Love of Life Discussion Thread

[Tisy-Lish]

Does anyone know which head writer introduced the Marriott family?  That is about the time I noticed something important had changed in the writing for Love of Life. Everything was really falling apart, and I could hardly get through an episode.  But I will admit, Hugh Marlowe's son was a beautiful man. He played the Marriott son, maybe his name was Andy.  Not sure.  

[dc11786]

From what I remeber reading, it seemed as if it all completely falls apart post-Labine and Mayer around a year later when Ben is sent to prison around June 1976. Ben's departure undoes one of the major story threads that had carried the show for many months. Without a catalyst of Ben's ilk in the wings, there wasn't much to carry either story for the two women (Betsy and Arlene). Arlene was briefly paired in a one-sided attraction with Ray before becoming involved with Ian Russell. I believe the Schneiders introduced Ian as a suave businessman interested in Arlene who was also considering a dalliance with Meg. That would have been delightful but Upton arrives and quickly shifts the narrative to Arlene as a kept woman / prostitute (though I only think she was sleeping with Ian, but maybe I'm wrong). 

I think it is Upton who transitioned Ben from complicated heel with a romantic appeal to a tortured, brooding romantic lead with a complicated past. I'm not sure that was the smartest move. Upton must have believed that Ben's near rape was his redemption arc, but I don't think it was enough. There is something deliciously wicked about Ben becoming involved with Mia after the death of Mia's stepson Jim Marriott, who had confessed his love for Mia before racing off on his motorbike and being hit by Ben's car. I could see the appeal, but I don't think it completely worked. 

There should have been an angle involving Betsy (who had been a reporter I think when she first appeared) investigating Jim Marriott's accident, possibly with Jamie Rolins who was I believe district attorney. Betsy and Ben growing closer as Betsy grows closer to the truth. Ben confiding in Mia as Andrew continues to make Ben his surrogate son setting in motion the same dramatic situation with Andew's second wife being in love with his son/surrogate son. 

I think Betsy and Jamie Rollins were together while Ben was in prison, but I don't think they had much to do. I may be wrong. Meg should have gone after custody making it seem like Jamie and/or Betsy were unfit leading to a case with social services which would have brought Diana Lamont back into the mix causing emotional angst for Diana as she works with Jamie to provide him the child she couldn't. 

The Felicia / Eddie / Charles stuff seems rather generic once you get to Charles' paralysis and sexual dysfunction. Felicia's pregnancy and her death seemed to bring an end to a story that really wasn't strong enough to be frontburner.

The Lynn Henderson stuff always seems rather movie of the week rather than developed for an ongoing story. 

In the past, I agreed that it might have been possible that the story had become so disjointed that they needed to freshen up and add new story elements as Upton did but others have suggested that the elements themselves should have just been considered.  

For example, I'm not a huge proponent of Rick and Cal as a couple, but I do think there was some mileage of actually reintroducing Barbara into the mix trying to reconnect with Hank, carrying a torch for Rick, causing conflict in the Sterlings marriage with Bruce and Van taking sides over Barbara vs. Cal, and Barbara maneuvering her way into the Beaver Ridge Complex making her business partners with Rick and Meg, which would give her a new rival. 

When Ben returned, there should have been a question of how true his redemption was rather than just jumping in head first to a new role. 

I think the Schneiders might have been script writers for Ann Marcus on "Search for Tomorrow," but I may be wrong on that. 

Upton introduced the Marriotts in Janaury, 1977. Christian Marlowe's Andy Marriott seemed to be in the mold of Ben. I don't know if the story was any good, but I think Upton towards the end hinted an Andrew / Meg / Andy storyline which I thought would have been interesting. I think Upton had some interesting concepts, but from my understand, the execution was awful. 

[Paul Raven]

Upton introduced a slew of new characters which must have had viewers heads spinning. And then Jean Holloway wrote all of them out. No wonder viewers switched off.

And now we return to Love of Life...

Charles, after a long period of refusing to admit he’s paralyzed, has had to accept his new life in a wheelchair, but insists that only Felicia care for him. Despite her growing exhaustion, he refuses to consider hiring a nurse, and Felicia, under the weight of her self imposed guilt forfeits her art work to accede to Charles’s demands and devote herself entirely tohis needs. She tells herself that being a prisoner in this house is her punishment and refuses to allow her mind to drift to Eddie, who had opened her mind to new levels.
Despite Dr. Cusack’s insistence on additional help after Felicia’s first collapse, Charles continues to insist that only she can administer to him. But Felicia collapses again, this time with viral pneumonia, and a nurse is brought in. Felicia’s condition worsens instead of improving, causing Joe to speculate that it’s due to Charles’s subtle encouragement of Felicia’s guilt feelings and her own self-punishment. Eddie visits her, even though they decided not to see each other any more because of the emotional pull between them. In the delirium of a spiking fever Felicia calls out for Eddie. Joe feels she has reached a crisis and wants her in the hospital, but Charles is still clinging to her. When Felicia finally passes the crisis point and recovers, Sara warns her that she called for Eddie and must be more careful in the future.

 The district attorney charges Ben with fraud and conspiracy. Meg puts up his bail. As Arlene, terrified of jail, is taken into custody, Carrie has an attack of chest pain. Ben continues to try to prove to Betsy that he loves her and has grown up, but circumstances continue to make her question his motives, and she rejects his overtures.
Arlene, questioned by the court officer preparing the court report, cynically states that the rich, like the Harpers, always get away with everything and she will take the rap. She accidentally slips and mentions the forged divorce papers, and the officer notes this.Carrie is hospitalized. Joe suspects a dangerous thoracic aneurism, but then, all heart involvements
are dangerous. Arlene wants to stay, but has to go to court for the sentencing. Ben, at his own insistence, makes a statement absolving Arlene of all responsibility, saying her only crime was loving him too much. The judge takes this into consideration and sentences Arlene to six months probation. However, when sentencing Ben, he explains that new evidence has turned up—the forgeries—and Ben is sentenced to one to four years. Ben asks to begin serving his sentence immediately.
As Ben tried to arrange financial aid for Betsy through Jamie, she visits him in jail, saying the offer was “decent” but this is her baby. When he insists the baby was conceived in love, Betsy claims he was only pretending love. When Ben tells her to tell the baby that “there was a father who would have really welcomed him into this world,” Betsy rushes out in tears,
and Ben starts to cry.
Jamie, having waited patiently for Diana to recover from her emotional depressionn,now tells her he can no longer live with her as brother and sister. Diana replies that they have good memories and have taught each other how deep a relationship can be, but now it is time for them to go their separate ways.
Meg, learning that the child of an annulled marriage is legitimate and the father has rights, sets up a trust fund for Betsy’s baby. Betsy doesn’t want her child ruined by money.

Arlene is having trouble holding a job, despite help from her parole officer, and is under the twin pressures of having to repay Ray’s bail loan and the stunning news that Carrie’s necessary surgery will cost over ten thousand dollars. Carrie, discovering this, checks herself out of the hospital. Joe and Dr. Tom Crawford explain to Arlene that the money end of the
surgery can be handled through the free clinic, but Carrie must have the surgery now. But Carrie’s past due hospital bill has been turned over to a collection agency, and Arlene is out of work again, so she goes to Ray for help. He would like to turn her down, as he has discovered that she was informing Rick of Ray’s attempts to muscle in on Skylar Mountain, but when his influential customer, Mr. Ian Russell, tells Ray he wants to meet that girl, Ray lets Arlene know
he has a job for her.

Meg asks Rick if they can start over together, but Rick has had it and is clearing out his desk. Learning that Ray has withdrawn his backing offer to Rick and that Rick has no available cash, Meg calls his bluff. She sets a price on her share so high that Rick can’t touch it, and sets her price for buying him out so low that he would have nothing left. Rick and Cal decide to elope and tell everyone afterward. But Meg gets wind of the plans and confronts them in Rick’s office. She blurts out that Cal is not the only one who loves Rick and that she and Rick were lovers as recently as a month ago. Rick tries to explain to Cal, but she is revolted and takes off in her car. When she runs it off the road, she takes off on foot, and is found, exhausted, by a hunter, who calls the highway patrol. When Rick arrives with Joe,. she refuses to let Rick anywhere near her. Cal refuses to believe Rick’s assurances that he’s really through with Meg, and makes plans to go to San Francisco. Meg, learning from Jamie .that Rick is severing their partnership, informs her lawyer that she wants all monies in both Beaver Ridge and Skylar _
Mountain tied up, and she wants Rick ruined.

Rick follows Cal to California and tells her he has given up everything to prove that Meg means nothing to him. Cal insists that she feels nothing, but relents when Betsy calls, confirming everything Rick has said. She then admits that she loves him but says it won’t
work. But Meg has followed them and confronts them in Cal’s hotel room. She informs Rick she’s bringing a suit against him for breaking up their partnership and this will ruin him. Rick quickly points out that Meg just defeated herself rather than him, because Cal had refused to marry him, thinking her mother loved him. Seeing what Meg’s “love” is, there is no reason for Cal to deny her own love for him.
 

[Paul Raven]

More from 1976

Lynn, apparently making every effort to overcome her alcoholism, accepts a baby-sitting job. However, when the baby starts crying, Lynn begins to get nervous and takes one drink, then another. By the time Bruce and Van arrive home, Lynn is on the floor, ineffectually trying to find the doctor’s number, sure the baby is ill. When the mother arrives; she vows to
let everyone know what goes on in the mayor’s house.Bruce insists that Lynn has to go, but Van, learning that Lynn can’t remember drinking the cooking sherry, calls Joe to report Lynn’s blackouts. Joe wants her institutionalized but gives in to Van’ s pleas that Lynn needs loving attention.
Eddie has sent some of Felicia’s work to a New |York gallery owner and reports to Charles that Lisa Cooper wants to exhibit Felicia’s work. Charles refuses to tell her this and later admits he feels he has “cowed”her attention because of his being confined to a wheelchair.
What Charles doesn’t say is: that he’s plagued with fears she’ll leave him for another man.
Felicia is exuberant as she starts painting again. She tells Charles how she feels about it, but, jealous of anyone or anything that takes attention from him, Charles tries to undermine her confidence. Eddie finally professes his love for her. He will be happy to step forward
if she will only let Be and admit that they belong together. Charles tries to stop Felicia’s ‘trip to New York by making her doubt her own work, and when that fails, he finds business reasons at his bookshop to keep Di, his ex-wife, who is running it for him, from accompanying
her. Felicia finally decides it’s not going to work and tells Eddie they might as well call it off. Instead, he arranges for Lisa Cooper to come to Rosehill.
Charles is rude and insulting to Lisa when she arrives at the house to view Felicia’s work, and his derogatory remarks about shady gallery dealings prompt Lisa to tell Eddie that living in such an atmosphere could permanently stunt an artist’s development; if Felicia is subjected to this indefinitely, it’s not even worth Lisa’s while to take her on as a client.
Felicia finally decides she can’t be torn apart any longer and must accede to Charles’s demands. She tells Eddie her career is over and she won’t paint any more, breaks down in his arms, crying bitterly, then pulls away, unwilling to acknowledge that her feelings for him are deeper than she dare face. Charles is delighted when she prepares to dispose of her art supplies, insisting everything will be fine once she has accepted that this part of her life is over. But she cannot do it. She promises him that he can set the limits and terms, but she must paint.
Arlene discovers that her mother is planning to avoid the surgery she needs, and the accompanying medical bills, by leaving Rosehill and moving in with her sister Dorothy out west. Arlene manages to prevent this by calling her aunt and telling her the truth about
Carrie’s condition. Dr. Tom Crawford has been footing the costs of Carrie’s presurgery tests, but Arlene knows that Carrie won’t like this. So she tells Carrie that David Hart, the son of Meg’s late husband, the former mayor, has heard about their plight and forwarded the money as a gesture of friendship, to be repaid when possible. To convince Carrie that she does indeed have the money, Arlene asks Ray to just lend it to her for a few hours, so she can convince Carrie and then immediately return it. Ray instructs her to get dressed for a night on the town and takes her, out implying that the money will be waiting at the end of the evening. When Ian Russell happens to join them, Arlene doesn’t suspect anything is afoot, but when e
Ray suddenly leaves, she becomes furious, realizing what he’s done. But she finds Mr: Russell a distinguished and cultured man, and decides there’s no harm in having a drink. After cocktails and stimulating conversation, Ian suggests that they go to his place, and Arlene agrees. But when they get there, Ian matter of factly suggests that they skip the preliminaries and get on with it. Ian is embarrassed and annoyed to discover that Arlene is not a professional call girl and that Ray didn’t explain to her the purpose of their |meeting. He is apologetic and solicitous, until Arlene, explaining why Ray felt he could pull this on her, mentions her sick mother in need of an operation. Ian starts to laugh at this overworked standard line, and a livid Arlene storms out of his apartment. Thinking it over, Ian decides he’s more intrigued with Arlene than he is annoyed at Ray, and calls Ray for her telephone number. But Arlene is not delighted to hear from him, and he has to use a good deal of soothing charm before she agrees to have dinner with him at one of the better local restaurants.During dinner Ian again apologizes for his mistake, and he gives Arlene a diamond pendant as a token of
his gratitude for her forgiving him. Ray arrives to interrupt an otherwise enjoyable evening with a business matter, and quietly reminds Arlene that Ian is his customer and she’s not to cut herself in with him. At home, Arlene examines the pendant and is convinced that it’s genuine. She hides it in her dresser drawer, unable to bring herself to show it to her mother.

[Franko]

I hope this played better than it sounds, because I'm imagining two separate scenes (the attack by Arnie, and later Charles getting shot). In my mind, it should have been a fluid single sequence.

I wonder if or how often "bastard" was uttered in this scene.

Fare thee well, Christopher Reeve. I've said it before, but pop culture's gain was daytime's definite loss. Imagine seeing HIM day after day, year after year, decade after decade, conceivably until they stopped producing soaps in NYC.

 

Well, that answers my "bastard" question.

Good lord, the roads of Rosehill are packed with high-strung drivers and/or pedestrians.

More sequences that I hope played better than they sound.

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