Posted

The UK soaps seem to have fallen into the same rut as the US soaps where they just constantly swap producers and writers. I agree stronger producers are needed for sure. It's clearly lacking.

  • Replies 8.7k
  • Created
  • Last Reply

Top Posters In This Topic

  • Members
Posted

If not for PBS, I would have never discovered EastEnders, so this does hurt a bit even if I don’t follow the PBS run which is like a decade behind anyway. 

I think a PBS affiliate in North Carolina still carries the show and does a regular fan event where actors visit. Don’t know if that even still happens though.

  • Members
Posted (edited)

I don't know. I just know that it was watching this particular PBS channel (I had access to about three PBS stations growing up) that I first remember watching EastEnders.

To be honest, I am surprised the show lasted this long on WLIW, for one, because they moved it away from what I referred to as the 'Brit bloc' of programming on Friday nights, which included shows like "Are You Being Served?", eventually moving it off Friday nights entirely.

I just remember never knowing how to find the show. At one point, it was moved to almost midnight and I couldn't stay up for that. I probably stopped watching around then. I had no idea that they eventually moved it to Tuesdays.

That's not even getting into the aspect of the show being at least a decade behind. In the age of the Internet, streaming and VPN, I'm guessing that would not go down too well.

Nonetheless, it's sad, for all the people who were still watching. Maybe Britbox(is that still available?) or some other entity might pick up EastEnders. Paying a subscription fee is not the same as watching on a public broadcasting network and having the luxury of dodging pledge drives.

I could have sworn seeing something, like a months old tweet trying to fundraise-- it sounded pretty desperate, tbh, so I don't know how successful they were in their efforts.

Edited by DramatistDreamer
  • Members
Posted (edited)

I think BritBox has Corrie, Emmerdale and EastEnders but I could be wrong. I've never tried to subscribe to it. Do any of the "official" subscription based services have a 'full library' of these shows? Or is it just 'recent years' starting with like 2010? lol 

 

There's a blog out there with lots of old episodes of the UK soaps, but you'd have to download them from FileFactory. It's a great source though.

 

I was honestly shocked some local PBS affiliates were still showing EastEnders. I know for many of them it was still getting eyeballs it seems. Why keep airing it if it wasn't? I think a Florida affiliate was showing episodes earlier this year. I'll have to check if they still are.

Edited by KMan101
Posted (edited)

It's sad that PBS will no longer air EastEnders. I discovered the soap around 1993. And fell in love with EE. I have long stop watching it on WLIW 21. Before that EE aired on the now defunct WNYC channel 31. Before that station was sold in 1996.  If i wanted to watch a current episode. I would catch it on either YouTube or Dailymotion. 

Edited by victoria foxton
  • Members
Posted

I do believe it's the BBC that's pulling the episodes from all PBS stations.  They probably want people subscribe to BritBox, which sadly doesn't have any of the older stuff. Just the newer episodes from the past 90 days. The episodes are usually available to watch within minutes of the UK broadcast is ending. But current EastEnders is so much worse than the stuff from years ago. 

  • Members
Posted

i rewatched Kush's exit.. Poor fella left EastEnders for Holby City and BBC pulled the trigger on HC and axed it after the current season in 2022

Please register in order to view this content

Imagine leaving a show for another just to end up jobless after the current season.

  • Members
Posted

And BBC is known to be quite stingy about licensing their content. Now that you have Netflix, Hulu, Britbox and Acorn, it will be easy to leave PBS stations out in the cold.

For example, Sesame Street went to HBO for first-run episodes, leaving PBS with, what is essentially repeats.

 

  • Members
Posted

 

It must be BBC. It's interesting how Drama can air EastEnders classic episodes but they don't put them on BritBox? I mean, seems silly to not leverage the classic years?

  • 3 weeks later...
  • Members
Posted

Adam Woodyatt confirmed that he won't be returning to EastEnders as Ian Beale when he has completled 'I'm a Celebrity'.

I can't say that i am upset. I didn't liked him for years ever since the 'who killed-Lucy' plot in 2014-15 he became so disgusting as a character Ian and i was so happy when i heard that he is finally out.

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Maree Cheatham     pg. 403

      Please register in order to view this content

            MATLOCK Sister Peggy (1) 2025   Ray Wise    pg. 428 movie THE WOLF IN THE WELL    Roland Carmel    2024 THE NAPA BOYS    Officer Toland   2025   PodCast HAVOC TOWN      Josiah Abbess       2025    
    • Vernon is an idiot. Why would he have Sharon in the same hotel that Leslie is staying at?
    • Yes, that out of the blue return was odd. Maybe GG found a forgotten clause in the contract he signed when he was wooed to ABC and they were forced to take him back! Like George Reinholt he talked about the contract that promised him primetime roles. But it was loaded in the networks favor. I think it was Gloria Loring that re-signed at Days on the promise of primetime opportunities, but that was all it was- she was put up for guest spots and TV movies but not necessarily guaranteed that she get the role.
    • I still am baffled by why Monty brought back stunt hire Gerald Gordon in the early '80s out of nowhere for like a year. I haven't found anyone who can come up with a thing he did in that second stint of note.
    • It's interesting to watch this having watched The Doctors. I'm not sure I'm seeing that much of a difference in the characters Gerald Gordon and Anna Stuart played on The Doctors and what they're playing here.
    • I keep forgetting a huge chunk of that year was written by scabs. You're probably right, because by the time the strike was over, they were likely planning an exit for Alan's character as it must have been obvious by then that Bernau was not going to return. If he was still there, it's also doubtful they would have approached MZ and MG about coming back. Wild.
    • And to think the original plan was for David and Lesley to have an affair.  Not only would that have made no sense - Lesley wasn't THAT stupid, lol - but it also would've ruined her and GH.
    • Please register in order to view this content

       
    • Week ending March 5 1978 Second season shows are tested CBS finishes first week in March with stronger than usual 1 9.5, but not enough to beat ABC The prime -time ratings pattern continued to hold steady for the week ended March 5, and attention increasingly turns to second season entries as the networks probe one another's weaknesses or cover their own. As usual, ABC -TV won the week, scoring a 20.5 average rating. But CBS -TV was closer than usual with a 19.5 average garnered with the help of several strong specials and movies in addition to some of its dependable series regulars. NBC followed its habit of plummeting when its "évent "entries failed. In this case it was the miniseries, Loose Change, which scored only 24 and 22 shares on Monday and Tuesday, leaving the network with a 16.9 average rating for the week. Looking at new series and new time slots, ABC's Six Million Dollar Man on Monday (8 -9 p.m. NYT) continued to falter with a 22 share, while What's Happening, in its new slot on Saturday (8 -9 p.m.), also remained shaky with a 23 share. Starsky and Hutch is still healthy with a 38 share in its new slot following Charlie's Angels on Wednesday, and How the West Was Won also had a 38 on Sunday (8 -9 p.m.). Against West CBS's Rhoda and On Our Own came in poorly for the second week in a row of face to face competition, with each pulling 25 shares after a 41 share lead in from 60 Minutes. ABC's special two -hour presentation of the upcoming series tryout, Having Babies, scored a 27 share on Friday (9 -11 p.m.) against strong competition from both the other networks (the movie "Ski Lift to Death" on CBS and Rockford Files and Quincy on NBC). For CBS, its new Monday night leadoffs, Good Times and Baby I'm Back, scored so -so 27 and 28 shares respectively. But the second half of the night had its best performance since the new line -up came in- M *A*S *Hwith a 45, One Day at a Time with a 41 and Lou Grant with a 36. Celebrity Challenge of the Sexes and Shields and Yarnell showed no signs of reviving on Tuesday, with 16 shares each, but the new Tuesday movie slot held up with a 41 share from Clint Eastwood's "Magnum Force." The network's entire Saturday line up continued to limp in, as Bob Newhart Tony Randall, The Jeffersons, Maude and Kojak all scored sub 30 shares (with the exception of Newhart's 29, in fact, all scored sub -25 shares). NBC premiered its new Chuck Barris Rah Rah Show on Tuesday (8 -9 p.m.),when it pulled a 24 share. The second episode of Quark had a 27, three points down from its premiere. There might be the temptation to conclude that the 29 share turned in by the National Love, Sex and Marriage Test on Sunday (9:30 -10 p.m.) proves the appetite for "sophisticated" subject matter is not insatiable after all, except that its competition was not only CBS's strong comedy block but also ABC's rerun of "The Way We Were," which pulled a 35 share. Of NBC's other midseason entries -CPO Sharkey, Black Sheep Squadron, James at 16 and Class of '65 -CPO Sharkey turned in the highest score of the week, a 27.   *NBC were in dire straits at this point relying on movies and specials which could hit or bomb in equal measure.  Fred Silverman had his work cut out for him when he arrived that Summer. He favored sitcoms and series as the schedule's foundation and NBC had no sitcoms to build on and few solid series. He also had a big backlog of specials/mini series that had been committed to air. Also NBC had a long standing relationship with Universal so he was forced to work with that studio. He struggled to get quality producers on board as they were either tied into deals with ABC/CBS or were wary of having their shows on the 3rd rated network. He still felt variety had a place on the schedule however and that lead to duds like Susan Anton, The Big Show and Pink Lady and Jeff.
    • Please register in order to view this content

       
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy